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  • Mountaineer - Dawn and All That Follows (2024)

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    Just like clockwork, The Bay Area’s Mountaineer returns after 2 years with their latest opus in melancholy titled “Dawn and All That Follows”. Not on LifeForce records this time, the band unleashes a hefty 50-minute release split into eight highly engaging and very dreamy tracks. For the uninitiated, the band’s mellow sound combines elements of Post-Rock/Post-Metal with some shoegazey influences and highly melancholic clean vocals, creating a very crafty and highly atmospheric release.

    Opening with the devastating “Cradlesong”, the band quickly unleashes their powerful riffs alongside a thick and demoralizing atmosphere, perfectly paced to inflict maximum pain as the mopey clean vocals of Miguel Meza come into play. There are definitely some crafty Doom/Sludge influences in the band’s sound, as tracks like “Hypnos” and “Prism” continue to develop the crushingly melancholic atmosphere, similar to Katatonia, but more ‘alternative’.

  • Amorphis - Tales From The Thousand Lakes (Live at Tavastia) (2024)

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    As one of our favorite albums of all time, “Tales From The Thousand Lakes” was the release that turned us more into Melodic Death Metal and the use of keyboards in Metal music. Fast-forward 30 years, yes, it has been that long, Amorphis has decided to release a live version of this release, recorded at the legendary Tavastia club in Helsinki, Finland. While not just a carbon copy of the original release, this version has some subtle enhancements and also features Tomi Joutsen handling the vocal duties.

    Starting from “Thousand Lakes” and “Into Hiding”, we quickly noticed some slight differences in the keyboards. Santeri Kallio has come a long way and his style has evolved and some of this seeps into the older songs. Our all-time favorite track, “Black Winter Day” is flawlessly delivered, luckily we have seen the band play the track here and there in the live setting, but it is still nice to have it on disc with a very crisp and clear mix.

  • Octoploid - Beyond the Aeons (2024)

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    Being huge fans of Amorphis, we always wondered what would they sound like now if they would have kept the core style behind “Tales from the Thousand Lakes” and just made refinements over time. Luckily for us, Olli-Pekka Laine, former and again current bassist from the band, unleashes Octoploid and their debut release “Beyond the Aeons”. For eight tracks and around 45-minutes, this release delivers excellent proggy Melodic Death Metal music with a very familiar style and a whole lot of catchiness.

    Opening with “The Dawn in Nothingness”, we are quickly treated to playful riffs, enthralling keyboards and Mikko Kotamäki handling the vocal duties. “Coast of the Drowned Sailors” and the opening track will quickly bring back the days of early Amorphis as it has a mixture of elements from “The Karelian Isthmus”, “Tales..”, and “Elegy”, particularly because Tomi Koivusaari handles the growls on this second song.

  • Limbonic Art - Opus Daemoniacal (2024)

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    Limbonic Art was definitely one of our favorite bands growing up, with their fantastic Symphonic elements back in those days, their sound was revolutionary. After breaking up for some years, Daemon brought back the band to life with a more guitar driven approach, slowly chipping away at the atmospherics that made them stand out. Featuring seven tracks and nearly 50 minutes of music, this release is pretty solid if you expect a certain old-school Norwegian Black Metal sound without the synths.

    Opening with the blistering “Ad Astra et Abyssos”, we hear that Daemon has not lost a step in delivering some truly impressive riffs and crafty melodies. This whirlwind approach permeates tracks like “Deify Thy Master”, “Consigned to The Flames” and “Vir Triumphalis”, creating a very high-octane vibe while unleashing those old-school Black Metal elements that we all love. This release sounds like it could have been released in the late 90’s, early 2000’s and we love it for that.

  • Amarok - Resilience (2024)

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    Unraveling a gargantuan Doom/Sludge Metal release, today we have North America’s Amarok and their punishing sophomore release “Resilience”. In the same vein as outfits like Bell Witch, Nizmor, Usnea and Lycus, this band crafts some of the most oppressive and soul crushing long and demoralizing songs we have ever heard. Five tracks and nearly sixty-five minutes of music are a testament to this.

