Viking Metal

  • Enslaved - Mið (2026)

    Enslaved - Mið (2026)
    Enslaved - Mið (2026)

    Just when you think that Enslaved could not get any better, the band drops a release as impressive as “Mið”. While there are certainly enough signature moments from the band’s highly polished Progressive Black/Viking Metal, they still manage to explore new elements to create an even more dynamic and bombastic sound. For over 41 minutes and eight tracks, this release brilliantly explores explosive atmospheres and epic melodic passages, keeping things intense and yet very polished and sonically pleasing.

    Opening with the atmospheric “Non-Being”, the release instantly comes to life as “I Am Ice” delivers blistering drumming and powerful riffs. Added to the mix, we have Johan Sara Jr’s vocals, creating a very dynamic mix with the band’s combination of harsh and clear vocals. This track is as explosive as one would imagine, but still delivers some crafty melodic moments, which perfectly blend into its transition to “Solar Will” and “Mountain”. Alongside ripping guitar leads in the latter, and a more melancholic vibe from the former.

  • Eihwar - Hugrheim (2026)

    Eihwar - Hugrheim (2026)
    Eihwar - Hugrheim (2026)

    Crafting one of the most soothing and engaging Viking/Folk Metal-ish releases of 2026, today we have Eihwar and their latest release “Hugrheim”. Before genre purists start getting all elitist about this band, their brand of music is quite interesting, masterfully mixing Folk/Viking Metal with electronic elements, creating very engaging and dreamy atmospherics that nicely blend traditional instruments with a modern edge.

    Starting with “Nauðiz”, the band quickly sets an ethereal vibe, with a certain Heilung-esque atmosphere, but with additional catchiness and a different energy. Traditionally, Folk/Viking Metal is a genre that while complex to do well, and execute, it usually sounds very similar and gets tiring, which is not the case with Eihwar. Tracks like “Freyja's Calling”, “Ein”, and “Skuggaríki”, showcase the band’s core, and very traditional, sound, but with added dynamism and different patterns, allowing them to shine and sound very expansive.

  • Borknagar - Fall (2024)

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    After blowing everybody away with their 2019 release “True North”, Borknagar is back stronger and even catchier than ever. The band has always distinguished themselves as one of those Folk/Viking/Black Metal with signature Progressive and melodic elements, and with “Fall”, the band takes them even further. If you like any of the band’s previous releases, this one has a bit of everything from all their stylistic changes over the years.

    Opening with the epic “Summits”, this track has all the Borknagar staples: soaring clean and harsh vocals, crafty drumming, proggy guitars, and atmospheric magic. As the first single of this release, the band fires in all cylinders and creates a very powerful and dynamic atmosphere. As you can expect the deadly combination of clean vocals from both Lars and Vortex, makes this band the equivalent of having two of the best players, of any sport, on the same team.

  • Enslaved - Heimdal (2023)

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    Always surprising their listeners, Enslaved returns with yet another brilliant exercise in crafty Progressive Black/Viking Metal with “Heimdal”. Skillfully refining their sound over time, this release unleashes seven tracks and nearly 50 minutes of complex and yet digestible music that perfectly carries the band’s signature style with a few new surprises. Any fan of the band of the genre will be satisfied with this highly dynamic and engaging release.

    Opening with “Behind The Mirror”, the band sets an atmospheric tone with the first minute before unleashing some superbly catchy riffs that slowly transform into sweeping melodic guitars to adorn the band’s signature clean vocal arrangements. The band’s sound is quite cinematic and crafty, with excellent layered guitars and a good dose of aggressive sections and growls, as we can hear in “Congelia”,”Forest Dweller” and the proggy/psychedelic catchiness of “Kingdom”.

  • Thyrfing - Vanagandr (2021)

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    After a wait of 8 years, Thyrfing is finally back with their high-octane brand of Viking/Pagan Metal. “Vanagandr” unravels nearly 50 minutes of superbly catchy and highly polished melodic music, just as one would expect from this band. Perfectly mixing precise guitar work with lush atmospherics and firm vocal melodies, this release is as good as it gets in this genre.

    Opening with “Döp dem i eld”, we get that vibrant mixture of atmospherics and incisive guitar riffs. Always creating a very epic Folky/Viking vibe while maintaining a hefty dose of heaviness, “Undergångens länkar” and “Fredlös” are prime examples of the band’s duality. We particularly enjoy how the band uses additional instruments to adorn a very powerful guitar-driven musical core like “Järnhand” shows.

