Death Metal

  • Nemesis Irae – Eradikate Kampaign (2013)

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    Hailing from Belgium, today we have Nemesis Irae and their latest crushing release “Eradikate Kampaign”. Featuring eight tracks of devastating Black/Death Metal, this release is very raw and powerful, perfect for fans of old-school music from the genre. Delivering pummeling riffs and massive drumming, this Belgian band pummels through this release in a very stylish and aggressive way.

    Opening with the hectic “Karnage”, the band instantly makes an impact with their powerful guitars and demonic vocals. The combination of screams and semi-growls is quite effective and gives an extra boost to the band’s already powerful sound. The releases provides a healthy mixture of powerful and to the point short songs with other tracks going over four and a half minutes being a bit more complex and elaborate.

  • Aratron – The Recovery (2013)

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    With the costs of professionally producing demo’s and releases getting lower by the day, we are glad that bands like Aratron can showcase their quality and have a powerful and lively sound on their demo’s. “The Recovery” is the band’s latest demo and it features five crushing tracks with a timeless Thrash infused Death Metal sound that is quite powerful and well crafted.

    The starts leads with guns blazing on the song “The Recovery”, a very direct and brutal track that combines relentless riffing with excellent vocals. The band’s sound reminded us of early days Grave and similar Swedish DM outfits that rely on Thrash Metal foundations. “Imprisoned” keeps the album flowing with another dosage of solid riffs and very tight drumming. The band’s musicianship is quite good and they are not afraid to show it with their incisive tracks.

  • Kingdom – Morbid Priest of Supreme Blasphemy (2013)

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    Delivering 30 minutes of crushing old-school Death Metal, today we have Poland’s Kingdom and their sophomore release “Morbid Priest of Supreme Blasphemy”. In this powerful release the band travels back in time and delivers raw and uncompromising brutality in the shape of 10 devastating tracks. As one of the best releases from Hellthrasher Productions, this is one hell of an album you do not want to miss.

    “Slaves of Ruins” delivers the first crushing blow to the head with powerful riffs and hellish vocals. The rawness of the production allows the band’s sound to be filthy and demolishing without compromising quality. As tracks like “Krwawiąca rana”, “Beast of the Sea”, and “Morbid Priest” steamroll their way through your ears, you will immediately want to start headbanging and breaking stuff.

  • Immolation – Kingdom Of Conspiracy (2013)

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    Keeping their tradition of brutal and merciless releases, Immolation delivers “Kingdom Of Conspiracy”. Featuring 10 tracks covering 40 minutes of soul crushing music, the band shows that they can deliver powerful songs and stay fresh at the same time. Being the band’s 9th full-length release, this album showcases their maturity and evolution over the years and brings down the pain for all fans of the band.

    Opening with the crushing “Kingdom Of Conspiracy”, the album feels like you just got greeted by a bag of bricks. The band’s sound is as brutal as ever and all the elements work perfectly together creating a powerful yet refined sound. The band’s combination of catchiness and brutality can easily be heard on songs like “Bound To Order” and “Keep The Silence” thanks to massive drums and cheeky riffs.

  • Alter Self – Seven Deadly Blessings (2013)

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    Hailing from Athens, Greece today we have Alter Self, a killer Death/Thrash Metal band that delivers eleven punishing tracks on their debut full-length release “Seven Deadly Blessings”. For this release being the band’s debut full-length, their sound is very mature and the songs are perfectly executed. Mixing Thrash and Death Metal, the band achieves a timeless sound that is quite catchy and appealing.

    After the traditional intro track, “My Sober Reflection” has a very Sepultura-esque ring to it and it also showcases the band’s ability to craft catchy and brutal songs. The drumming is quite impressive and the guitar work is pretty well crafted, allowing the song to flow naturally. The band’s songs keep getting more and more interesting as the funky riffs/bass guitar sections of “Fovea” make for a very cool track.

