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    • Posted By: Dark Emperor
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    Slagmark - Purging Sacred Soils (2020)

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    Unleashing a hellish debut release, today we have Germany’s Slagmark with “Purging Sacred Soils”. With a relentless Black Metal approach and featuring members of Sarkrista and Totenwache, this debut release is one of the most mature and devastating we have heard in 2020. For fans and purists of the old Black Metal flame, this release delivers over 30 minutes of ravaging brutality and intensity, not to be missed in any connoisseur's collection.

    After setting an evil atmospheric opening with “Hexenhammer”, “Feeding the Urge to Destroy” pummels the listener with waves of harshness. The vocals are as hellish and punishing as they can get, while the musical structure is raw and direct, bringing out the hate and viciousness in the band’s musical approach. Not wasting any time, the album title track delivers a more tempered opening that transitions into all-out-war with the intense drumming and relentless guitar riffing.

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    Bombs of Hades - Phantom Bell (2020)

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    Led by Jonas Stålhammar of At the Gates fame, today we have Bombs of Hades and their short-but-sweet EP “Phantom Bell”. Released as a teaser before the band records their next full-length release, the listener is treated to four tracks, two of them covers, and 16 minutes of music. With a Crusty Death Metal sound, this album is a nice warm-up but it feels a bit too short, as we are always caught off-guard when the next release one our playlists sneaks up on us.

    Opening with the title track, we get a furious guitar onslaught that quickly escalates with fast drumming and a moshing vibe. The guitar leads in this song give us a certain retro/crusty edge that we don’t typically find in our playlist. “Bridge of Sighs” is more settled as the crunchy guitars lead way to a very catchy vibe. The climax portion of this track is very impressive and nicely developed, firing up guitar solos and atmospheric elements.

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    Nôidva - Windseller (2020)

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    Delivering even more of that good old Melodic Black Metal from the late 90’s/early 2000’s, today we have Finland’s Nôidva and their debut EP “Windseller”. Featuring six intense tracks filled with catchy riffs, gaudy (in a good way) atmospherics and devilish vocals, this release will surely resonate with fans of Ancient, Limbonic Art, Tartaros and even early Emperor.

    Blowing the lid off on this release, we have the intense title track leading the band’s efforts. Combining lively guitars, crafty drums, and a playful combination of atmospheric elements and raw vocals, this song creates a very engaging and catchy atmosphere, with a certain sinister edge to it. While the music is not overly complex, the straightforw

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    Forlesen - Hierophant Violent (2020)

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    One of the very few advantages of the COVID-19 pandemic is that we can now work from home and listen to music non-stop. As one of the more interesting releases to creep into our inbox, today we have Forlesen and their two song, 36 minute release “Hierophant Violent”. Featuring members of Lotus Thief, Kayo Dot, Botanist, Maudlin of the Well this band creates a transcendental musical experience with a very powerful and carefully crafted sound.

    Kicking off the release with the hypnotizing atmospherics of “Following Light”, the band creates a very dreamy mood as the song progresses into magical ethereal interludes and very cathartic moments. The guitars and drums are perfectly leveled with the atmospheric elements, allowing a very unique interplay between these elements and the haunting male and female vocals.

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    Nicumo - Inertia (2020)

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    Unleashing one of the catchiest Melodic/Gothic Metal/Rock releases of 2020, today we have Finland’s Nicumo and their latest release “Inertia”. With a sound very reminiscent of bands like To/Die/For, H.I.M and even The Man Eating Tree, this band brings back a sound that has slowly been dying and delivers nine superb tracks for the nostalgia fans of emotional and catchy music of the mid 2000’s.

    The album kicks off with the soaring vocals of “Three Pyres”, a very subtle track that showcases the band’s influences from both the Metal and Rock scenes. The mixture of vocal styles and excellent guitars make for a very catchy and engaging opening song. With a very well defined formula, the band delivers superbly catchy songs like “Dark Rivers”, “Witch Hunt” and its epic chorus section, and the moody “Tree of Life”. For those looking for more mellow and introspective pieces, “Same Blood” has that ballad-esque edge, similar to bands like (late) Lacrimas Profundere.

