Unleashing a crushing amalgamation of distorted guitars and powerful atmospheres, today we have France’s Dirge and their latest opus “Lost Empyrean”. Bordering in many genres like Slude, Doom, Post-Metal, this French outfit delivers a captivating release that is quite dense and engaging. For over 56 minutes and seven tracks, we are taken through dismal soundscapes that feel quite oppressive and showcase the band’s fresh and unique sound.
Opening with pummeling distorted guitars on “Wingless Multitudes”, the band’s wall of sound slowly builds up as the guitar layers pile up and craft a tense mood. Weaving back and forth between Amenra-esque moments and more traditional Doom passages, this track brilliantly blends into the next” “Hosea 8:7”. Masterfully maintaining the tension and overall ambiance, the mixture of clean and harsh vocals provides a nice layer to an already intricate mixture of sounds.
Arriving just in time for those long and dark Autumn/Winter days, today we have Décembre Noir and their monumental third full-length release “Autumn Kings”. Oozing with melancholy, this German band delivers eight soul crushing tracks that clock in at around 70 minutes of music. Perfectly crafted for fans of old Insomnium, Forest of Shadows, Rapture, etc., this release is gearing up to be the best one of its genre in 2018.
The album kicks off with the atmospheric build-up of “In the Pouring Rain” as it suddenly erupts in mournful riffs and firm growls. Perfectly immersing the listener into their melancholic sound, the band slowly progresses into heavier and more sinister territories with some crushing passages. The album title track continues the gloomy vibe with more incisive riffs and brilliantly crafted tempo changes, which allow the song be engaging and never get dull.
Always challenging listeners with truly unique and very interesting releases, today Prophecy Productions brings us Nochnoy Dozor and their self-titled debut album. Mixing tons of atmospheric elements with Rock and Doom influences, this six song EP is one very crafty and engaging release. While the music is quite excellent, what distinguishes the band is the dual vocalist approach that fully develops the listener on very sultry and melancholic ride.
The release opens with “Black Hand” a very enigmatic piece filled with lush vocal melodies and very moody music that sets a very lounge-y tone. Lina and Revekka have great chemistry and it shines in songs like “Stains”, where they sections perfectly complement each other and create a very playful dynamic in the duet passages. Moving on to Doomier territories, “Closer” and “All Mine” feature heavy distorted riffs and a sound similar to outfits like Subrosa, Black Mare and Bathsheba.
Fronted by Daniel Neagoe (Clouds, Shape of Despair), today we have Funeral Doom outfit Eye of Solitude and their latest opus “Slaves to Solitude”. Just fresh from their North American West Coast mini-tour, this band unleashes one of the most misery inducing Funeral Doom releases of the last few years. Up with Mournful Congregation, Clouds, and Shape of Despair, this band creates uniquely melancholic crushing songs that will extinguish your will to live.
The album kicks off with the dreamy “The Blind Earth”, a song that takes a while to build up, but once it reaches the 7 minute mark it becomes increasingly punishing. Daniel’s inhuman growls perfectly complement the bleak and desolate atmosphere created. With Mark Antoniades and Steffan Gough handling the guitar dutties, tracks like “Still Descending” perfectly deliver that brilliant Doomy sound of weeping guitars and well-timed heavy riffs.
Unleashing one of the most hypnotic and intoxicating Psychedelic Sludge/Doom release of 2018, today we have Finland’s Dark Buddha Rising and their latest EP “II”. Coming out via Neurot Recordings, this release features two tracks and around 25 minutes of trance inducing music that elevates the band’s already unique sound to a whole new level.
The band kicks off with the sludgy opening riffs of “Mahathgata I” and it slowly transitions into a truly intoxicating piece with the uniquely odd vocals of Marko Neuman. This track perfectly blends catchiness with atmospheric dominance and hints of psychedelia that are quite characteristic from the band. As the track progresses, it keep beating the listener with its crushing riffs while shifting into a darker and heavier piece. Lasting around 15 minutes, this is one hell of a track that perfectly captures the band’s idiosyncrasies.
