Showcasing a different side of Lars Are Nedland, today we have his latest project Black Void, a sort of polar opposite release from his 2021, White Void “Anti”, release. Perfectly combining Punk and Black Metal with a mild dose of his soaring clean vocals, Lars delivers around 40 minutes of intense, hellish, and masterfully crafted music featuring a few guest appearances and a stellar supporting cast.
Opening with the sleazy “Void”, a statement piece that while it starts with typical Black’n’roll fare plus some hefty Punk-ish influences, the listener is still treated to majestic clean vocal arrangements and plenty of melody. Creating chaos and confusion, “Reject Everything” and “Death to Morality” pounce at the listener with ravaging guitars, courtesy of Jostein Thomassen (Borknagar), and a good dose of harsh vocals thrown into the mix.
Newcomers Blighted Eye are ready to take the North American scene by storm with their very crafty debut EP “Wretched”. Unleashing over 27 minutes of high-octane, progressive/melodic Death Metal with additional influences, the band delivers four very well crafted songs that nicely balance both technical proficiency and killer songwriting chops. If you are into bands like Sculptured, you cannot afford to miss this release.
Opening with the intense guitars of “Contempt”, this band sets a very energetic and firm pace. This track features crafty tempo changes, killer intense passages and overall excellent musicianship, showing a bit of a Tech Death Metal influence but with proggy ambitions. As “Respite” follows the intense opener, the band’s more proggy influences are heard, reminding us a bit of mid-period Opeth with some killer guitar leads added.
Unleashing what is their most mature and yet completely devastating release to date, Anaal Nathrakh returns with the relentless “Endarkenment”. Featuring a more focused and equally crushing sound, this album delivers over 41 minutes of balls to the wall aggression mixed with interesting vocal arrangements and the band’s signature chaotic style. If you liked the band’s previous releases, you will love the brutality and craftiness behind this one.
Opening with the album title track, we are instantly flooded with the band’s superior aural abuse thanks to waves of guitars, blistering drums, and completely chaotic (and yet quite soothing) multiple vocal styles. There is an underlying level of melody that we haven’t seen before, allowing the band to create more ‘breathing’ passages between brutal onslaughts. As the duo continues to pummel through this release, songs like “Thus, Always, to Tyrants” and “The Age of Starlight Ends”, keep the intensity to the max, while unleashing some interesting vocal theatrics on this last song.
Always delivering extremely interesting releases, today we have Germany’s Ancst and their latest effort “Summits of Despondency”. Intricately layering many styles into a very pummeling and yet melancholic sound, this album features nearly 45 minutes of viciously delivered intense music. While genre purists will not enjoy the medley of styles in this release, we are huge fans of the amount of creativity and well crafted intermingling of everything from hardcore to Post-Black Metal.
Opening with the crushing “Kill Your Inner Cop”, the band instantly oozes an Hypocrisy vibe with menacing guitars and relentless intensity. The vocals are quite hectic and probably the singular identifying characteristic of the band’s diverse musical explorations, as this track bleeds into the more melodic “Inferno” and “Final Hour”. Due to the intensity of the band’s musical approach, songs quickly blend into each other, and before you can tell , you have heard 4-5 songs without even noticing.
Crafting one of the richest and most unique musical experiences of 2020, today we have Iceland’s Cult of Lilith with their debut full-length release “Mara”. Surrounding their Death Metal with tons of unique atmospherics, different instruments, and weird thematic elements in some songs, this is one of those Extreme Metal releases that are hard to classify, but very familiar to enjoy. If we had to name a similar band, we could say that this band is a Death Metal version of Fleshgod Apocalypse with some additional folky/baroque elements.
Opening with the brutal “Cosmic Maelstrom”, the listener quickly gets a Brutal Death Metal/Deathcore vibe thanks to the screams/growls combination and the intense riffing, but the atmospheric elements quickly set the band apart. As the album progresses, the Stranger Things-esque opening of “Purple Tide” and dreamy opening to “Atlas”, show the band’s unique ability to craft intricate and aggressive pieces with lush contrasting elements and still deliver their signature brutality.
Unleashing three gargantuan slabs of soul crushing Funeral Doom Metal, today we have Canada’s Atramentus and their epic “Stygian”. Perfect for the coming months of winter, this release delivers killer atmospheric misery paired with demoralizing growls and some crafty experimentation. Highly recommended for fans of bands like Shape of Despair, Mournful Congregation, etc., this release will turn even the brightest day, completely bleak.
