Black Metal

  • Svartpest – Mjodfest (2010)

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    With a story that reads like a soap opera (according to the press kit), today we have Norway’s Svartpest and their latest release “Modfest”. In this album we get 7 tracks of a mixture of Black Metal with some Viking/Folk influences that feels somewhat a bit undercooked, but decent enough to make an ok album.

    Taking 3 songs from their 99 demo (with the same title), the band gives us a total of 7 tracks that dramatically vary in quality, but have a few decent ones to call this album a ‘lukewarm’ success. We have nothing against such releases, but we think is kind of lame to rehash older songs for newer releases (unless you are a band with a long (and recognized) trajectory).

  • Liktjern - Kulde, Pest & Død (2011)

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    Hailing from Norway, today we have another Black Metal band popping out of the woods. Liktjern has been around since 1996 but due to tons of line-up changes and everything you can imagine, the band has never released any music until “Kulde, Pest & Død”, a very raw and ‘traditional sounding’ Black Metal MCD.

    As we are reviewing this album during a winter storm, we can surely state that this kind of Black Metal is just right for these moments. All 4 songs are raw and basic, a simplistic but rather traditional approach to the genre, but then again who said Black Metal is supposed to be pretty.

  • Helrunar – Sól (2011)

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    Today we have in our review queue Helrunar’s latest and most ambitious offering “Sól” a double-album that features 90 minutes of Black Metal with Folk elements and a great production in the hands of Markus Stock (Empyrium, The Vision Bleak). While the band has never been quite up there with the greats of the genre, this album has enough ambition to get them more attention.

    After a clam introduction, the CD1 quickly explodes into the anthemic “Kollapsar”. This song sets a very furious pace that unluckily the band is only able to keep up for some moments in the next tracks. Featuring very long songs (half of the band’s songs are over 8 minutes long) there are some moments of brilliance here and there, but they are drowned with mind numbing filler and traditional BM/Folk clichés.

  • Dornenreich – Flammentriebe (2011)

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    After gaining widespread popularity with their “Bitter ist's dem Tod zu dienen” album, one of the first ones to introduce Folkish elements with Black Metal back in 1999, the band has been constantly experimenting and releasing more and more interesting album every time. While plenty of people never understand the path of a band like this, we have loved almost every single album this band has put out.

    On “Flammentriebe”, the band returns to some of their most brutal roots and delivers one hell of an album.  Featuring 8 tracks of atmospheric neo-folk/classical metal with Black Metal attacks, Dornenreich makes it very hard for us to find a band that has done it before as graciously as them in this release. Each track is beautifully adorned with the amazing violin skills of Thomas Riesner and with Moritz Neuner back on drums, the sonic aggression never stops.

  • Ptahil – The Black Fire (2010)

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    In preparation for their upcoming full-length CD for Wraith Productions "For His Satanic Majesty's Glory", we get 3 crushing tracks of nihilistic Black/Doom Metal from one of USA’s newest and most diabolical bands. For 13 minutes we are transported to the depts. of hell, thanks to a raw and thick atmosphere that evolves you in full darkness.  

    With two new tracks and a cover of Beherit’s “Gate of Nanna”, this demo CD has enough sauce to keep fans going until their new album gets released. The crushing track “World Ablaze” kicks off this CD and immediately starts with blasting drums, hellish vocals and a very raw nature to the song that makes it highly effective. We are not sure that this will be the final mix and how the CD will sound, but we dig the rawness of this track.

  • Ptahil – Anti-Flesh Existence (2010)

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    “Anti-Flesh Existence” marks the band’s debut full-length album, but it only includes 3 tracks and the version we got for review has the two tracks of their “Ortus” EP (which we reviewed here http://www.infernalmasquerade.com/?q=reviews/00743-ptahil-ortus-2010). With such a weird way of presenting your first full-length, we will discuss these three brutal tacks in depth as part of this review.

    “In Ritual to Yam” we get an old school Black Metal track in the vein of Bathory, Venom, Hellhamer, etc. With such a raw and powerful sound it quickly makes and impact on the listener, but we feel that it’s somewhat sub-par compared to their songs in “Ortus”. However, this track does set the tone for the following aural assaults that will shake you out of your seat.

  • Belphegor – Blood Magick Necromance (2011)

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    On Belphegor’s 9th full-length studio release we found a very interesting dilemma, this album sounds crushing and in the same vein as the last few albums of the band, but yet we seem to be falling asleep while listening to it. While the band sounds as good as ever, we think that there is a big chunk of soul missing in this release.

    “Blood Magick Necromance” features another 40 minutes of Blephegor’s brutality and technical proficiency in the shape of devilish compositions that will rattle Christian souls, but it also lacks the raw energy and power they used to have in their earlier days. We have to agree that the album is not bad, but it’s by far one of the best of the band, since it seems like 70% filler and 30% ‘good shit’ only.

  • Infernal War/Kriegsmaschine – Transfigurations (2011)

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    Usually when we get split albums it means that a label or two bands are trying to push substandard (read: mediocre) music that is never good enough for a full-length release. In “Transfigurations” we find that this is not the case since Infernal War and Kriegsmaschine are two promising Black Metal bands in the Polish BM scene and they are trying to get their stuff out there, and “Transfigurations” it-self is not a bad split at all.

    Infernal War starts off the split with their clear and evil brand of Black Metal that while not revolutionary or anything, it is quite effective in creating crushing songs. With “Primal Degradation” the band sets up the tone for their ‘side’ of the split with a raw and crushing sound that will put all doubters to rest. This song features a hefty amount of powerful riffs, brilliant production and super tight drumming that ask nothing from any of the ‘famous’ Black Metal acts.

  • Nidingr – Wolf Father (2011)

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    Underground Black Metal outfit Nidingr is ready to come out of their caves and blow people away with their second full-length release “Wolf Father”. Featuring Black Metal ‘super stars’ Teloch (ex-Gorgoroth, etc) and Blargh (Dødheimsgard) handling the guitars, Hellhammer (Mayhem, Arcturus, etc) on drums, and some dude nicknamed Cpt. Estrella Grasa on vocals.

    With such an impressive line-up of musicians, “Wolf Father’ plays out to be an excellent release that features the Scandinavian way of making Black Metal with some Death Metal influences. Each song is crafted around super tight drumming and intricate guitar riffing allowing Nidingr to sound cold and harsh, but still clear enough to distinguish every detail in the music.

  • Transcending Bizarre? - The Misanthrope's Fable (2010)

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    Being huge fans of bands that push the envelope, we have been greatly surprised by Transcending Bizarre? and their latest masterpiece: “The Misanthrope's Fable”. In this release the band takes us on a magical journey through their demented collective brain and for 46 minutes be prepared to be blown away by such an intricate and dark creation.

    In a time when most bands stick to their styles or play it safe and try to emulate what everybody else is doing, bands like Transcending are clear outliers in a very conformist music scene. Evocating comparisons to the great Arcturus, Solefald, Vulture Industries, Dodheimsgard, etc, Transcending Bizarre? excels at creating truly haunting and creepy songs that have so many layers and textures, making this songs have high replay value. Just by telling you that the album features a full children choir, you can imagine how terrible deranged and beautifully chaotic such a release can be.

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