Post-Metal

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    Ghost Bath - Self Loather (2021)

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    As a huge fan of the band’s first two releases, the band continues to struggle to find a new identity. With “Starmourner” things seemed to be going well as it had great ideas and solid songs, however, “Self Loather” seems a bit too sparse and while it has some fine moments, the band sounds too much like others in those slivers of home. For over 45 minutes we get a mixture of old-Ghost Bath and some odd new elements thrown into the mix, creating an interesting release in some parts, but mostly average.

    Starting strongly with “Convince Me to Bleed”, we get a blistering opening with crushing drums, punishing harsh vocals, and soaring guitars similar to Deafheaven’s pre-2021 releases. With a darker atmosphere, “Hide from the Sun” is an interesting piece with a certain sinister sound that we enjoyed. On the other side, “Shrines of the Bone” and “Sanguine Mask” mix long instrumental and minimalist sections with average heavy onslaughts.

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    Illudium - Ash of the Womb (2021)

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    Unleashing one of the most emotionally charged and disarming releases of 2021, today we have Illudium with “Ash of the Womb”. With a very difficult sound to define, the band mixes elements from acts like Kate Bush, Pencey Sloe, all the way to ISIS and Alcest, creating a very dreamy and yet powerful amalgamation of melancholic sounds. If you are looking for dark, dreamy, but with a hefty dose of fuzzy heavy riffs, this release is one you can’t miss.

    Opening with the moody “Aster”, the band creates a very overpowering atmosphere with heavy distorted guitars paired with Shantel Amundson’s emotionally charged vocals and a slow but steady progression. As “Sempervirens” comes along, the mood shifts into a livelier Post-Rock/Metal territory with a wide variety of guitar progressions, crafty drumming and a solemn bass guitar line. We particularly enjoy how the band transitions between levels of melancholy, while keeping their signature elements intact.

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    Unreqvited - Beautiful Ghosts (2021)

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    Slowly evolving over time, Unreqvited has always pushed the boundaries of Atmospheric Black Metal/Post-Black Metal with its lively and expertly crafted music. With “Beautiful Ghosts”, this one-man project nearly achieves Nirvana, thanks to the unparalleled liveliness and emotiveness of this excellent release. With a very positive and uplifting nature, the seven tracks and 42 minutes of music in this release are plain brilliant.

    Opening with the moody “All is Lost”, we get a bit of the band’s previous style with more lush and ‘bright’ atmospherics. The mixture of harsh screams with dreamy arrangements is top notch, but the simplicity of the guitar work and drumming is what really separates this opener. Focusing more on the atmospheric part, “Autumn Everley” builds slowly into some killer aggressive cathartic moments adorned by a subtle piano track.

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    Lesotho - Summer Wars (2021)

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    Hailing from Boston, USA, today we have Lesotho, an intense trio playing some lush and expansive mixture of Post-Rock with Post-Metal flair. For fans of bands like Caspian, This Will Destroy You, pg.lost, and Tides from Nebula, this release is filled with cinematic aural experiences that are both dreamy and yet intricate and complex. If you are in the market for mellow and introspective music, this is a great place to start.

    This EP starts with the momentum builder “Plusone/Timestwo”, a track that slowly evolves into heavy but dreamy territories thanks to engaging distorted guitars and crafty tempo changes. We particularly enjoy the shoegazey cathartic feeling of this track as it peaks. Our favorite track in this release has to be the engaging “Altar Fire”, and its crafty manipulation of expectations with heavy distorted riffs nicely lined up against sweeping guitar leads and very dramatic crescendos.

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    Agrypnie - Metamorphosis (2021)

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    As one of our favorite bands in the Post-Black Metal space, Agrypnie is finally back with the punishing “Metamorphosis”. Featuring nearly 70 minutes of highly intense music, this release continues the band’s musical evolution with a more defined and electrifying sound. While some Post-Black Metal bands focus on making things a bit too mellow or melancholic, this band achieves the melancholy part with droves of punishing guitars and instrumental passages.

    Opening with “Wir Ertrunkenen”, the first part is an orchestral prolog that suddenly turns dark as Torsten’s hellish vocals nicely weave between punishing riffs. However, this is not the only thing to digest, as the tempo changes keep things fresh. After a pummeling start, “Verwuestung” has a more introspective nature as it slowly evolves into more aggressive and yet melancholic moods. For those looking for the band’s faster and more ‘traditional’ BM side, tracks like “Am Ende der Welt - Teil 1” deliver the goods.

