After taking the scene by surprise with their amazing sophomore release “Litany”, Dead to a Dying World is back after four years with an even more impressive and masteful release with “Elegy”. Perfectly blending elements of Doom/Sludge/Black Metal with very emotional vocals and dramatic viola arrangements, this band crafts a very unique sound that is both intoxicating and ravaging. Focusing on creating immersive atmospheres and melodramatic moods, this outfit has created a near perfect release.
Opening with the dreamy western-eques “Syzygy”, the band creates a very martial and enigmatic end-of-time mood. Quickly shifting into 5th gear, “The Seer’s Embrace” delivers crafty guitar riffs and intense vocal arrangements. The mixture of heavy guitars and viola sounds a lot like late 90’s band Forty Days Longing, as it creates a very unique and powerful contrast. The band focuses on crafting unique melodic passages, as this track evolves into many different up and down moods.
Getting over 50 promos a week, sometimes we miss excellent releases like Helevon’s “Aamamata”. Hailing from Spain, this Gothic/Doom Metal outfit took around 5 years to unleash their latest effort, but it was definitely worth the wait. With nearly an hour of music, this release further evolves their sound into more atmospheric and epic territories. If you are a fan of bands like My Dying Bride, The Foreshadowing and similar outfits, this release should be in your collection.
The release opens with the lively riffs of “A Sail to Sanity”, in this opener, the band has their older more direct Death/Doom Metal style, delivered with a catchy bass guitar line and solid tempo changes. The band steps up their efforts with the gut-wrenching “Goodbye Hope”, perfectly blending clean and harsh vocals with subtle piano elements and clean guitars. Josep Brunet signature vocals brilliantly infuse songs like “Blackened Waves” with raw emotions.
Unleashing a dense and punishing Funeral Doom/Death Metal release, today we have Ataraxie and their latest effort “Résignés”. Featuring four tracks and over 80 minutes of music, the listener is in for monumental 20 minute tracks that slowly unravel to unleash heaviness and brutality. Blending old-school Death Metal elements into their Funeral Doom composition, the band creates a very unique and ravaging aural assault.
The album leads with the pummeling “People Swarming, Evil Ruling”, as heavy crunchy riffs lead the way to traditional growls and an overall feeling of helplessness. We particularly enjoy the dreamy interlude that breaks the song in two, just before more brutality is around the corner. Our version of the release continues with the album title track, a song that combines the rawness of Thergothon with the weeping guitars of Mournful Congregation in a crushing package.
Epic Doom luminaries Candlemass finally return with “The Door to Doom”, their first full-length release in nearly seven years. With the return of Johan Längquist on vocals, the band delivers one of the most quintessential releases in this genre, filled with heavy riffs, and a old-school Doom antics. Delivering over 47 minutes of music in eight tracks, this album will certainly resonate with new and old fans of the band.
Leading with the crushing riffs of “Splendor Demon Majesty”, the band sets a timeless vibe thanks to their methodical approach to the genre. Johan’s vocals perfectly complement the crafty guitar work and the overall heavy and slow mood of the track. One of our favorite things in this release has to be the brilliant guitar leads, showcases on tracks like “Under the Ocean” and with the guest appearance of Tony Iommi on the superb “Astorolus - The Great Octopus”.
Unleashing a monumental symphonic/atmospheric Doom Metal release, today we have Norway’s Abyssic and their sophomore release “High the Memory”. With some members being quite active in the Norwegian Metal scene, this band crafts a very unique and sinister vibe that is quite eerie and oppressive in nature. If you are looking for a Doom version of Fleshgod Apocalypse or similar symphonic outfits, Abyssic is the closest you will get.
The album creates a monstrous atmosphere with the opener “Adoration”, a track that features prominent guitar riffs and crushing growls, courtesy of band’s mastermind Memnoch. Things get heavier and even more atmospheric as the album title track rolls in with its 20 minutes of sweeping brutality. This track is expertly adorned with fragile keyboards and dramatic orchestrations, creating a very powerful contrast between the growls and the lush atmospherics.
