Other

    • Posted By: Dark Emperor
    • Comments: 0

    Jonathan Hultén - Eyes of the Living Night (2025)

    cover

    Creating a very unique and ethereal release, today we have Jonathan Hultén (ex-Tribulation) and his sophomore release “Eyes of the Living Night”. Perfectly blending dreamy pop and grunge elements with dark rock and ambient passages, this release creates a very engaging and playful atmosphere that while has not much to do with his early Metal days, it does deliver some excellent guitar work and crafty arrangements.

    Setting a very dystopian vibe with the opener “The Saga And The Storm” and its lush atmospherics, we get a certain Hexvessel-meets-Chelsea Wolfe vibe. This opener leads to more ethereal pieces like “Afterlife” with its pastoral/synth pop elements and the dark folkness of “Falling Mirages” and its lush acoustic guitars. The baritone vocals are always front and center and in pieces like “Riverflame” they deliver raw and unfiltered emotion, perfectly paired with subtle catchiness.

    • Posted By: Dark Emperor
    • Comments: 0

    Izrod - Ulica, trnje i kamenje (2025)

    cover

    Delivering a swift kick to the nuts, today we have Izrod and their crushing EP “Ulica, trnje i kamenje”. Featuring 18 minutes of punishing Black Metal, this Bosnian outfit is ready for war with an incisive and pummeling release. Crafting a dense atmosphere, this EP showcases a very vicious band with a knack for Nihilism and a sound to back it up. If you like bands like Königreichssaal and The Ruins of Beverast and their dense and harrowing take on the genre, this release will be for you.

    • Posted By: Dark Emperor
    • Comments: 0

    Harakiri for the Sky - Scorched Earth (2025)

    cover

    This Austrian outfit has been constantly growing into their melancholic sound with each release, and so has the fan base and reach. With “Scorched Earth”, Harakiri for the Sky reaches a new plateau as their sound is polished, their delivery is impeccable and they still manage to throw in a few curve balls to longtime fans. If you are looking for polished Post Black Metal, this is certainly one of the best releases of 2025.

    Opening with “Heal Me”, we get a very playful melodic mixture of synths, crunchy riffs, and a solid duet between Tim Yatras and J.J. The band’s melancholic capabilities quickly take center stage with the lush “Keep Me Longing” and its nearly 11-minute duration. We particularly enjoyed the powerful riffing that creates very crafty melodies alongside that sense of restlessness that the band always creates with their music. Another perfect example of this is the epic “Without You I’m Just A Sad Song”, another long piece that is full of tempo changes and very cathartic moments, particularly the clean passages.

    • Posted By: Dark Emperor
    • Comments: 0

    Obsidian Scapes - Obsidian Scapes (2025)

    cover

    Unleashing waves of downright filthy old-school Doom Metal, today we have Germany’s Obsidian Scapes and their self-titled EP. With two tracks in this release, the band showcases their raw and punishing power, bringing back memories of the early days of the genre. Highly recommended for those that like grimy and raw music, this EP brilliantly introduces the band to the scene.

    • Posted By: Dark Emperor
    • Comments: 0

    Barshasketh - Antinomian Asceticism (2025)

    cover

    Delivering a swift and brutal start of 2025, today we have Barshasketh and their incisive Black Metal, unleashing all hell with the brutal “Antinomian Asceticism”, the band’s fifth full-length release. With a very punishing and yet highly refined sound, this outfit masterfully creates a ravaging experience through 43 minutes of music. Highly recommended for fans of outfits like The Ruins of Beverast or Blut aus Nord, this release is full of both musicianship and raw savagery.

    Opening with the immersive “Radiant Aperture”, the outfit sets a very hectic and punishing mood with walls of distorted guitars and a solid mixture of harsh and clean vocals, creating a very eerie mood. As “Nitimur in Vetitum”, “Lebenswelt Below”, and “Charnel Quietism” roll around, the band showcases a great balance between atmosphere and speed, with some interesting mood building passages nicely blended with savage guitar riffing and even some doomy tempos. This makes the band’s sound more incisive and pummeling, and separates them from your average outfit.

    • Posted By: Dark Emperor
    • Comments: 0

    Helloween - Live at Budokan (2024)

    cover

    Keeping up with the tradition of epic live releases recorded at Budokan in Tokyo, Japan, today we have Helloween and their intense show of September 16, 2023. Featuring over 2 hours of music, the live album part of this release, is a must have for any fan of the band as the pumpkins show up in full-force with Andi Deris and Michael Kiske on vocals, alongside Kai Hansen and company, belting out the band’s classics.

