Post-Metal

  • Orphique - Consécration Cadavérique (2022)

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    Canada continues to amaze us with their Black Metal talent, with bands like Délétère, Monarque, and Forteresse leading the way, there are plenty of additional bands with unique and explosive styles such as Orphique. As a one-man project of David Potter, “Consécration Cadavérique” perfectly blends multiple styles with sheer brutality and intensity to create a very powerful and punishing release.

    Opening with the moody “Onirique”, the band unleashes a crushing opening that slowly transitions into more melodic and sinister territories. We love how the track transitions into heavy atmospherics and a slower pace and then it jumps back at the listener with sheer brutality. If the first highly impressive track did not hook the listener, “Vampirique” and “Chromatique” combine lush atmospherics, crafty acoustic guitars and a mixture of high-octane onslaughts and dreamy interludes.

  • Karg - Resignation (2022)

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    Releasing an album nearly every two years, today we have Karg and their release “Resignation”. Masterminded by J.J. of Harakiri for the Sky fame and featuring PF of labelmate’s Ellende, this release delivers over 46 minutes of highly melancholic and very well arranged Post-Black Metal. The band’s sound reminds us of a mixture of Heretoir with Harakiri for the Sky with a dreamier edge, so any fan of those (or similar) bands will certainly love this release.

    Opening with the 11-minute “Was bleibt”, the track starts very traditionally and it soon blends in dreamier and lush atmospheric elements, like the dramatic string and wind instruments near the 9-minute mark that perfectly pair with solemn clean vocals. This is exactly what makes “Resignation” a very interesting release as it manages to stray away from just the typical all post-Black Metal bands are doing these days. However, the album still has plenty of heaviness and catchiness as “EBBE//FLUT” shows the listener.

  • Ellende - Ellenbogengesellschaft (2022)

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    Completely blowing us away, today we have Ellende’s latest opus “Ellenbogengesellschaft”. As one of the most anticipated releases of 2022 for us, this album delivers nearly 50 minutes of highly melancholic atmospheric Post-Black Metal unlike anything you’ve heard before. L.G manages to improve the band’s sound by introducing additional elements while keeping its raw core untouched.

    The elegant intro “Ich bin” nicely sets a solemn mood that is quickly elevated with “Unsterblich”. In this relentless track we get our first dose of the band’s signature blistering aggression nicely adorned with subtle atmospherics and dramatic tempo changes into lush melodic passages. The mood of the track completely changes when it transitions to weeping guitar leads and dreamy choral arrangements.

  • Kardashev - Liminal Rite (2022)

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    Completely blowing us away with their EP “The Baring of Shadows”, earlier this year, we now have Kardashev’s sophomore full-length release and it is even more grandiose than their EP. Featuring almost one hour of music, this release delivers the perfect balance between aggression, technical proficiency, atmosphere and melancholy, in one very unique and explosive package.

    After setting a very mysterious and imposing mood with the spoken words and atmospherics of the opener, “Silvered Shadows” shows the band at its element with a lush mixture of Progressive/Death-core/ and Post-Metal. This amalgamation of styles creates a very sublime and dreamy atmosphere, nicely bleeding into pieces like “Apparitions in Candlelight”, “Lavender Calligraphy”. Which nicely combines a mix of dreamy clean and crushing growls.

  • Stjärnfält - Lapporten (2022)

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    Unleashing a highly engaging and extremely well crafted mixture of futuristic atmospherics and harsh Black/Post-Black Metal onslaughts, Stjärnfält returns with its second release “Lapporten”. As a one man-project now based in Sweden, M delivers four masterful tracks that have some elements of Germ, Galaktik Cancer Squad and Angst Skvadron.

    The release opens with the sidereal journey of “Kebnekaise”, a 14-minute piece that slowly eases the listener into the band’s magical world. Masterful atmospheric synths are nicely paired with melodic riffs that quickly incite headbanging while the harsh vocals are introduced and tempo changes brilliantly shift the pace of things. After that magical opener, “Bruskleden” keeps the listener impressed with its lush atmospherics and very dynamic pace, creating a truly engaging and exciting listening experience.