Being huge suckers for heavily atmospheric releases, we instantly liked Maestus full-length release “Deliquesce”. Magically combining Atmospheric Doom Metal elements with Funeral Doom and some Black Metal influences, this release is an aural delight from start to finish. With four tracks delivering over 50 minutes of music, each song crafts an oppressive atmosphere that slowly chokes the listener with its sonic intensity.
Opening with the album title track, we have a 15-minute behemoth that opens with a ray of light as the lively atmospherics lead into gargantuan riffs and crushing growls. The band brilliantly knows how to mix repetition with atmosphere to create a very crushing mood. With all the elements of an old-school Funeral Doom masterpiece, “Black Oake” blends in dramatic tempo changes, lush synths and plenty fo head banging passages for any fan of the genre.
From the mind of Chad Davis, today we have The Sabbathian’s debut full-length release “Latum Alterum. Fronted by Anette Uvaas Gulbrandsen from Norway, this duo unleashes a very unique brand of Doom Metal filled with psychedelic and occult elements, similar to the early days of Sabbath Assembly, and the music of Jex Thoth. Delivering over 44 minutes of crunchy gloomy music, this is definitely a must have for fans of the genre.
After setting a somber mood with the intro track, “The Brightest Light” unravels the band’s full potential with piercing warm fuzzy riffs and dreamy female vocals. The music is quite hypnotic, instantly creating a very creepy and powerful wall of sound. With Chad Davis handling all the instruments, we get that very well crafted core of rudimentary Doom elements that are playfully arranged to craft haunting melodies like on “Liti Kjersti” and “Head of a Traitor”.
Making our start of 2019 a lot more gloomier, today we have SLOW and the re-recording of their 2015 release “IV - Mythologiæ”. Helmed by the multitalented Déhà, this outfit delivers some of the most painful and crushing Atmospheric/Funeral Doom to ever exist and with this release they unleash nearly 60 minutes of monolithic bleakness. Only for fans of bands like Thergothon, Shape of Despair, etc., this music will certainly strike a nerve with its sheer raw power.
The album kicks off with the desolate soundscape painted by “The Standing Giant”. This track starts with minimalist atmospheric elements and weeping guitars that slowly progress to powerful riffs and deep growls. The pace of this song makes it just magical, allowing the listener to be at the edge of their seat for over 10 minutes. The build-up is one of our favorite elements of the genre and on “The Drowning Angel”, we get a majestic one that takes nearly half the song but unravels into demoralizing brilliant as the song comes to a climax.
It is not everyday that you receive a release from a band hailing from Iran. With our curiosity peaked, Eternal Candle’s debut full-length “The Carved Karma”, is one hell of a Progressive Death/Doom Metal release. Combining elements from old-school Death Metal, Doom Metal all perfectly paired with a Progressive edge, this release delivers almost one full hour of masterful music. For fans of old Opeth, Katatonia, My Dying Bride, this release will certainly resonate with you.
Immediately after the dreamy instrumental opener, the band gets down to business with the sheer power of “The Ripped Soul”. Reminding us of Amorphis on their “Privilege of Evil” days, this track is heavy and pummeling, thanks to its powerful riffs and old-school vibe. Things quickly move into more Progressive / Katatonia-esque territories with the intricate “Sick Romance”, and even further into old-school Death/Doom influences with “A Path to Infinity”.
Unleashing a crushing amalgamation of distorted guitars and powerful atmospheres, today we have France’s Dirge and their latest opus “Lost Empyrean”. Bordering in many genres like Slude, Doom, Post-Metal, this French outfit delivers a captivating release that is quite dense and engaging. For over 56 minutes and seven tracks, we are taken through dismal soundscapes that feel quite oppressive and showcase the band’s fresh and unique sound.
Opening with pummeling distorted guitars on “Wingless Multitudes”, the band’s wall of sound slowly builds up as the guitar layers pile up and craft a tense mood. Weaving back and forth between Amenra-esque moments and more traditional Doom passages, this track brilliantly blends into the next” “Hosea 8:7”. Masterfully maintaining the tension and overall ambiance, the mixture of clean and harsh vocals provides a nice layer to an already intricate mixture of sounds.