Doom Metal

  • Hanging Garden - Neither Moth nor Rust (2022)

    cover

    Keeping themselves busy during the last couple of years, Finland’s Hanging Garden is set to unleash their latest EP titled “Neither Moth nor Rust”. After their very impressive 2021 release, this EP delivers around 25 minutes of highly dynamic and engaging music, with a well balanced mixture of Gothic and Doom Metal influences, this album reminds us of late Theater of Tragedy, To/Die/For/ and Beseech releases.

    Creating a very somber and yet lively atmosphere, the album title track delivers a well balanced mix of growls and clean male and female vocals, alongside engaging and catchy music. This playful vibe continues on tracks like the dreamy “The Last Dance”, and the atmospheric “And Leave All Love Behind”, showcasing the band’s versatility and craftiness to write highly emotional and yet diverse songs.

  • SOM - The Shape Of Everything (2022)

    cover

    After their killer 2021 “Awake” EP, all-star outfit SOM returns with their much anticipated full-length release “The Shape of Everything”. Featuring members of bands like Junius and Caspian, this album delivers over 34 minutes of extremely melancholic and yet heavy amalgamation of all kinds of genres ranging from Doom to Post-Rock and Post-Metal. Creating a very unique signature style, this release is set to be on plenty of best albums of 2022 releases.

    Opening with the melancholy of “Moment”, the band quickly establishes a very moody atmosphere, similar to bands like Deftones and Junius, but with a more shoegazey and dreamy edge. The clean vocals create very powerful melodies, perfectly soaring from the textured guitars of tracks like the Deafheaven-esque “Animals” and the playful “Center”. The band’s versatility can be heard on our favorite “Shape”, a piece that delivers a hefty dosage of heavy riffs alongside more subtle and ethereal guitar work.

  • Mountaineer - Giving Up The Ghost (2022)

    cover

    After making a huge splash with their 2020 release titled “Bloodletting”, Mountaineer achieves the impossible and unleashes an even more melancholic and more polished release with “Giving Up The Ghost”. For fans of Post-Rock/Doom/Shoegaze, this release delivers over 32 minutes of highly emotional and disharming music, creating a fully immersive atmosphere and a truly magical listening experience.

    Opening with a mood setting instrumental, the band gets down to business with the dreamy “Blot Out the Sun”, filled with soaring vocal melodies (both harsh and clean) and very dynamic guitars, perfectly capturing the ‘Mountaineer vibe’ but further extending it with even more melancholy and sublime arrangements like we can hear in “Bed of Flower” or the The Ocean-esque “Touch the Glass”.

  • Déhà - Ave Maria II (2021)

    cover

    By far one of the most productive musicians in the Metal scene, Déhà’s creativity is probably just bounded by time as he continues to unleash massive albums under his solo project, Wolvennest, Slow, and plenty of other bands. In “Ave Maria II”, he continues work he released over 10 years ago under his side project Yhdarl. Featuring one monumental track of 42 minutes, this release is both haunting and completely harrowing, mixing up dense atmospherics, punishing screams and all mighty riffs.

    Separated into two movements, the first part, “Morituri Te Salutant” sets a very cavernous mood that suddenly turns with the introduction of Thergothon-level distorted riffs alongside dramatic vocal arrangements, similar to what Elend did in the past, but with a heavier dose of distortion. The angelic female vocals are masterfully flanked with incisive guitars and massive growls/screams, perfectly turning beauty into nightmare.

  • Abysmal Grief - Funeral Cult of Personality (2021)

    cover

    Unleashing a pretty interesting combination of Doom Metal with Horror Punk/Metal vibes, Italy’s Abysmal Grief delivers their latest opus “Funeral Cult of Personality”. With over 50 minutes of music, this release is both eerie and catchy, perfectly blending genres while creating a unique signature style. If you like horror-inspired Metal/Rock and have an inclination for fuzzy Doominess, this is the release for you.

    After a creepy intro filled with organs and nice atmospherics, “Funeral Cult” leads off with crunchy old-school riffs and crafty guitar leads. The old-school Doom vibe is very nicely set and carried by the enigmatic vocals of Labes C. Necrothytus. One of the signature elements of the band is the creepy and yet simple atmospheric keyboards, laid out by Regen Graves, the band’s guitarist and mastermind. Tracks like “The Mysteries Below”, “This Graveyard is Mine” and “Reign of Silence” are perfect examples as to how the atmospheric component of the band is quite unique and engaging.

