Death Metal

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    Darkane – The Sinister Supremacy (2013)

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    Featuring the return of the band’s debut release vocalist, Lawrence Mackrory, today we have Darkane’s latest opus “The Sinister Supremacy”. Keeping the Swedish Death/Thrash Metal flame alive, this release is packed with a 14 massive tracks (on the digipack version), that will have you headbanging since the opening riff. With a scene filled with band shifting to the annoying (at times) core-like screams, it is quite refreshing to have manly vocals in this release.

    After the dramatic orchestral opening, the album kicks off with the pummeling album title track. Darkane immediately shows off their power with powerful melodic guitars and very fitting vocals. The band took 5 years between releases but they still deliver very effective and engaging songs. We particularly like the catchy chorus sections and mixtures of clean and harsh vocals. Other tracks that have more elaborate opening sections like “The Decline” nicely keep the album fresh and change the flow of the release very effectively.

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    Chthonic - Bú-Tik (2013)

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    After gaining quite a boost on outside of Taiwan popularity with “Takasago Army”, Chthonic returns with another very intense and equally interesting release. With “Bú-Tik” the band continues with their very thematic lyrical context and their majestic music that mixes Melodic/Symphonic Black/Death Metal elements with lush arrangements and authentic instrumentation. Proving that their last album was not a fluke, “Bú-Tik” continues with their musical intensity, and delivers ten tracks of top-notch quality.

    The album opens with the very dramatic “Arising Armament”, a lush instrumental intro with a very tense vibe. The band’s musical magic continues with the powerful “Supreme Pain for the Tyrant”, a very aggressive yet atmospheric and catchy track. The vocals of Freddy Lim are impressive, and add that extra level of intensity to the music. “Sail into the Sunset’s Fire” keeps things rolling with blistering drumming and excellent riffing, a highly underrated skill from the band if you ask us. Featuring some excellent solos, this track is one of the best of the album.

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    Nemesis Irae – Eradikate Kampaign (2013)

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    Hailing from Belgium, today we have Nemesis Irae and their latest crushing release “Eradikate Kampaign”. Featuring eight tracks of devastating Black/Death Metal, this release is very raw and powerful, perfect for fans of old-school music from the genre. Delivering pummeling riffs and massive drumming, this Belgian band pummels through this release in a very stylish and aggressive way.

    Opening with the hectic “Karnage”, the band instantly makes an impact with their powerful guitars and demonic vocals. The combination of screams and semi-growls is quite effective and gives an extra boost to the band’s already powerful sound. The releases provides a healthy mixture of powerful and to the point short songs with other tracks going over four and a half minutes being a bit more complex and elaborate.

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    Aratron – The Recovery (2013)

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    With the costs of professionally producing demo’s and releases getting lower by the day, we are glad that bands like Aratron can showcase their quality and have a powerful and lively sound on their demo’s. “The Recovery” is the band’s latest demo and it features five crushing tracks with a timeless Thrash infused Death Metal sound that is quite powerful and well crafted.

    The starts leads with guns blazing on the song “The Recovery”, a very direct and brutal track that combines relentless riffing with excellent vocals. The band’s sound reminded us of early days Grave and similar Swedish DM outfits that rely on Thrash Metal foundations. “Imprisoned” keeps the album flowing with another dosage of solid riffs and very tight drumming. The band’s musicianship is quite good and they are not afraid to show it with their incisive tracks.

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    Kingdom – Morbid Priest of Supreme Blasphemy (2013)

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    Delivering 30 minutes of crushing old-school Death Metal, today we have Poland’s Kingdom and their sophomore release “Morbid Priest of Supreme Blasphemy”. In this powerful release the band travels back in time and delivers raw and uncompromising brutality in the shape of 10 devastating tracks. As one of the best releases from Hellthrasher Productions, this is one hell of an album you do not want to miss.

    “Slaves of Ruins” delivers the first crushing blow to the head with powerful riffs and hellish vocals. The rawness of the production allows the band’s sound to be filthy and demolishing without compromising quality. As tracks like “Krwawiąca rana”, “Beast of the Sea”, and “Morbid Priest” steamroll their way through your ears, you will immediately want to start headbanging and breaking stuff.