    Opening with the emotional rollercoaster that is “Charred (X)” the band quickly sets a very bleak and desolate soundscape, filled with Sludgy riffs and hellish vocals. If your soul did not get crushed by the 17-minute opener, the 18-minute “Ascension (XI)” will surely achieve that. This track has an even slower pace, throwing Funeral Doom vibes as the weeping guitars make way for slow snarls and piercing growls. Filled with crafty tempo changes, this track is definitely one of the finest of its kind, and a new personal favorite.

  • Midnight Odyssey - Closer to the Sky (2024)

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    Always consistent and oozing creativity, Dis Pater and Midnight Odyssey return with an epic EP titled “Closer to the Sky”. In this five track, thirty-three minute outing, the listener is treated to magical ambient soundscapes that are masterfully adorned with harsh screams and relentless Black Metal onslaughts. Filled with quality music and engaging atmospherics, this is yet another triumphant release from the band.

  • Hail Spirit Noir - Fossil Gardens (2024)

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    Masters of Progressive/Avant-garde Black Metal weirdness Hail Spirit Noir are back with one of the most unique and engaging releases of 2024. With “Fossil Gardens”, the band further expands their sound into weirder territories with seven tracks and nearly 44 minutes of pure madness. With some familiar elements from outfits like Arcturus and more modern Dødheimsgard, this Greek outfit has managed to carve a totally unique style to themselves and continue to push the boundaries of Metal music.

    Opening with the trippy “Starfront Promenade”, the vibe is instantly set to weird, but highly melodic and always unexpected. Clean vocalist, Dimitris Dimitrakopoulos, provides a very interesting counterpart to the harsh vocal and the wide palette of sounds this band unleashes. Things gradually get weird, with the Psychedelically magical “The Temple of Curved Space” and its superb melodic catchiness.

  • Tsatthoggua - We Are God (2024)

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    As one of those bands that we never expected to have a comeback form, Tsatthoggua always stood up with their sadomasochist/bondage image. With a couple of excellent albums in the late 90’s, “We Are God” marks the return of this German outfit to the scene with a highly vicious mix of old-school Black Metal with some Thrash elements. For over forty minutes, the band unleashes a healthy mix of sleaziness and brutality on this one.

    Opening with all their fire-power, “Master Morality” shows a band that did not lose step and it means business. The fast-paced riffing perfectly pairs with crafty drumming and North Wind’s sinister vocals. The onslaught continues with the furious “Vorwärts Vernichter” and its incisive riffs, the weirdness of “The Doom-Scrawl Of Taran-Ish”, and the more melodic and engaging “I Drive My Dogs (To Thule)” featuring some intensely hellish drumming.

  • Aran - Maahan laskettu (2024)

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    Unleashing the perfect mixture of harsh rawness with lush atmospherics, today we have one-man Atmospheric Black Metal outfit Aran, with their latest opus “Maahan laskettu”. Delivering five tracks and nearly 50 minutes of music, this band reminds us of a mixture of early Empyrium meets Horna. The mixture of styles creates a very powerful amalgamation of beauty and darkness.

    Things start on a high note with the piercing “Hiljaisuus” and its journey between harsh Black Metal onslaught between atmospheric keyboards and some nice slower Doom influences. The track nicely weaves back and forth between different moods, creating a very powerful experience that perfectly bleeds into the melancholic opening of “Poltettu maa”. Full of cathartic moments, this track gives us some nice Luster/Midnight Odyssey vibes.

  • Fellwarden - Legend: Forged in Defiance (2024)

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    Featuring a lively Folk/Atmospheric Black Metal, today we have UK’s Fellwarden and their third full-length release “Legend: Forged in Defiance”. As a one-man project from Fen’s The Watcher, this outlet channels a more epic and fantasy influenced side to his musical talents, unleashing six tracks and nearly one hour of music. With a sound similar to outfits like Enid, Saor and Sojourner, and even some Agalloch, this album is full of great ideas and excellent craftsmanship.

    Opening with the regal “Exultance”, the listener is quickly treated to a very lively and engaging vibe that keeps getting better and better as more layered elements come into play. The Watcher is a mastermind when it comes to crafting intricate melodies and lush atmospherics in Fen, so it is only natural that tracks like “Despair” and “Renewed Hope” have his stamp all over the place as they slowly build up to cathartic moments alongside energetic guitar work.

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