Death Metal

  • Thulcandra – Fallen Angel’s Dominion (2010)

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    Fronted by Steffen Kummerer from Obscura, today we have a very impressive band from Germany. Thulcandra comes with the slogan of “the heirs to Dissection’s throne” and this could not be any more accurate. The band excels at making Death/Black Metal music unlike anybody these days.

    The influences of Dissection and Emperor are clearly present, but the band takes this further with their own technical abilities. For a band that has been together since 2004, and has never release a full-length, “Fallen Angel’s Dominion” is an impressive achievement.

  • Necronomicon - The Return Of The Witch (2010)

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    After an absence of 6 years, we finally get a new release from Canadian Necronomicon. Since the impressive “The Sacred Medicines” the band has been lurking in the shadows, but finally they make their big label debut with “The Return Of The Witch” out on Napalm Records.

    Necronomicon combines straight-up Death Metal with some melodic influences. However, the band sounds nothing like all the Melodic DM bands these days. Their music is very brutal and less flashy than other bands. They have also added some minor Black Metal influences in the riffing, but nothing major and it’s just to enrich the band’s brutal sound.

  • Jewish Juice – Hidden Into Rotten… With a Black Flame of Light (2007)

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    Hailing from Italy we have Jewish Juice. This Italian band plays a mean combination of Trash/Death and Black Metal. “Hidden Into Rotten” is the band’s second release and shows signs of a good band that needs to mature a little bit. The album mixes 3 very chaotic tracks with two tracks that are very solid, showing the band’s future potential.

    The band’s musical style needs to be refined a bit more since the combination of genres is sometimes annoying since there are several Death metal oriented tracks mixed with Black Metal songs, and we would prefer that those things are either properly combined or just pick one genre. This is usually the problem we find with beginner bands, they want to do many things but they can’t merge them together properly.

  • Jewish Juice – Soaring Above Death (2009)

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    After listening to Italy’s Jewish Juice second release “Hidden Into Rotten… With a Black Flame of Light” we were very interested to listen if the band’s talent was going to be consolidated into creating a better release than “Hidden Into Rotten”. For our general surprise the band has done a great job in maturing and crafting their own sound and not needing to throw a bunch of shit together in order to sound brutal or different. With “Soaring Above Death” we get 5 songs that really show what this band is capable off.

    In “Soaring Above Death”, the band has come to terms and decided to go with a Black Metal foundation that has Death Metal influences, but it’s never chaotic and badly constructed like on some songs of their previous release. The vocals still vary between growls and BM screams, but they feel more uniform and never get to be obnoxious.

  • Pestilence – Resurrection Macabre (2009)

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    When Patrick Mameli decided it was time to bring back Pestilence, he enlisted the services of Tony Choy (Bass) and Peter Wildoer (Drums) in order to record “Resurrection Macabre”, the band’s return to their Death Metal days, and first album in 16 years. Many people where left off wondering what happened to Pestilence with their very good (and for some atrocious) release of “Spheres” an album that saw the band change their musical style considerably.

    “Resurrection Macabre” in a few words is: A fucking brutal and technical release. This album is something we were expecting from Pestilence back in 1993, however this release still sounds good for this time thanks to a superb production. Patrick has brought back the full aggressive Pestilence sound that we all loved from their beginnings and the technical aspect of “Spheres” combined together into a brilliant release.

  • The Breathing Process – Odyssey: (Un)Dead (2010)

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    Out of all the bands we have reviewed recently, The Breathing Process is by far the one that combines to most influences of different genres in their music. With a very impressive (but sometimes terrible) mixture of Black/Death/Gothic Metal with some Melodeath and even Metalcore-ish influences we get “Odyssey: (Un)Dead”.

    After their very impressive debut album “In Waking: Divinity”, we could not expect anything less from this young American band, but we also got a bit disappointed at some points during this album. The band fails to mix their elements together and ends up sounding extremely chaotic and redundant in some places.

  • Evig Natt – Darkland (2010)

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    After their impressive debut album “I Am Silence” back in 2007 we were left wanting more from Evig Natt, and finally we get “Darkland” this 2010. This Norwegian band debuted combining Black Metal with Gothic/Doom Metal influences in a very unique way, getting them enough attention and acclaim for their first album.

    With “Darkland” the band is back with a sound geared towards our favorite trifecta: Gothic/Doom/Death Metal. We completely love this genre, and we can say we are its harshest critics. With only a handful of bands that we discovered in the last few years that are worthy of carrying the banner of the combination of these three genres, we were pretty cautious when reviewing “Darkland”.

  • Nominon – Monumentomb (2010)

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    For a band that has been around for 17 years, Nominon’s music does not really reflect this. “Monumentomb” features nine sub-par Death Metal songs that pretty much anybody else would have been able to come up with. The band’s old-school Death Metal sound is ok, but it lacks a lot in the creativity department.

    Featuring members from tons of other bands, we can’t really point out want is wrong with this release except that is plain uninspired and empty of worthy content. Hailing from Sweden and having tons of great bands around them we would definitely expect more from this band. Another issue with “Monumentomb” is that the production behind it sound very cheap and does not allow the music to shine properly.

  • Salem - Playing God And Other Short Stories (2010)

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    Hailing from Israel, Salem is a very ‘diverse’ band that plays a combination of Death/Gothic/Doom Metal and it’s pretty good at it….. until now. “Playing God And Other Short Stories” is a very, very weird album that will either get on your nerves after the first three songs or you will totally love it. We are kind of in the middle since we think some songs are good and others are dreadful.

    The first thing you will notice is the mixing on the drums is way high and makes them sound weird, plus the band does use some weird drumming structures on their songs (so we think) making it sound like a drum circle on crack. In other words, we think the percussions are extremely overdone in this release.

  • Master – The Human Machine (2010)

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    The legendary Master is back again with “The Human Machine” and it’s ready to blow some heads off with their traditional old-school Trash/Death Metal aural assault that we have been witnessing since the band first started, back in the 80’s. Note: If you don’t know who the almighty Master is, then you need to get your Metal facts straight and do some research before you continue to listening to Metal music.

    “The Human Machine” features the gritty sound that we all love from the Death Metal records produced in the 90’s and sadly is probably one of the best things that the album has to offer. By no means “The Human Machine” is a bad album, but it just sounds a bit stale from what we have been used to hear from Master, and even “Slaves to Society” is a far superior album than this one.

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