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    D.E.R – Quando A Esperanca Desaba (reissue) (2012)

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    The brutal reissue of D.E.R’s 2008 “Quando A Esperanca Desaba” comes to us through Polish label EveryDayHate. Featuring 16 tracks of head crushing Gore/Death Metal this is one of those heavy has hell releases that should be in everybody’s collection when you want to get the party started (and the neighbors extremely pissed at you).

    Pummeling across tracks that are less average around one minute a piece, this album blows you away since the punishing opener “O Que Foi Escrito eu Apaguei”. Thankfully the booklet comes with English translation of the lyrics, just to know what exactly is being spewed through the band’s brutal vocalist pipes. The songs are heavy and brutal with some nice melodic elements that keeps them separate and provide nice pacing between tracks.

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    Halladrol – The Last Mile on the Earth (2012)

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    Hailing from Finland, today we have the relatively unknown Halladrol and ‘their’ brand of Blackened Death/Doom Metal. Being a one man project, Halladrol actually combines plenty of influences to make quite a stir, but leave us a bit disappointed with the end results.

    Opening with typical 90’s Death Metal guitar riffs, “The Last Mile on the Earth” delivers quite a powerful introduction to this release, but also feels a bit dated in its execution. There are some pretty interesting Avant-garde elements here and there, but the rather simplistic core of the music takes away from any possible magic behind this track. The drumming is pretty intense and the vocals are ok, but there is that feeling of something missing always present in the track.

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    Haemorrhage – Loathesongs (reissue) (2012)

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    Originally released back in 2000 through Morbid Records, today we have EveryDayHate’s reissue of the incredible “Loathesongs” of the legendary Haemorrhage. Hailing from Spain, this Goregrind band has made a name for themselves through violent music and sick blood-drenched live performances. In this re-release we also get a few extra songs that weren’t available on the original “Loathesongs”, but come from the band’s vast early catalogue.

    The opener is Defecation’s “Megaton” blended with “Vestige of Earthly Remains” allowing the band quickly sets the bar very high in terms of crushing pace and aggressive growls. While not all covers in this release are ‘extremely’ good, the band does a nice job in keeping some of the essential elements in the tracks, such as in Carcass’s “Pyosisified” and its relentless riffing.

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    Noisebazooka – Humped World (2012)

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    Delivering one of the most intense and brutal aural onslaughts we have heard this year, today we have Noisebazooka and their latest full-length “Humped World”. If you ever tried to picture what somebody on bath salts would sound like when trying to make music, Noisebazooka is the first thing that comes to our mind.

    Opening with a very weird sample intro, the album fully comes into full bloom with the deranged “Jaded Pleasures”. Piercing drums and hellish screams is pretty much the perfect way of describing this band. The bass guitar line is sick and twisted, adding an extra layer of weirdness to the overall insane atmosphere. The fragmentation of songs is something that we don’t really enjoy in Grindcore releases, and “Humped World” is not the exception, the band pummels through 32 tracks and delivers less than 45 minutes of music!

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    Delain – We Are The Others (2012)

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    After being shelved for several months by Delain’s European label, “We Are The Others” finally sees the light of day in North America on July 3rd, through Sensory Records. Featuring four bonus live tracks, this North American version is packed with enough material to keep the fans of the band pleased for a long time.

    Three years have passed since the highly popular “April Rain”, and with “We Are The Others” the band is looking to establish themselves as one of the premiere Gothic Metal bands in the world. Following the same musical direction, Delain delivers 12 tracks of well composed Gothic Metal with heavy Rock influences. The band does a few adjustments in terms of making their music catchier, but nothing much has changed.

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    Unwritten Pages – Fringe Kitchen (2012)

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    Arriving from the Netherlands today we have a pretty interesting Progressive Metal/Rock release with Unwritten Pages “Fringe Kitchen”. Featuring over 65 minutes of enchanting melodies, this album is quite a musical experience from start to end. Bordering more in the ‘commercial/Mainstream” side of things, “Fringe Kitchen” delivers nine excellently composed tracks that have something for every fan of the genre.