  • Abyssal – Denouement (2013)

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    Always delivering brutal releases, Hellthrasher Records surprised us this time with a release that goes beyond brutal and mixed some very interesting Black and Doom Metal elements to produce one hell of a devastating album. Abyssal’s “Denoument” was originally self-released in 2012, but with this re-release more people will get to experience their crushing and complex sound that will blow you away from your seat.

    Featuring six tracks and around 50 minutes of brutal music, the band wastes no time and delivers the first blow with the powerful “The Moss upon Our Ruins”. This song seems to start heading in Black Metal direction, but the band suddenly changes to crushing Brutal Death Metal in a heartbeat. Layering BM guitars with crushing DM riffs works greatly for the band allowing them to be very brutal and yet diverse. The tempo of the music is also very Doom-like keeping things slow and painful while sounding massive.

  • Atrocity – Okkult (2013)

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    Always known for pushing the boundaries of Metal with their quite unique musical vision and extremely unexpected releases, Atrocity this time delivers a very direct and quite ‘traditional’ release that might puzzle some people. Getting slammed by the press for releases like “Werk 80” and “Calling The Rain”, the band sticks to a more traditional approach on “Okkult”. For 12 tracks, this German outfit delivers enjoyable tracks that will surely get the attention of older Atrocity fans and fans of Melodic/Symphonic Death Metal from the early 2000’s.

    Opening with the Therion/Cradle of Filth-esque “Pandaemonium”, the band seems to be on track for a very direct and powerful release. The choir arrangements are quite chilling and they are greatly countered by Alexander Krull’s powerful growls. “Death By Metal” takes us back to the earlier days of Death Metal with crushing riffs and crazy solos, a great contrast from the first and following tracks, but solid nonetheless. The symphonic arrangements come back on songs like “March Of The Undying” and “Murder Blood Assassination”, both very catchy and effective tracks.

  • Into Darkness – Into The Darkness (2013)

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    Originally released as a demo in 2012, today we have Italy’s Into Darkness and their old-school Death Metal production “Into The Darkness”. Featuring four tracks of raw DM with some Swedish and Doom influences, this release is for all nostalgic lover of raw and fuzzy music from the 90’s. Combining elements from Incantation (earlier material), Grave and Asphyx, for over 25 minutes the band delivers the goods in a relentless and nihilistic manner.

    Opening with the desolate “Into Darkness” the band resembles the almighty Winter and their slow and painful Doom sound from back in the day. After 8 minutes of glorious Death/Doom, things pick up with the crushing “Shadows” and its killer proto-Swedish DM sound. The band truly excels in creating a very dense and old school atmosphere, relying on the riffing of Doomed Warrior and Nor.

  • Hod – The Uncreated (2013)

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    Packing in a lot of fire power in three songs, today we have Hod and their 2013 demo “The Uncreated”. Delivering relentless riffs, tight drumming, and hellish vocals, this band has what it takes to take you by surprise and command you to headbang from the beginning to the end of this nifty release.

    Opening with the sheer power of “Beneath The Mountains of The Scorpions”, this nearly six minute long opus delivers high-octane energy and plenty of killer riffs, showcasing the band’s brutality and musical abilities. The vocals are quite entertaining and keep things fresh, but what hooks you is the massive drumming surrounding the catchy riffing. The band does a great job in keeping the song fresh and diverse by switching up tempos very graciously.

  • Norse – All Is Mist and Fog (2013)

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    What happens when a release arrives a couple of years late to the party? It just sounds very dated and weak in comparison to others. This is the main problem that we have with Norse and their sophomore release “All is Mist and Fog”. With a tight Blackened Death Metal sound from several years back and a very weak production, this release would have been greatly benefitted from a remastering or something.

    Moving on full steam ahead with the pummeling “Neglect”, the band has a dated sound that while powerful is not quite what most releases these days have. The drumming is quite intense, but it sounds, to be honest, like total shit. It might have been the promo or they tried to give it a weird effect, but it sounds like it was recorded inside a toilet and some muffling effect was added. We don’t like to be this harsh on releases, but when everything else sounds quite ok, we wonder how this could have happened.

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