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    Year of No Light - Consolamentum (2021)

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    Nearly eight years have passed since Year of No Light’s last full length release “Tocsin”. Making all the wait completely worth it, “Consolamentum” delivers a monumentally sonically abusive 55 minutes of soul-crushing instrumental Post-Metal/Doom. Competing with the latest Amenra release, this album explores the depths of sound with its punishing onslaughts and nicely evolves the band’s already signature style.

    Opening with a few minutes of drone/atmospheric intro, “Objuration” slowly builds up to massive riffs and oppressive drum patterns. The atmospherics nicely further elevate the band’s sound, creating very contrasting and dissonant sections. The second piece, “Alétheia” burns even slower with a dreamy Post-Rock-ish/Shoegazy intro that gradually escalates into sweet sweet heaviness.

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    ISON - Aurora (2021)

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    Unleashing one of the most dreamy and melancholic releases of 2021, today we have ISON with “Aurora”. After the departure of original vocalist Heike Langhans, many of us were concerned about what direction (If any) this project from Daniel Änghede would take. Instead of finding a new singer, ISON enlisted eight unique singers from different bands/projects around the world to bring additional life to its very ethereal music. The result is one hell of an album that any fan of the band will certainly love.

    The sidereal journey commences with the dreamy opening of “Jupiter”, as the track progresses distorted guitars lead the way alongside Vila’s dreamy vocals. Signaling things to come, this track sets a very hypnotic mood that is continued with the drony opening of “Waves” and the sultry vocals of Cammie Gilbert. Filled with emotive arrangements and a mellow pace, the album title track brilliantly combines Lisa Cuthbert’s vocals alongside Daniel’s in a very.

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    White Ward - Debemur Morti (2021)

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    Marking the release number 200 from the forward thinking label Debemur Morti, Ukraine’s White Ward unleash two very unique pieces of music with their signature style. Featuring anything but traditional elements, this release delivers nearly 18 minutes of enigmatic and highly experimental Black Metal. For the uninitiated, White Ward is one of the most exciting bands of the last few years, with their expertly crafted experimental music featuring heavy atmospheres and an avant-garde mixture of elements and styles that puts them years ahead from their competition.

    Opening with the EP title track, the band first sets a very jazzy and sultry atmosphere that quickly escalates into full on blistering drums alongside a sexy saxophone. Things pick up as the aggressive BM onslaughts proceed alongside crafty tempo changes. If this wasn’t enough, guest vocalist Lars Nedland (Solefald, Borknagar) soaring clean vocals provides a brilliant complement to an already highly intricate backdrop.

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    Olhava - Frozen Bloom (2021)

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    Delivering an relentless wave of atmospheric brilliance, today we have Russia’s Atmospheric/Post-Black Metal/Blackgaze duo Olhava and their mesmerizing release “Frozen Bloom”. Filled with intensity, ravaging brutality, and yet unparallelled beauty, this release unleashes nearly 60 minutes of crushing music. For fans of bands like Lustre, An Autumn for Crippled Children, Heretoir, Alcest, Deafheaven, etc. this release takes the genre to a whole new level of intensity and explosivity.

    Opening with the towering “The Queen Of Fields'' and it’s 20 minutes of sheer intensity, we are treated to lush shoegazey guitars, pummeling drums, frosty harsh screams and crafty tempo changes. The switch between furious onslaughts and more delicate atmospheric dreaminess is one of the band’s strengths and signature moves. The dreamy instrumental “Adrift” paints a more restrained picture with lush arrangements and very introspective moments.

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    Psychonaut / Sâver - Emerald (2021)

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    Featuring two of the most interesting and genre bending bands in Pelagic Records roster: Psychonaut and Sâver, “Emerald” is a massive 35-minute long EP. With each band doing just one long song, we get to perfectly enjoy the moody Post-Metal antics of Belgium’s Psychonaut, and the lush atmospheric intro to the punishing sound of Sâver. If you like Post-Metal and adjacent styles, you can’t miss out on this

    Opening with the introspective and slow-building “The Great Realization”, we get a very nice warmup to when the vocal arrangements quick in and the tempo changes go in full effect. This gives a certain dreamy and mellow effect that suddenly transforms with waves of heavy riffs and harsh vocals. The band’ perfect timing and elegant evolution creates very lively and mellow passages that are nicely contrasted with more dominant and loud yet also melodic sections.

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