    Perfectly capturing the band’s high-octane live shows, this release wastes no time to warm-up and kicks off with the 12-minute epic “Skyfall”. The (mostly) reunited band has been making waves in the last few years, both with their eponymous 2021 release and a series of tours. This magical energy is very well captured as the rip through pieces like “Eagle Fly Free”, “Future World”, and “Save Us”, some of our favorite tracks.

    • Posted By: Dark Emperor
    • Comments: 0

    KIR - L’appel du vide (2024)

    cover

    Unleashing a fierce brand of Black Metal that combines the ferocity of Behemoth and the grittiness of Mgła, the enigmatic KIR sets a very high bar with their debut release “L’appel du vide”. With such a vicious sound that is both polished and commanding, this outfit is definitely one of the most unexpected surprises of 2024. Just scratching the surface of this release with a couple of spins, detailed attention and repeated listenings are needed to fully digest the album.

    After a mood setting instrumental intro, the band comes at the listener in full force with the piercing “Monument”. Mixing hellish deep screams with a barrage of BM riffs, the album quickly sets a relentless tone. The drumming in this release is quite polished, keeping a blistering pace as tracks like “Znów” and “Eter” blast away. The Mgła style riffing creates very dynamic and melodic passages, while still not sounding like a copy-cat and greatly enhancing the band’s explosiveness.

    • Posted By: Dark Emperor
    • Comments: 0

    Kildonan - Embers (2024)

    cover

    As a continuation of Vostok, Hamish MacKintosh returns with “Embers”, the debut release of Kildonan. With a very emotionally charged Black/Doom Metal style, this release features six tracks and nearly 40 minutes reminiscent of a mixture of Bethlehem on their “Dictius Te Necare” era, and Death/Doom Metal musings. Creating a very deep and powerful atmosphere, this is one of those sleeper releases that we found ourselves enjoying a lot more than we expected.

    Opening with the dreamy atmospherics of the title track, we are treated to dramatic clean vocals, harrowing harsh screams and a very Doomy vibe with Black Metal infused riffs. Kind of similar to Déhà and his exploits on his solo project as well as some Acathexis thrown into the mixture. We particularly love the piercing atmosphere created by the heavy Doom riffs of songs like “Ioliar-Bhuidhe” and “A Desperate Leap for Salvation” and their contrast with heavier and more brutal tempos.

    • Posted By: Dark Emperor
    • Comments: 0

    Ulver - Liminal Animals (2024)

    cover

    Mostly first released over the last year as singles, “Liminal Animals” marks Ulver’s latest opus, filled with their usual catchiness with a flair of darkness. Dedicated to the late Tore Ylvisaker, this release sees the band continue their dreamy/catchy endeavors of the last two releases, and also push forward with more somber and experimental elements thrown into the mix. Masterfully structured, this album makes all previously released singles come to life and showcase a different side to themselves, so be prepared for some aural exploration.

    Opening with the superbly dreamy “Ghost Entry”, the band sets a very glamorous and ethereal vibe, similar to their last few albums: catchy AF. The transition into “A City in the Skies” and “Forgive Us” are masterful as the percussion and electronics set a very futuristic mood. We have always been huge fans of Kristoffer Rygg’s vocals and the way they blend with the atmospherics of the music and the choir arrangements is just magical. Providing some nice change of pace, “Nocturne #1” has a great cinematic feeling, while the second part further explores more dynamic atmospherics.

    • Posted By: Dark Emperor
    • Comments: 0

    Cyptorium - Descent Into Lunacy (2024)

    cover

    Unleashing a crafty old-school Swedish Death Metal debut, today we have Cryptorium and “Descent Into Luncay”. With a sound similar to bands like Grave, Centinex, old Entombed, and Dismember, these young guys definitely bring back the nostalgia and vibe of the good old late 90’s in the scene. If you are looking for a good meaty Death Metal release to headbang yourself to a chiropractor visit, this is definitely one to check out.

    Opening with “Incarcerated”, we instantly get that grimey old-school production that is characteristic of the genre, and gives the band a very raw and visceral sound. As “Horrid Exultation”, “Inner Decay”, and “A Distant Dream”, unleash their fuzzy guitars and crafty tempo changes, we get that old Entombed vibe alongside some sinister atmospherics.

Pages

Recent Image Galleries