  • Enslaved - Utgard (2020)

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    As one of the most awaited releases of 2020, today we have Norwegian Vikings Enslaved and their latest musical opus: “Utgard”. Continuing their musical evolution into more textured and proggy territories, this release delivers over 45 minutes of captivating music that perfectly blends their signature heavier onslaughts with their more delicate and intricate experimental constructs. If you have enjoyed everything the band has put out since “Axioma Ethica Odini”, this release continues this awesome transformation.

    With a very mystical opening, “Fires In The Dark” delivers the band’s signature interplay of guitars alongside a combination of multiple vocal styles, creating a very lush and expansive melodic sound. Grutle’s signature snarl, nicely blends with the clean counter parts of Håkon Vinje and Iver Sandøy, particularly on tracks like “Jettegryta” where the heavier passages lead way to crafty and elegant melodic and proggy interludes. Other songs deliver the band’s traditional catchiness like the melancholic “Sequence”, which combines some funktastic bass lines alongside generous atmospheric elements.

  • Enslaved – E (2017)

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    Overflowing with creativity and musicianship, today we have Enslaved’s latest opus “E”. Delivering over 45 minutes superbly catchy Progressive Black/Viking Metal, the band continues to refine their explosive sound with a few new tweaks and a whole lot of energy. Just when you think the band can’t get any better, they manage to push the envelope and perfectly balance their old-school elements within the confines of their more modern endeavors.

    The album opens with a very light and to a point Post-Rockish vibe on “Storm Son”. This slowly evolves into more Progressive and Enslaved-like territories with dual vocal arrangements, catchy riffs and tight drum patterns. This opener is quite effective as it nicely bridges the band’s last release “In Times”, with what is coming in “E”. The headbanging continues with the extreme catchiness of “The River’s Mouth”, a piece that is quite interesting as the clean vocals remind us a bit of Fear Factory and create a unique contrast.

  • Vintersorg – Till fjälls, del II (2017)

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    Only a few bands manage to write a follow-up to a legendary album and succeed at it. Today we have Vintersorg blowing people away with their follow-up of the seminal “Till fjälls”. In this double release, the band unleashes over 75 minutes of classic Vintersorg music that will never leave your record player for the remainder of the year (possibly a few years). Going back to the basics, this is one release you can’t miss.

    The album sets the tone with the intense opener “Jökelväktaren”, filled with soaring vocal arrangements and uber catchy guitar work, this perfectly sets the mood for what is to come. For any fan of Vintersorg, the brilliant combination of epic clean vocals and harsh vocals is one of the best features of their releases, particularly in epic tracks like “En väldig isvidds karga dräkt” and the crushing “Fjällets mäktiga mur”.

  • Vindland – Hanter Savet (2016)

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    Delivering over 55 minutes of superbly catchy Black/Pagan/Viking Metal, today we have France’s Vindland and their debut full-length release “Hanter Savet”. With the current influx of brilliant French bands to the Metal scene, it is not surprising that this band is a good as they are. Perfectly capturing the essence of bands like Kampfar, Windir, Thyrfing, this band has managed to craft nine excellent songs that will have you headbanging from start to end.

    Opening with some great intensity, “Orin Kozh” immediately sets the pace for quite a hectic and yet melodic release. The band perfectly weaves back and forth between full-on Metal sections and more subtle Folk-ish influences. The incisive riffing is exactly what makes this release quite melodic and enjoyable, similar to what one would expect from the genre. Tracks like “Treuzwelus”, “Serr-Noz” and “Pedenn Koll” really showcase how the band excels in writing cunning songs that are quite enjoyable and satisfying.

  • Ereb Altor – Nattramn (2015)

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    Featuring Crister Olsson and Daniel Bryntse of Isole, Ereb Altor delivers a Viking infused Epic Doom Metal that is very distinctive and enjoyable in nature. As the band’s fifth full-length release, “Nattram” shows great maturity for the band and clearly showcases the well-polished chops this group of musicians has developed over the years.

    After a warm-up instrumental, the band brings forth their best Epic Doom Metal skills with the intoxicating “Midsommarblot”. Just imagine Tyr-meets-Candlemass and this is something similar to what you will get with this highly atmospheric and melodic piece. In terms of headbanging, “Nattramn” is the perfect piece to do this with its crushing harsh vocals and killer drumming. We greatly enjoy that the band moves from a heavy song into a more melodic and Epic one in a nearly seamless fashion as we can see with the transition to another epic anthem titled “The Dance of Elves”.

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