Opening with the 16-minute beast “Stygian I: From Tumultuous Heavens… (Descended Forth The Ceaseless Darkness)”, the band does not fuck arround and quickly establishes riff dominance with punishing slow guitars. The mixture of clean and harsh vocals creates a very eerie contrast that works magically with such a lush and depressive backdrop. The interlude is provided by the noise-ish/atmospheric piece “Stygian II - In Ageless Slumber (As I Dream In The Doleful Embrace of The Howling Black Winds)”.
Unleashing a truly unique level of aural abuse, today we have UK’s Lychgate and their new label debut EP “Also sprach Futura”. If you think you have heard weird stuff before, this release will re-define the concept for you. Featuring four tracks of pure madness, this band combines elements from Doom/Jazz/Progressive/Brutal Death Metal, and pretty much everything else into an amalgamation of sonic abusive tracks.
The release opens with the cirquesque “Incarnate”, incorporating brutal guitar riffs with chaotic tempo changes and funky organ/mellotron atmospherics. Taking this track over the top are the throat singing moments that just add more confusion and madness between the Black Metal-ish harshness and funky atmospherics. Things settle down a bit on the interesting “Progeny of the Singularity”, where the band starts with brutal onslaughts and slowly evolves into an eerie sickening atmospheric passage , just as the brutality returns to close this magically weird piece.
Hailing from Italy, Fleshgod Apocalypse has stormed the Symphonic Metal scene with their highly refined orchestral brutality. Perfectly blending dramatic orchestrations with complex Death Metal elements, this band delivers some of the most extreme melodic music ever written. With “Veleno”, the band further expands on their heavier side with brutal passages, and on their more melodic and theatrical side with very dramatic vocal arrangements and mellow interludes.
Opening with the ravaging brutality of “Fury”, the band makes their skills do the talking since the first song. Perfectly delivering crushing Death Metal riffs and growls in between dramatic choral arrangements, this track is quite a way to start the release. Moving on to “Carnivorous Lamb” and “Sugar”, the band showcases their dramatic orchestral layers and vicious guitar leads in yet another brutal piece. The combination of male harsh vocals, mad male clean vocals, and sweet female clean vocals works quite well and adds extra contrast to these tracks.
Luckily for those of us unfortunate to Waste of Space Orchestra at Roadburn, Svart Records releases a perfect quality recording of this event with “Syntheosis”. For the uninitiated, this project is a collaboration between Oranssi Pazuzu and Dark Buddha Rising, two of the most exciting genre-bending bands to ever come out of Finland. Clocking in at 65 minutes, this a unique musical exploration that transports the listeners to a bizarre plane of existence.
Slowly building up, “Void Monolith” starts the performance with an introduction to craft psychedelic extravagance thanks to the warm and fuzzy distorted guitars and trippy synths. The madness truly begins with the chaotic “The Shamanic Vision” and its crushing drumming. The deranged vocals make this song even more terrifying thanks to their unique range and style. The underlying melodies of songs like “Seeker’s Reflection” and “Journey to the Center of Mass” are quite intoxicating with a certain jazzy vibe, and perfectly crafted around trippy tempo changes.
As the first review of 2019, we are quite glad that it is Soilwork’s latest opus “Verkligheten”. Featuring a more melodic and catchy edge, this release continues the band’s musical progression into more engaging and innovative territories. Picking up where they left us with “The Ride Majestic”, the band delivers heaps of superbly catchy chorus sections, expertly crafted vocal melodies and lush instrumental arrangements that will have you hitting the repeat button more than a few hundred times on this release.
Immediately after setting the mood with the mysterious album title track, the band hits the gas with a furious combination of blistering drumming and a harsh vocals. This opener is definitely quite heavy and very fitting as the song transforms back and forth between harsh and brutal to more melodic thanks to Björn Strid soaring clean vocals. After catching the listener by surprise with the intensity of the previous song, the band keeps things hectic with the hard rocking riffing of “Bleeder Despoiler”. This track provides an interesting combination of some Heavy Metal-esque influences mixed together with the band’s brand of Melodic Extreme Metal they have refined over the years.