  • Solipsism - Our Night Never Ends (2022)

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    Always uncovering some very interesting underground bands, Sun & Moon Records present us today with Solipsism and their debut full-length release “Our Night Never Ends”. Unleashing nine tracks and around 46 minutes of fierce Black/Post-Black Metal, this Slovakian outfit makes a very good first impression with a well balanced mixture of harshness and melody.

    The release opens with the dissonant “Becoming the Void” and a very crafty melodic riffing onslaught that quickly escalates into full-on Black Metal mode. While this is heavy, there is also a certain duality as the band dabbles in more melancholic Depressive BM/Atmospheric BM territories with its bleak screams and subtle keyboards as tracks like “(V)Zostup tragédie”, “Solus Ipse”, and “Don't Follow Me, I'm Lost” move the release forward.

  • Cailleach Calling - Dreams of Fragmentation (2022)

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    Delivering a highly atmospheric brand of Post-Black Metal, today we have Cailleach Calling and their debut full-length release “Dreams of Fragmentation”. Featuring Tony Thomas (Botanist/Dawn of Ouroboros) handling all guitars/bass/and synths, alongside Chelsea Murphy (Dawn of Ouroboros) in vocals and Yurii Kononov (ex-White Ward) on drums, the band unleashes nearly 40 minutes of relentless music with a certain cosmic/urban vibe unlike no other.

    Immediately laying down some thick atmospherics, “Phosphenic Array” kicks off the release with brutal harsh screams and superbly crafted blistering drumming. While the intensity varies, the atmosphere is made even richer with powerful synths. Reminding us a bit of Frozen Ocean and Lustre, this epicness continues into the sultry “Bound by Neon” a piece with a more desolate futuristic urban vibe, which features some intense tempo changes and elegant melancholic interludes.

  • E-L-R - Vexier (2022)

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    Unleashing waves of trance inducing music, today we have Switzerland’s E-L-R and their sophomore release “Vexier”. As it is to be expected from a Prophecy Productions release, this album goes beyond atmospheric and into hypnotic territories with a brilliant mixture of Doom, Shoegaze, and Post-Metal elements. For around 46 minutes, the listener is nicely transported by the intricately crafted expansive music in this release.

    Opening with the dreamy “Opiate the Sun”, the band slowly unravels a 12-minute piece filled with haunting atmospherics and powerful distorted guitars. Think of The Ocean paired up with some Tide From Nebula and some sprinkles of SubRosa, as other tracks like “Three Winds” and “Seeds” further enshroud the listener into the band’s unique and expansive sound.

  • Sylvaine - Nova (2022)

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    Being huge fans of multi-instrumentalist Sylvaine and her enchanting music, we completely cleared our review queue and went deep into the intricacies and layers of “Nova”. Perfectly balancing the fragility of genres like Shoegaze and Atmospheric Metal with the aggression of Black Metal and Post-Metal influences, this release marks Sylvaine’s best effort to date with around 45 minutes of complex enchanting music.

    Setting a very ethereal vibe with the album title track, things quickly escalate with the piercing guitars of “Mono No Aware”. This track perfectly blends onslaughts of harsh screams alongside dreamy vocal melodies, creating a very intense and yet melancholic atmosphere. We are always quite impressed with the build-up of songs like “Nowhere, Still Somewhere”, which slowly hypnotize the listener with siren-like vocal arrangements and shoegazey guitars.

  • Eight Bells - Legacy of Ruin (2022)

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    It is rare to find truly unique bands these days, luckily for us Eight Bells answers the call with their powerful release “Legacy of Ruin”. Featuring an extremely crafty amalgamation of Post-Metal, Doom Metal, and even some Black Metal-ish elements, this release unleashes over 45 minutes of intricate and engaging aural assaults.

    Led by Melynda Jackson, the band quickly establishes their piercing atmosphere with the opener “Destroyer”, a piece filled with piercing guitars and harrowing and contrasting vocal arrangements. Creating a very sinister mood, the release is far from one dimensional as “The Well” explores calmer and yet disturbing interludes alongside faster and punishing onslaughts of heaviness.

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