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    Manes - Young Skeleton (2020)

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    With the volume of promos we get every day, we rarely look into the ones that contain singles. That being said, when the name Manes popped into our inbox, we had to drop everything else and pay undivided attention. As one of our favorite genre-bending bands, this Norwegian outfit continues to push the boundaries of music with their creative exploits and “Young Skeleton” is no different. If you like a mixture of Rock/Metal and tons of atmospheric elements, then Manes is definitely a band to explore.

    Opening with the title track, we get a somber track that slowly builds up with very subtle elements until Tom Engelsøy guest vocals perfectly lead this piece. The song has a very nice progression as the lush atmospherics slowly complement the minimalist percussion. Delivering a more complex and layered approach, “Mouth of the Volcano” unleashes the full Manes sound with brilliant guest vocals from Anna Murphy (Cellar Darling) and Ana Carolina Skaret (Mourning Sun) paired with regular vocalist, and alongside eerie atmospherics. Creating a chaotic and yet lush experience, this track gives us a bit of a mix between Manes and Lethe.

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    Ayyur - Balkarnin (2020)

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    It is not every day that we get a release from Tunisia, and it is even less common that it is actually pretty good. Today we have Ayyur with their highly atmospheric and experimental Black Metal unleashing their two-song EP “Balkarnin”. With a knack for cavernous atmospheres and punishingly slow riffs, this release is one strong introduction to this very promising band.

    The EP sets a very hypnotic mood with the slow riffs of “I”, combining them with harsh vocals and a certain Doom vibe. As the guitar leads develop into an atmospheric interlude, the band creates a commanding atmosphere that is both bone chilling and dense. Without much flair or additional elements the rudimentary rawness of the band’s sound is quite direct and effective.

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    Order of Orias - Ablaze (2020)

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    Hailing from the land down under, today we have Black Metal duo Order of Orias and their ravaging full-length release “Ablaze”. Featuring six tracks of devilish music, the band finds the perfect balance of atmosphere and harshness to create nearly 40 minutes of blistering and demoralizing music. Aimed at Black Metal purists, this release unleashes relentless guitar work and pummeling drumming, similar to bands like Immortal and early Satyricon.

    Wasting no time to showcase their brutality, Order of Orias opens with the blistering riffing of “Blood to Dust”, a superbly violent track that commands respect and shows great determination. The onslaught continues with the demoralizing “Gleaming Night” and its crafty tempo changes, and the sheer brutality of “Raging Idols” with its killer guitar leads and polarizing tempo changes. Black Metal comes in all shapes and sizes, but consistency in terms of brutality while introducing ambiance is something that this release excels at.

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    Blaze of Sorrow - Absentia (2020)

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    Constantly evolving and refining their sound over the years, today we have Italy’s Blaze of Sorrow and their latest Atmospheric Black Metal opus: “Absentia”. Featuring seven songs and nearly 45 minutes of lush music, the band shows how their sound continues to improve with intricately crafted songs that are both pummeling and melodic. With similarities to bands like Fen, Agalloch, Saor, this outfit has marked their own path of blended melody and aggressiveness.

    The album opens with the folky “Settimo Requiem”, a song that features a lively mood with creative tempo changes and a very epic feeling. The band’s ability to swing from ravaging Black Metal onslaughts to melodic interludes is amazing as it allows them to completely re-shape the direction of songs with these transitions as the pulverizing “Furia” demonstrates.

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    Myth of I - Myth of I (2020)

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    After receiving tons of Black and Death Metal releases in the last few weeks, it is quite refreshing to get something completely different in Myth of I’s self-titled debut release. Featuring a very improvisational and fluid approach to songwriting, the band unleashes nearly 50 minutes of highly technical instrumental Metal music. Ranging from Progressive Metal to Technical Death Metal (minus the vocals), this release perfectly blends a wide gamut of styles under a cohesive and catchy umbrella.

    Opening with a dreamy intro, the album gets in full swing with the fabulous “The Illustrator” and its crafty guitar wizardry. Full of tempo changes and intricate drum patterns, this release perfectly leads to heavier and more experimental pieces like “Cherophobia” and “Obsidian Vale”. Doing away with traditional song structures, the tracks in this release flow freely weaving back and forth between proggy influences and heavier counterparts.

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