Perfectly crafted for lovers of melancholic Doom Metal, today we have international Funeral / Death/Doom outfit Towards Atlantis Lights, and their soul crushing debut release “Dust of Aeons”. Formed by Ivan Zara and having the likes of Kostas Panagiotou in their ranks, this band delivers a truly monumental debut release, unleashing almost 60 minutes of music in four tracks.
Wasting no time, the band slowly builds up their massive sound with the 30-minute “The Bunker of Life”, filled with demoralizing riffs and haunting clean vocals, this track is deep and crushing. The subtle keyboards brilliantly layer on top of the oppressive atmosphere crafted by the guitar work and the deep growls. Between lush atmospheric passages and barrages of pummeling riffs, the time quickly passes by with this track and you won’t even realize you are 25 minutes into it, just brilliant.
Formed by musicians from Finland and Greece, Aeonian Sorrow is set to unleash their debut album “Into The Eternity A Moment We Are” on April 11, 2018. Featuring nearly 60 minutes of beautiful and yet demoralizing Melodic/Gothic Doom Metal, this release caters to the fans of bands like Draconian, Swallow the Sun, old Tristania etc. This young band manages to release eight brilliant tracks full with memorable moments and expert musicianship.
Opening the album with "Forever Misery", we are instantly greeted by solemn keyboards and piercing Doom riffs. Alejandro Lotero’s growls are exactly what the doctor ordered in these types of releases and perfectly contrast Gogo Melone’s enchanting female vocals. With Gogo also handling the keyboard duties, the band creates a very dense and crushing atmosphere, as heard in “Shadows Mourn”. The My Dying Bride-esque “Under the Light” delivers ripping guitars and very well-spaced drums, crafting the perfect mournful headbanging tune.
Unleashing one of the most misery inducing releases of all time, today we have Mournful Congregation and their latest opus “The Incubus of Karma”. Seven years have passed since the band’s last release and all that anticipation is instantly erased with the level of grandeur the band reaches with their sound in this release. Featuring six tracks and nearly 80 minutes of music, this release is by far one of the most soul crushing albums of 2018.
The band sets a very bleak mood with the weeping guitars of the opener, “The Indwelling Ascent”. Once you think the big and crushing riffs are coming, the changes gears a bit and introduce a sad and solemn piece in “The Incubus of Karma”, which greatly contributes to the highly emotional vibe and sets a very somber tone. The gargantuan riffs finally arrive with the demoralizing “Whispering Spiritscapes”, a 15-minute piece that instantly feels like a foot down your chest.
Unleashing one of the Doomiest and most intoxicating release of 2018, today we have Italy’s Messa and their sophomore full-length release “Feast for Water”. Featuring around 50 minutes of highly mysterious and intricately crafted music, the band perfectly combines Doom and Sludgy undertones with enchanting female vocals and oppressive atmospheric elements. If you are a fan of Jex Thoth, Jess and the Ancient Ones, Bohren Und Der Club Of Gore, and similar bands with very apocalyptic vibes, this is certainly an album for you.
After opening with the mood setting Ambient/Drone-ish “Naunet”, the band instantly makes a splash with “Snakeskin Drape” and its incisive riffs. Sara’s sultry voice instantly captures the listener’s attention thanks to its commanding presence and how it shines through the very moody music. Her unique vocals can be said to be a certain mixture of Jex Thoth, Jess from Jess and the Ancient Ones and Farida Lemouchi from The Devil’s Blood, creating a fierce presence that magically brings songs to life like jazzy “Leah” and the funky “The Seer”.
Hailing from the UK, today we have Melodic Death/Doom Metal outfit Twilight’s Embrace and their self-released EP “Penance”. Unleashing four highly melancholic tracks, this release features that old-school Death/Doom sound that fans of bands like My Dying Bride, October Tide and November’s Doom will completely love and enjoy. In a short but sweet time, the band will certainly win you over with their crafty song writing and engaging music.
Opening with “Dying Earth”, the band sets a very moody atmosphere with weeping guitar leads and catchy riffs. The song structure is quite traditional for the genre, but it quickly hooks you into head banging alongside the music. Changing up the pace, “Curtain Call” delivers more waves of melancholy as the growls perfectly complement the tempo of the track. We particularly enjoy the certain retro vibe and bleak atmosphere crafted around this track.