Metal

  • Atrocity – After the Storm (2010)

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    Atrocity is one of those bands that you really don’t know what’s going on with them, but you eagerly await for their next release to see what they will sound like. First they started off by playing pretty decent Death Metal, and then they started incorporating weird non-metal elements into their music, way ahead of their time for 1994 in their album “Blut”. Lately (and we say lately very loosely) they released their “Werk 80” and “Werk 80 II”, in 1997 and 2008, these albums featured covers of popular pop songs of the 80’s.

    More recently (four years ago) they released “Atlantis” and they where considered and ‘extreme metal’ band again, because of the ‘aggressiveness’ of this release. Now in 2010, the band is jumping into the Folk Metal/Ethno Metal area with their very impressive “After the Storm”, an album that features Yasmin Krull on vocals. This jump will surely puzzle some people, but for us that been listening to the band for quite a while it’s merely an interesting twist in the band’s career.

  • Meltgsnow - Black Penance (2010)

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    Seven years have passed since their debut “Black Penance” and Meltgsnow is finally back with their album “Black Penance”, a very diverse, interesting but dated sounding release that will surely confuse all the people used to getting their dose of brutality form Pulverised Records. This release, while not in the traditional ‘vein’ of Pulverised bands, is very interesting in terms of older genres of music being merged together in a very unique and different fashion.

    Merging Gothic Rock/Metal elements with some NWOBHM, Thrash, and traditional Heavy Metal “Black Penance” is indeed one of the most diverse sound albums we have received this 2010. Having not heard of this band before, we can’t really say how much (or little) they have changed over the years, but we can say for sure that the sound in this release gives us a late 90’s/early 00’s vibe.

  • Arcadia – Roy Philip Nohl (2010)

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    Hailing from Italy, today we get a very interesting release that manages to blend several genres of metal into a very original sound. Arcadia does a great job in combining Hardcore, Melodic Death Metal, and some hints of Progressive Metal/Rock, allowing the band sounding like none other in the scene.

    Before you can even think about it, the answer is: yes, there are some Metalcore-ish elements in “Roy Philip Nohl”. However, these little hints of Metalcore are greatly utilized to the band’s advantage; they use the breakdowns to weave new sounds and elements into their already well crafted songs. We really like how the band uses some breakdowns to create epic chorus sections that never sound faggy (i.e. “I Sold Drugs to Little Red Riding Hood”).

  • Rootwater – Visionism (2010)

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    Featuring the characteristic vocals of Maciej Taff (of Black River fame), we get a very solid hard-rocking album that will surely bring back your memories of when System of a Down didn’t suck. Following a similar approach than SoD, the band evolved around a charismatic singer and some folk influences, however Rootwater never overdoes the folk stuff and moves into a Melodic Metal territory with songs like “Visionism”.

    “Visionism” marks the band’s third full-length album and probably the best one to date. Recently Rootwater has stopped ‘operations’ since Maciej has to undergo therapy for illness and this sucks since “Visionism” is a very solid album that would have taken them further than their previous albums.

  • Neurosis – Enemy of the Sun (2010)  Reissue

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    With the upcoming 25th anniversary of Neurosis, the band has decided to reissue one of their most influential masterpieces: “Enemy of the Sun”. If you remember going back to 1993, or at any point when you first listening to this crushing release, you will know how epic this album was, and how it changed the way a lot of people listened/viewed “Metal” music.

    This 2010, Neurot recordings has put out another reissue of this epic masterpiece. The first reissue was back in 1999, and the current ‘2010 edition’ features a redesigned package made by Josh Graham. And it also includes two added tracks: “Takeahnse (demo version)” and “Cleanse II” (Live in Oberhausen). As one of the first experimental masterpieces of Metal, “Enemy of the Sun” is one of those releases that every Metal connoisseur must have in their collection.

  • City of Fire – City of Fire (2010)

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    Featuring Fear Factory’s Burton and Stroud, City of Fire has been around since 2008 and their self-titled release has been available to buy from the band’s site for quite a while now, but it’s finally getting a proper release date of August 24th, by Candlelight Records. This re-release includes three newly recorded bonus tracks: "Children of the Revolution”, "Last Wish", and "Dark Tides Revisited”, all of which we did not receive in our promo copy so will not be talking about them.

    As you can imagine, Burton vocals are what makes this release very engaging for any fans of Metal and Hard Rock music. His characteristic pipes provide all the emotion needed for such a genre-combining release. The band’s music is not your typical “Metal” album and will surely puzzle some of Fear Factory’s biggest fans. But after a few spins, “City of Fire” comes out as a very enjoyable hard-rocking commercially-friendly release that features a group of great musicians doing exactly what they do best: great and catchy music.

  • The Body - All the Waters of the Earth Turn to Blood (2010)

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    Today we have one of the weirdest albums we have received in the last few years with The Body’s “All the Waters….”. This band combines Drone / Sludge Metal with a bunch of random shit creating a very enthralling atmosphere unlike anything you have heard before.

    Since their opening track “A Body”, you know you will be in for quite the experience. This song features angelic voices for around 7 minutes and then it transforms into a mix of heavy sludge riffage, angelic voices and deranged screams. The album pretty much continues in the same weird fashion with the drone-like “A Curse” and then it just keeps getting weirder and weirder with “Empty Hearth”.

  • Colonel Blast – For the Greater Good (2010)

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    Once we listen to an album for one or two times we usually have an idea of what to say about it, when it came to “For the Greater Good” we are still short on words to describe it, but we will try to do our best. This band combines almost every possible genre of Metal together and creates a very unique and crushing sound.

    The band quickly starts of their album showing their riffage power and drumming skills. However, the screamed vocals on this song (and others) are quite annoying since they sound like a cat is getting hit by a bus or something. Some people might dig this, but we don’t, however the growls used through the album are decent enough to make up for them, and the music is what interested us the most.

  • Pussy Sisster – Pussy Sisster (2010)

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    With one of the most annoying and shitty looking MySpace pages in the world, today we have Pussy Sisster and their self-titled release. Usually whenever we have a band that has the words pussy, snatch, virginal, and Satan on their name we immediately deduct 10 points of their review. For Pussy Sisster, we did not do this since their name actually embodies everything this band stands for and their rock-star looks.

    Playing hard-hitting Rock and Roll, the band does a great job in capturing the sound of bands like Kiss, Poison, Cinderella, Mötley Crue, etc. Pussy Sisster has the right sound and look to make people re-live their glory days listening to the previously mentioned bands while doing their hair (and other activities).

  • Arsenic Addiction – Requiem of the Fallen (2010)

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    With the current boom of female fronted bands where the girl does the harsh vocals, it’s almost impossible to find a band that is good enough when comes to mixing both clean and harsh vocals. Arsenic Addiction is probably one of the few bands that fit this description and that we can stand for more than 10 minutes.

    While most people think that Kittie and bands like Otep, Walls of Jerico, etc. were the first bands to use harsh female vocals, they cannot be more wrong. We remember back in the day, getting a demo CD from an American band named: Forty Days Longing, and if you heard the album you would be easily convinced the singer was a very brutal dude, but surprise to us, it was Zdenka Prado a female vocalist (she also provides screams for Garden Of Shadows, and currently for Estuary (ex-Estuary of Calamity).

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