Hailing from the USA, today we have one-man entity Suicide Forest and its second full-length production “Reluctantly”. Unleashing over 43 minutes of harrowing Depressive/Atmospheric Black Metal, this band’s sound has that European vibe while introducing its own brand of creepiness to the mix. Recommended for fans of bands like Lifelover, Dodsferd, and similar outfits, be prepared to be crushed by this album.
Opening with the title track, the band sets a very demoralizing pace with a mid-tempo excruciating exercise in oppression. Thanks to its piercing riffs, ravaging shrieks, and subtle atmospheric keyboards, this track sets a very dense atmosphere. The crunchy “As the Light Fades Part 1” has a livelier pace to start as it has that rawness of early 90’s BM with its crafty guitar leads and faster tempos, reminding us a bit of Ancient in their “Svartalvheim” days.
Featuring members of bands like Constants, Junius, and Caspian, today we have the dreamy SOM and their highly intoxicating EP “Awake”. With two original songs and three remixes, this release is a teaser of what is to come from this unique outfit. Filled with tons of ethereal and highly atmospheric elements, the band’s sound is quite mellow and yet expansive and highly exploratory, creating a very cinematic listening experience.
Opening with the sweeping “Awake // Sedate”, we are quickly immersed in the band’s very dreamy sound thanks to its dramatic guitars and mellow vocals. There is certain warmth and dreaminess that is quite hard to describe, but is immediately felt when listening to this track. In a more dramatic fashion, “Youth // Decay'' delivers shoegazey emotions with a good dose of dream pop infused in the mix. We particularly love how the song slowly progresses, providing a truly energizing emotional rollercoaster ride.
Always pushing the envelope when it comes to unique aural experiences, Ván Records is set to unleash one of the most unique, and yet intoxicating releases of 2021 with Wolvennest’s “Temple”. Clocking in at nearly 80 minutes, this eight song release is filled with haunting atmospherics, eerie arrangements and solid doses of heaviness. Mixing elements from all kinds of genres like Psychedelic Metal, Ambient, to Apocalyptic Folk, and everything in between, this is one truly majestic experience that demands attention and patience.
The album warms up with the ambient/atmospheric elements of “Mantra”, a track that slowly evolves into a mystical piece with piercing guitars and eerie vocal arrangements. Reminding us a bit of Dark Buddha Rising but with some restraint, plus the enigmatic vocals of Shazzula. The mood feels rising with “Swear to Fire” and its incisive riffs and ghastly vocal melodies mixed in with a very crafty tempo and cathartic guitar leads.
After unleashing one hell of a release last year with “Gnosis”, Finland’s mysterious duo Aethyrick swiftly returns with the lush and crushing “Apotheosis”. Delivering over 41 minutes of highly Atmospheric Black Metal, this release builds up on its predecessor while further refining the band’s immersive sound. Featuring the perfect blend of melancholy and harshness, this release quickly establishes itself as one of 2021 finest.
Opening with a chaotic and ravaging intro in “The Starlit Altar”, the band sets the mood via their layered guitar work and hectic drumming. With a commanding pace and hellish scorn behind it, “Rosary of Midnights” is one of those tracks that incites melodic headbanging while it weaves back and forth furious onslaughts and devilish screams. The atmospheric elements are quite subtle, yet strong enough to pierce through the distorted guitars and deliver an ethereal feeling.
From the mind of Naas Alcameth (Nightbringer, Aoratos, etc.) today we have an exercise in atmospheric brutality and madness Akhlys third full-length release “Melinoë”. Creating an unrivaled oppressive atmosphere since the opener, this release unleashes over 45 minutes of misanthropic music both punishing and ritualistic. If you think Nightbringer and Aoratos are intense, wait until you get a peek at the sheer power behind this release.
Setting a very macabre tone, the opener, “Somniloquy” creates a relentless atmosphere filled with pummeling drums and brilliantly layered guitars, unleashing a very oppressive vibe. Naas Alcameth’s signature vocals greatly enhance the sinister ambiance and nicely create hellish passages on tracks like “Pnigalion”, adding an extra layer of eeriness to an already highly atmospheric musical foundation.
