Album Reviews

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    Noctem Cursis – Nocturnal Frost (2014)

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    Being huge fans of Melodic/Epic Black Metal, we got pretty excited when reading the press kit from Noctem Cursis “Noctural Frost” full length. Delivering nine tracks of crushing Black Metal surrounded by epic melodic passages; this is one intense release that while not overly original, it is quite enjoyable for any fan of bands like Stormlord.

    After the typical atmospheric intro, the band explodes with the intense “From Space”, a track led by double-kick intensity and low-key atmospheric keyboards. It is quite enjoyable to hear natural old-school keyboards, rather than overproduced orchestrations. Moving to some serious BM riffing territory, “Scars of the Past” keeps things interesting and brutal. Here we get a certain old-school Catamenia vibe from the vocals and tempo the band presents.

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    Nucleus Torn – Street Lights Fail (2014)

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    Experimental/Avant-garde outfit Nucleus Torn returns in 2014 with their mesmerizing “Street Lights Fail”. Hailing from Switzerland, this outfit led by Fredu Schnyder delivers nearly 40 minutes of thought provoking music that pushes the boundaries of anything that could be defined. Mixing heavy distorted guitars with countless other instruments and a very mellow vibe, this is one album that you should listen to if you like bands like Lethe and Manes, you are in for a treat.

    Opening with the warm-up desolate piece “-“, we are introduced to a very bleak atmosphere with lush pianos and haunting female vocals. This track suddenly morphs into a jazzy/lounge piece that is quite intoxicating and engaging. As the song bleeds into “Worms”, the distorted guitars quickly set the mood a bit livelier and greatly enhance the jazzy atmosphere that is mixed in between. Anna Murphy’s and Maria D’Alessandro’s vocals are amazing in this release and they sound like the post-Kari years of The Third and the Mortal. This 19 minute piece is pure magic and features just the right amount of experimental and complexity to fully captivate its audience.

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    Scorned Disciple – The Cosmic Dance of Shiva (2014)

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    Arriving from Sweden, today we have a very unique single under the title “The Cosmic Dance of Shiva”, from the band Scorned Disciple. Featuring two tracks of very catchy and intricate Progressive Death Metal, this is one release that truly stands out from all the other bands just trying to copy somebody else.

    The release opens to some Djent-like passages that quickly shift into traditional Death Metal territory with the growls and basic riffs. Being always in the move, this track constantly changes tempos and delivers very unique sections that while not straightforward, are very well put together. The band’s musical-style/vocals combination has a certain Sepultura-esque vibe to them, something that might not be apparent at first, but you will soon realize.

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    Hammerfall – (r)Evolution (2014)

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    Greatly improving over their 2011 release “Infected”, today we have Hammerfall and their signature Heavy Metal with “(r)Evolution”. In this release, the band continues to push forward with their quest of the perfect Heavy Metal album and they get a bit closer thanks to their refined sound. Nearly 50 minutes of high-octane music make this release one of the best of 2014 so far.

    Leading with the catchy chorus section of “Hector’s Hymn”, the band gives this release a very epic spin since the opening song. The band’s Heavy Metal pedigree is instantly audible in this intense track. As Joacim Cans vocals lead another epic onslaught with the album title track, we are quickly taken by surprise on how quickly this album grows on you. The majestic guitar leads of Oscar Dronjak greatly elevate this song to the next level.

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    The Hourglass – Through Darkness and Light (2014)

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    Hailing from Romania, today we have The Hourglass and their majestic Symphonic/Gothic Metal release “Through Darkness and Light”. With countless bands in this genre, it is quite hard to find standout bands and releases, but The Hourglass managed to surface from the pile and claimed our attention for more than several hours – a feat considering the amount of CD’s we review every week.

    Avoiding any filler intro track, the band gets down to business with the lush “Dying Star”, a song that is quite dynamic and features some interesting electronic elements thrown into the mix. This track reminds us a bit of a mixture of Nemesea and Edenbridge. The band’s vocalist Alma Vomastek delivers an incredible performance with her excellent vocal talents. As the band delivers bombastic songs like “Rise” and “Away”, our attentions are greatly focused on the ballad “Dare”. In this very dramatic song we greatly appreciate the band’s intricate songwriting skills that perfectly outline every single element in their sound.

