As the days get shorter and the dark nights get longer (in the Northern Hemisphere), Officium Triste arrives with perfect timing and their bleakness inducing full-length release “The Death of Gaia”. Unleashing over 55-minutes of devastating Death/Doom Metal, we are reminded that this Dutch outfit is by far one of the best at their craft.
Opening with the misery inducing dramatic arrangements of “The End is Nigh”, the band sets a very dark and funeral-esque vibe that features some slight glimmers of hope. The interplay of Pim Blankenstein crushing growls, the incisive guitar riffs and the melodramatic keyboards creates a superb atmosphere that sets the mood for a very somber release. With some crafty percussions and melancholic headbanging passages, “World In Flames” continues that oppressive atmosphere with a plethora of weeping guitar leads and crafty tempo changes.
Continuing the band’s brilliant rise as one of the best Melodic/Atmospheric Doom/Gothic Metal outfits, Hanging Garden delivers their latest opus titled “Into That Good Night”. Featuring eight tracks and nearly 46 minutes of highly addictive music, the band perfectly blends elements from their heavier earlier days and their more dynamic and Gothic Metal influences of later days. Full of melancholy and expert songwriting abilities, this release is yet another highlight on their already storied career.
Opening with the playful riffs of “Of Love and Curses”, we got a certain Lacrima Profundere vibe as the more enigmatic atmospheric interludes nicely contrast the heavier parts of the song. The more traditional Melodic Doom Metal roots of the band can be found on the dreamy “Fear, Longing, Hope and the Night” which has a certain Insomnium vibe. We particularly enjoy the crafty guitar melodies and the combination of growls and clean vocal arrangements, making it a superbly catchy song.
The highly productive Déhà is back with his Atmospheric/Funeral Doom Metal project SLOW and their latest masterpiece of sorrow with “VI - Dantalion”. Crafting monolithic atmospheres around soul crushing riffs, this release unleashes nearly 80 minutes of powerful music. Just when you think the boundaries of the genre cannot be pushed further, an album like this comes along and shatters them completely.
Warming up the listener with the bleak soundscapes of “Descente”, the album slowly gets fired up as you come across the 17-minute behemoth of “Lueur”. The slow growls lead to monumental riffs and tense atmospherics, creating a very unsettling mood. The dramatic arrangements created by the synths perfectly complement the ravaging guitar structures. However, what really captures the listener is the dramatic tempo changes and mood swings within songs like the later and “Futilité”. Alternating a ‘shorter’ song between 10+ minute pieces, Slow explores darker territories with the harsher vocals and more sinister atmosphere of “Géhenne”.
Hailing from Chile, today we have Epic Doom Metal outfit Capilla Ardiente and their sophomore full-length release “The Siege”. Perfectly aimed at those Candlemass, Saint Vitus and Solitude Aeturnus fans, this album unleashes over 45 minutes of pummeling riffs, moody vocals and an overall crushing atmosphere.
Side A of the release starts with “The Open Arms, the Open Wounds”, a very traditional Doom song that starts with one of the most typical riffs in the genre and quickly morphs into heavier territories. The dual guitar onslaught of Julio Bórquez (lead) and Igor Leiva (rhythm) allows for very engaging and powerful combinations, keeping tracks heavy and fun. “The Crimson Fortress” delivers more waves of distortion amidst crafty drumming and a powerful bass guitar line, giving it a certain old-school vibe.
The album sets a very somber and yet optimistic mood with the moody opener “Far from Home”. We particularly love how cinematic and otherworldly the atmosphere is crafted as songs like “The Way the World Was” and “In Exchange for a Memory” roll in. The band’s ability to slowly build into cathartic moments is just brilliant, with a crescendo of weeping guitars and crafty percussions.
The band sets the stage with a very dramatic choral intro as it settles into heavy and punishing Doomy riffs on “II”. This first track at a glance seems a straightforward Doom affair, if it wasn’t for the interesting tempo changes Sludgier undertones and Post-Metal passages. Things get a bit bizarre and yet quite interesting with the weirdness of “III”. While the music seems to follow a typical direction, the vocals sound a bit odd at first. Might be some weird artifact of the mix, but they don’t quite blend with the rest of the music. Unfortunately this is the case for other tracks in the album, so we find it a bit odd.