Dramatically balancing brutality with sheer beauty, today we have Exitium Sui and their debut release “Ad Personam”. Mixing elements of Black/Death Metal with lush atmospherics and excellent vocal arrangements, this release delivers over 35 minutes of excellently crafted music. One-man projects usually allow musicians to craft exactly the music they want, with no compromises, and this release shows a very personal and crushing aural experience.
The release kicks off with the punishing “Eviscerate My Withered Soul”, which has a more traditional Death/Black sound but with a calmer pace and an intriguing and very subtle atmospheric undertone. The vibe continues to get bleaker in songs like “The Long Return To Nothing” and “Into The Conflagration”, while delivering a hefty dose of harsh growls and crushing guitars. It is quite interesting how the release slowly builds up its atmospheric components and turns darker as the minutes pass.
With the state of affairs in 2020, music has been a great escape for many. With “Another World”, Light Field Reverie beautifully transport the listener on a highly ethereal journey with their captivating music. Featuring both members of Draconian and Sojourner, this release unleashes over 40 minutes of majestic music that incorporates tons of different elements outside of the normal Metal music scope.
Opening with the dreamy “Ultraviolet”, we are greeted with the sultry vocals of Heike Langhans and very moody atmospheric elements ranging from electronic beats, to dreamy synths. Alongside the atmospherics, we also have a well defined Doom-ish structure of heavy guitar riffs and crafty drums, creating a very piercing and yet enigmatic sound, as tracks morph between highly emotional passages to heavier counterparts, like on “The Oldest house”.
Always delivering a truly hypnotic and ritualistic aural experience, today we have Dark Buddha Rising and their latest opus “Mathreyata”. Hailing from Finland, this outfit continues to captivate audiences with their piercing and ritualistic compositions, unleashing nearly 43 minutes of music in four tracks. For those that like heavy distorted guitars, trippy percussions and tempo changes, alongside a good dose of Drone, Sludge, and Pysch, this release is face melting.
Opening with the trippy “Sunyaga”, the listener is faced with a barrage of pummeling riffs alongside a psychedelic undertone. Vocalist Marko Neuman is one of those weird forces that seems to unleash multiple personalities while singing, creating a very mysterious and yet brutal aural. Feeling already numb and subdued, the second track “Nagathma” takes the eerie atmospherics to a whole new level thanks to some superbly creepy elements paired alongside crafty drum patterns and spacious guitars.
Atmospheric Black Metal is one of those genres where bands can either deliver excellent and chilling releases or just completely shit the bed. Luckily for us, Boreal’s debut full-length release “The Battle of VOSAD” is quite good, providing a solid experience to the listener. For fans of bands like Limbonic Art or Mysticum, this release creates a haunting and yet magical vibe.
Opening with the lush intro of “The Battle”, the band sets a very regal and fantasy-like ambiance before hitting the listener with a Mysticum-esque Industrial-ish sounding Black Metal with powerful vocals and solid riffs. The drums, which sound more like programmed drums, but you never know these days as software has gotten quite good, set a very martial and hypnotic pace, keeping the atmospheric elements flowing effectively and elegantly.
Unleashing a very unique and auraly abusive release, today we have experimental/atmospheric Black Metal duo Shaidar Logoth and their gargantuan “Chapter III: The Void God” release. Featuring a mix of traditional USBM with more esoteric atmospheric/ambient elements and a splash of Post-BM elements, this release delivers over 47 minutes of creepily captivating music.
The release opens with the multi-layered “Nest of Pigs”, a track that slowly builds up with a very ethereal feeling thanks to the Post-BM-ish guitars in the first few minutes. The band’s aggressive side is not to be trifled with as this opener reaches a high point with blistering BM aggression through intense riffing and drumming. The band’s more atmospheric/ambient influences help transition this track into the cavernous “Anguish Cradle”. This song creates a very unique and effective oppression sound with a slow drawn melody and a chaotic ending.