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    Immolation – Kingdom Of Conspiracy (2013)

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    Keeping their tradition of brutal and merciless releases, Immolation delivers “Kingdom Of Conspiracy”. Featuring 10 tracks covering 40 minutes of soul crushing music, the band shows that they can deliver powerful songs and stay fresh at the same time. Being the band’s 9th full-length release, this album showcases their maturity and evolution over the years and brings down the pain for all fans of the band.

    Opening with the crushing “Kingdom Of Conspiracy”, the album feels like you just got greeted by a bag of bricks. The band’s sound is as brutal as ever and all the elements work perfectly together creating a powerful yet refined sound. The band’s combination of catchiness and brutality can easily be heard on songs like “Bound To Order” and “Keep The Silence” thanks to massive drums and cheeky riffs.

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    Alter Self – Seven Deadly Blessings (2013)

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    Hailing from Athens, Greece today we have Alter Self, a killer Death/Thrash Metal band that delivers eleven punishing tracks on their debut full-length release “Seven Deadly Blessings”. For this release being the band’s debut full-length, their sound is very mature and the songs are perfectly executed. Mixing Thrash and Death Metal, the band achieves a timeless sound that is quite catchy and appealing.

    After the traditional intro track, “My Sober Reflection” has a very Sepultura-esque ring to it and it also showcases the band’s ability to craft catchy and brutal songs. The drumming is quite impressive and the guitar work is pretty well crafted, allowing the song to flow naturally. The band’s songs keep getting more and more interesting as the funky riffs/bass guitar sections of “Fovea” make for a very cool track.

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    Abyssal – Denouement (2013)

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    Always delivering brutal releases, Hellthrasher Records surprised us this time with a release that goes beyond brutal and mixed some very interesting Black and Doom Metal elements to produce one hell of a devastating album. Abyssal’s “Denoument” was originally self-released in 2012, but with this re-release more people will get to experience their crushing and complex sound that will blow you away from your seat.

    Featuring six tracks and around 50 minutes of brutal music, the band wastes no time and delivers the first blow with the powerful “The Moss upon Our Ruins”. This song seems to start heading in Black Metal direction, but the band suddenly changes to crushing Brutal Death Metal in a heartbeat. Layering BM guitars with crushing DM riffs works greatly for the band allowing them to be very brutal and yet diverse. The tempo of the music is also very Doom-like keeping things slow and painful while sounding massive.

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    Atrocity – Okkult (2013)

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    Always known for pushing the boundaries of Metal with their quite unique musical vision and extremely unexpected releases, Atrocity this time delivers a very direct and quite ‘traditional’ release that might puzzle some people. Getting slammed by the press for releases like “Werk 80” and “Calling The Rain”, the band sticks to a more traditional approach on “Okkult”. For 12 tracks, this German outfit delivers enjoyable tracks that will surely get the attention of older Atrocity fans and fans of Melodic/Symphonic Death Metal from the early 2000’s.

    Opening with the Therion/Cradle of Filth-esque “Pandaemonium”, the band seems to be on track for a very direct and powerful release. The choir arrangements are quite chilling and they are greatly countered by Alexander Krull’s powerful growls. “Death By Metal” takes us back to the earlier days of Death Metal with crushing riffs and crazy solos, a great contrast from the first and following tracks, but solid nonetheless. The symphonic arrangements come back on songs like “March Of The Undying” and “Murder Blood Assassination”, both very catchy and effective tracks.

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    Into Darkness – Into The Darkness (2013)

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    Originally released as a demo in 2012, today we have Italy’s Into Darkness and their old-school Death Metal production “Into The Darkness”. Featuring four tracks of raw DM with some Swedish and Doom influences, this release is for all nostalgic lover of raw and fuzzy music from the 90’s. Combining elements from Incantation (earlier material), Grave and Asphyx, for over 25 minutes the band delivers the goods in a relentless and nihilistic manner.

    Opening with the desolate “Into Darkness” the band resembles the almighty Winter and their slow and painful Doom sound from back in the day. After 8 minutes of glorious Death/Doom, things pick up with the crushing “Shadows” and its killer proto-Swedish DM sound. The band truly excels in creating a very dense and old school atmosphere, relying on the riffing of Doomed Warrior and Nor.

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