German masters of the bizarre Bethlehem are back to full form with the punishing “Lebe dich leer”. Reminding us of their “Dictius Te Necare” and “Dark Metal” days, the band delivers 41 minutes of truly punishing music filled with madness and brutality. Jürgen Bartsch and company are ready to take back their throne and this release is one huge step in the right direction.
Opening with “Verdaut in klaffenden Mäulern”, the band makes an instant impression with the demonic shrieks of Onielar, also the front woman of Darkened Nocturn Slaughtercult. With her completely ravaging vocals, the already mysterious music takes a completely different and pummeling turn, making it quite violent, mystical and at times quite experimental, like on “Niemals mehr leben”. Atmospheric pieces like “Ich weiß ich bin keins”, will send chills down your spine thanks to the whispered vocals and the very deranged song progression.
After taking the scene by surprise with their amazing sophomore release “Litany”, Dead to a Dying World is back after four years with an even more impressive and masteful release with “Elegy”. Perfectly blending elements of Doom/Sludge/Black Metal with very emotional vocals and dramatic viola arrangements, this band crafts a very unique sound that is both intoxicating and ravaging. Focusing on creating immersive atmospheres and melodramatic moods, this outfit has created a near perfect release.
Opening with the dreamy western-eques “Syzygy”, the band creates a very martial and enigmatic end-of-time mood. Quickly shifting into 5th gear, “The Seer’s Embrace” delivers crafty guitar riffs and intense vocal arrangements. The mixture of heavy guitars and viola sounds a lot like late 90’s band Forty Days Longing, as it creates a very unique and powerful contrast. The band focuses on crafting unique melodic passages, as this track evolves into many different up and down moods.
Getting over 50 promos a week, sometimes we miss excellent releases like Helevon’s “Aamamata”. Hailing from Spain, this Gothic/Doom Metal outfit took around 5 years to unleash their latest effort, but it was definitely worth the wait. With nearly an hour of music, this release further evolves their sound into more atmospheric and epic territories. If you are a fan of bands like My Dying Bride, The Foreshadowing and similar outfits, this release should be in your collection.
The release opens with the lively riffs of “A Sail to Sanity”, in this opener, the band has their older more direct Death/Doom Metal style, delivered with a catchy bass guitar line and solid tempo changes. The band steps up their efforts with the gut-wrenching “Goodbye Hope”, perfectly blending clean and harsh vocals with subtle piano elements and clean guitars. Josep Brunet signature vocals brilliantly infuse songs like “Blackened Waves” with raw emotions.
Unleashing a dense and punishing Funeral Doom/Death Metal release, today we have Ataraxie and their latest effort “Résignés”. Featuring four tracks and over 80 minutes of music, the listener is in for monumental 20 minute tracks that slowly unravel to unleash heaviness and brutality. Blending old-school Death Metal elements into their Funeral Doom composition, the band creates a very unique and ravaging aural assault.
The album leads with the pummeling “People Swarming, Evil Ruling”, as heavy crunchy riffs lead the way to traditional growls and an overall feeling of helplessness. We particularly enjoy the dreamy interlude that breaks the song in two, just before more brutality is around the corner. Our version of the release continues with the album title track, a song that combines the rawness of Thergothon with the weeping guitars of Mournful Congregation in a crushing package.
Epic Doom luminaries Candlemass finally return with “The Door to Doom”, their first full-length release in nearly seven years. With the return of Johan Längquist on vocals, the band delivers one of the most quintessential releases in this genre, filled with heavy riffs, and a old-school Doom antics. Delivering over 47 minutes of music in eight tracks, this album will certainly resonate with new and old fans of the band.
Leading with the crushing riffs of “Splendor Demon Majesty”, the band sets a timeless vibe thanks to their methodical approach to the genre. Johan’s vocals perfectly complement the crafty guitar work and the overall heavy and slow mood of the track. One of our favorite things in this release has to be the brilliant guitar leads, showcases on tracks like “Under the Ocean” and with the guest appearance of Tony Iommi on the superb “Astorolus - The Great Octopus”.