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    Mastabah – I Hate You (2014)

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    Arriving as one of the most brutal releases we have received in 2014, today we have Mastabah and their devastating “I Hate You”. Pouncing on the listener with brutal blast beats and crushing vocals, this release can be compared to a more chaotic Anaal Nathrakh rooted in Death Metal foundations.

    Blasting things wide open with the incisive “Shackles of the Past”, the band is very serious about making their point of being super brutal. The crushing drumming is perfectly produced and shines through the heaps of growls, shrieks and relentless riffing. The band goes back and forth between insane brutality levels and Death Metal grooviness in tracks like “Spectacle of Human Existence” and the excellent “Deck of Life and Death”.

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    Ides of Gemini – Old World New Wave (2014)

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    Having loved the band’s 2012 release “Constantinople”, we greatly anticipated “Old World New Wave”. Featuring nine tracks of haunting Psychedelic Doom, this band keeps reminding us of Jex Thoth but with a certain darker and doomier edge. Comprised of Jason Bennett and Serra Timms and Kelly Johnston-Gibson, this trio crafts some of the most unsettling and perfectly creepy music in the world.

    Quickly setting the mood with the crushing distorted guitars of “Black Door”, the band creates a very eerie vibe with the female vocals giving it a retro-horror movie-esque atmosphere. If Purson played Doom, this would be a good way of describing what this track delivers. Things get doomier with the hypnotic “The Chalice & the Blade”, featuring some My Dying Bride-esque riffs paired with ritualistic drumming.

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    YOB – Clearing The Path to Ascend (2014)

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    As one of the most expected releases of 2014, YOB’s “Clearing the Path to Ascend” instantly explodes in the listener’s ears with endless waves of crushing guitar riffs and demolishing drumming… and this is just in the first track. Oregon’s trio delivers what is most likely the most relentless Doom releases of 2014 and they do so with four tracks and around 61 minutes of pure fucking brilliance.

    Slowly opening the door, “Unmask the Spectre” nicely builds up until a vicious onslaught of pummeling guitar riffs and Mike Scheidt’s monstrous growls. This track weaves back and forth between melodic rifftastic passages and crushing vocals. For a 15-minute track, this track goes down very smoothly and with a heavy dosage of headbanging. Arriving in Neurosis-like Post-Metal/Hardcore territory, “Nothing to Win” changes the formula a bit with a combination of screamed and growled sections achieving a duet-like atmosphere that is quite nerve-racking.

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    Midnight Sorrow – At First (2014)

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    Hailing from France, today we have a new entry into the Symphonic/Gothic Metal category with Midnight Sorrow and their debut EP, “At First”. Delivering over 15 minutes of well-crafted traditional Symphonic Gothic Metal, the band can easily rival the likes of Edenbridge, Xandria, Delain, etc. with their very direct and easy going music.

    As it is usual to open with an instrumental track, “Crystal Drops” sets a very magical atmosphere and generates expectation for the listener to keep reading. In a very bombastic manner, “Waterfall” instantly delivers and intense opening with fast guitars and very lush instrumentations. Maureen’s vocals are quite potent and very fitting to the music, she reminds us of Helena Iren Michaelsen from Imperia/Trail of Tears fame.

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    Necromonkey – A Glimpse of Possible Endings (2014)

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    At Infernal Masquerade, we live for receiving those truly unique releases that transport the listener to other places, and Necromonkey does just that with their trippy “A Glimpse of Possible Endings”. In this 37 minute release the band delivers fixe hypnotic tracks that feature very emotive atmospheric elements and tons of cool instruments thrown into the mix. This Swedish duo will surely captivate your attention with their very original fusion of elements.

    Having a super kvlt name as Necromonkey, we thought this band was going to be an Experimental Black Metal outfit, but we were gladly surprised that this release has a lot more depth than that. Opening with a very playful “There Seem to be Knifestains in your Blood”, the band immediately sets a very unique tempo sort of Trip-hop is with string instruments and eerie Theremin sections. It is quite cool that the band listed the instruments used per track in the liner notes of this slipcase release.

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