  • Vetrar Draugurinn - The Night Sky (2021)

    cover

    With the amount of releases we get at Infernal Masquerade, sometimes killer albums fall through the cracks and we end up reviewing them later than anticipated. In this category, today we have Dutch outfit Vetrar Draugurinn and their sophomore full-length release “The Night Sky”. Featuring one of our favorite singers, Marjan Welman of Autumn fame, and ex-Stream of Passion guitarist Eric Hazebroek, this band creates a very unique and dense sounding Gothic/Doom Metal.

    Opening with the heavy riffs of “The Observer”, this track nicely combines melancholic passages with some proggy influences, creating a very unique and powerful style that nicely bleeds into “The Night Sky”. For fans of more melancholic and Autumn-like songs, “Lansdown Hill” perfectly uses Marjan’s vocals alongside clean male vocals to create a dark and somber piece.

  • Clouds - Despărțire (2021)

    cover

    Consistently pushing the boundaries of creating misery-inducing music, Clouds is one of those bands that with each release only keeps getting better and more refined. With “Despărțire” the band sets a new bar for Atmospheric Death/Doom Metal releases with nearly 60 minutes of emotive music that will rip your heart out of its cavity in minutes. Featuring some excellent guest appearances and some additional elements to the band’s already all-encompassing sound, this release is as brilliant as any of the band’s previous efforts.

    Opening with the imposing “Deepen This Wound”, we get a very solemn vibe thanks to weeping violins and piercing riffs, perfectly paired with Daneil’s rumbling growls. The use of clean vocals provides a nice contrast and allows the music to flow into more emotional dimensions. In the piercing “This Heart, A Coffin”, the band enlisted none other than Mick Moss to provide additional vocals in this total banger of a song. We particularly enjoy the juxtaposition of the violins, tempo, and clean vocals in this very dynamic piece.

  • Anguish - Doomkvädet (2021)

    cover

    Hailing from Sweden, today we have Anguish and their perfectly excruciatingly doomy release “Doomkvädet”. Unleashing a gargantuan slab of 49 minutes of heavy riffs, this outfit has that old-school grittiness that many modern bands lack, prompting comparisons to Candlemass and similar outfit. If you are in the market for traditional Doom Metal with a harsher edge, this is one of those band’s that you will play on repeat.

    Opening with the cavernous “Herein I Burn”, the first riff is a perfect foreshadowing of things to come, as it is slow, heavy and twangy. We like the mixture of clean-ish/snarly vocals giving a more aggressive edge versus your traditional Doom clean vocals, particularly on tracks like “Consumed By The Necro Doom”, and “Deranged and Forgotten”. For non-stop headbanging, “I ett dunkel förlorad” and “Blood Veil” are our go-to songs in this release.

  • Felled - The Intimate Earth (2021)

    cover

    Unleashing a very powerful and emotionally charged release, today we have Felled and their debut full-length “The Intimate Earth”. Perfectly mixing Black/Folk and some Doom Metal elements, this outfit creates a very unique and ravaging sound thanks to the misery-inducing Violin that accompanies all songs. Particularly reminding us of the short lived band Forty Days Longing, this is one hell of an emotional release filled with crafty songwriting.

    Immediately a very somber mood is set with the piercing “Ember Dream” and its dramatic arrangements. Weaving back and forth intense onslaughts and melodramatic tempo changes, this track perfectly blends Black Metal with a doomier edge and some Folky elements. The mixture of harsh vocals alongside sweeping guitar leads nicely evolve into a very cathartic closing. Showing the first track was not fluke, “Fire Season on the Outer Rim” nicely continues the dramatic aural experience by adding some clean female vocals into the mix.

  • Year of No Light - Consolamentum (2021)

    cover

    Nearly eight years have passed since Year of No Light’s last full length release “Tocsin”. Making all the wait completely worth it, “Consolamentum” delivers a monumentally sonically abusive 55 minutes of soul-crushing instrumental Post-Metal/Doom. Competing with the latest Amenra release, this album explores the depths of sound with its punishing onslaughts and nicely evolves the band’s already signature style.

    Opening with a few minutes of drone/atmospheric intro, “Objuration” slowly builds up to massive riffs and oppressive drum patterns. The atmospherics nicely further elevate the band’s sound, creating very contrasting and dissonant sections. The second piece, “Alétheia” burns even slower with a dreamy Post-Rock-ish/Shoegazy intro that gradually escalates into sweet sweet heaviness.

Pages

Recent Image Galleries