    Setting a very cinematic tone with “Hejo”, the band quickly begins building a nice atmosphere to things. This bleeds into “Asylum Tragedy”, a mysterious progressive piece with excellent percussions and a nice futuristic vibe. Things get a bit heavier with “Intoxicating Sweets”, with the band building some nice powerful distorted guitars into their weird but intoxicating atmosphere. Having six musicians in the band that handle all kinds of different instruments, keyboards and an array of backing vocals makes Unwritten Pages sound very rich and diverse, with so many layers to pay attention to.

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    Kult ov Azazel / Teratism – Split (2012)

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    Arriving from the underground label Negativity Records, today we have the limited to 666 copies, 7” split between Kult ov Azazel and Teratism. Featuring two excellent USBM bands, this release features both bands covering Venom’s classic “In League with Satan”. Being a huge classic, both bands really need to deliver the goods in order to not butcher this excellent track.

    First up we have Kult ov Azazel giving it their best shot at “In League with Satan”. We haven’t heard from the band in quite a while since their crushing “Destroying the Sacred” back in 2009. With high expectations, their rendition of the Venom’s song is quite engaging keeping the rawness and catchiness of the original, but adding their own signature sound. With a nice Black’n’roll edge to it, this is actually one of the best covers we’ve heard from this track. The drumming is quite solid and well recorded, and the guitars are very playful and nicely rendered.

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    Kemilon – Twisted Storm (2012)

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    Arriving with a very impressive debut release, today we have Kemilon and their freshman offering “Twisted Storm”. Directly targeted to fans of old-school Power Metal, this Canadian band makes excellent impression on listeners as soon as this release starts. With ten majestic songs, “Twisted Storm” is by far one of the most energetic Power Metal releases we have heard this 2012.

    Opening with the fluff intro “Beyond Frontiers”, the band quickly delivers a highly technically proficient opening track with “Ocean of Insanity”. Having a video game-like opening, this track has a vibrant old-school sound that while featuring keyboards; it is not drowned by them, allowing the basic instruments to shine together with Yan Gagne’s excellent vocals. The overall mood of the song (and the album) if very intense and well crated to give you the ‘high’ that Power Metal used to do back in the days of early Stratovarius, Angra, etc.

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    Netra – Sørbyen (2012)

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    Delivering one of the weirdest, yet most exciting releases of 2012, today we have Netra and its (one man band) second full-length release “Sørbyen”. Mixing elements of Black Metal with some Trip-hop influences, we are immediately reminded of a mixture of older and newer Ulver, without totally breaking character and changing identity. Each track in this release sways you one way, but it suddenly changes direction into another one, very weird, but equally intriguing to listen to.

    Opening with “A Dance With the Asphalt”, Netra quickly delivers a very ‘normal’ section that is quickly over powered by furious Black Metal riffing and hellish harsh vocals. This is nicely offset by some spoken samples in French, reminding us of bands like Peste Noire. The whole hypnotic nature of this track is excellent since it manages to never really go all the way in either direction, and nicely shifts from the BM onslaught into different territories.

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    Valfreya – Path to Eternity (2012)

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    Canada’s answer to Arkona comes with the name of Valfreya, and their debut full-length release titled “Path to Eternity” showcases the band’s talents. Fronted by Crook, the band’s charismatic female vocalist, Valfreya delivers a good 50 minutes of an intense mixture of Melodic Black Metal with Folk Metal elements, perfectly balanced to create epic moments similar to the ones created by bands like Wintersun, Equilibrium and Turisas.

    With the intro track bleeding into “Deity's Grace”, the band quickly establishes a very regal sound with a crystal clear production. Gradually increasing its intensity, “Path to Eternity” is a very well-crafted album that showcases a promising band with a very rich sound. Alternating between angelic clean vocals and demonic harsh screams, Crook does an excellent job in carrying the band through the 10 tracks presented in this release.

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