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    Tour d'Ivoire - Tour d'Ivoire (2024)

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    Creating a very hypnotic and dream-like atmosphere, today we have Atmospheric Black Metal outfit Tour d'Ivoire with their eponymous debut release. With four tracks and over 33 minutes of music, the band’s sound reminds us of one of our favorite bands: Enid. With a good dose of synths, multiple vocal styles, heavy guitars, and a very mellow tempo, this release creates a very dense and immersive vibe that only a handful of more experienced outfits can deliver.

    Setting a very mystical mood with “La Tour”, we get a taste of lush atmospherics paired with a river of distorted guitars and harsh vocals. This harshness is masterfully contrasted by ethereal clean vocal choirs, creating a very dissonant and yet pleasing effect. With “Brouillard” and “Forteresse de Marbre” this outfit fully immerses the listener into their world with more waves of catchy and melancholic melodies that continue to showcase the band’s duality.

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    Wolfheart - Draconian Darkness (2024)

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    Tuomas Saukkonen continues to be one of the most busy persons in Metal, dropping a new Wolfheart release in 2024. With “Draconian Darkness”, the band continues its illustrious career delivering nine tracks and over 40-minutes of catchy and engaging Melodic Death Metal. Featuring the band’s signature sound plus a few tweaks, this release perfectly balances aggression with melody, creating epic headbanging moments in its wake.

    Opening with “Ancient Cold”, we get the band’s signature melodic riffing alongside subtle atmospheric arrangements, creating a very immersive atmosphere. One particular tweak is the use of more clean vocals, compared to their previous release, with both Lauri Silvonen and Vagelis Karzis contributing to this. As the band pummels through “Evenfall”, “Burning Sky”, and “Death Leads the Way”, the band further explores this more balanced approach with a nice addition of some orchestral arrangements, courtesy of Saku Moilanen, further enriching the experience.

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    Amiensus - Reclamation: Part II (2024)

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    Hailing from the USA, Progressive Black Metal outfit Amiensus returns with part II of their “Reclamation” saga. Released a few months back, part I showcased the band’s excellent musicianship and creativity, and with part II, the band continues to unleash superbly crafty and engaging songs with elements from bands like Enslaved, Agalloch, alongside their distinctive vocal onslaughts.

    Opening with “Sólfarið”, we get a pretty intense track that slowly builds up to a hectic cathartic closing, instantly reminding us of the proggy-ness of Enslaved alongside the band’s diverse vocal onslaught. After making an impression with the opener, “Acquiescence” has more of an Agalloch dreamy opening that quickly expands to heavy riffs, pummeling drumming, and hellish harsh vocals. The band expertly mixes slower and dreamy passages with some pretty engaging blistering sections that weave back and forth different moods and tempos.

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    Zeal & Ardor - GREIF (2024)

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    Returning with another very interesting and totally intoxicating release, today we have Manuel Gagneux and Zeal & Ardor with their latest opus “GREIF”. Featuring fourteen tracks of pure genius, this release feels more chaotic and yet more raw than their previous ones, thanks to the full incorporation of the band’s live members into songwriting and recording roles. With a very unique and hard to pin down style, the band presents a very diverse and dynamic palette of sound, ranging from completely wild experimental pieces to your ‘standard’ Black Metal-infused heaviness.

    Opening with the solemn “the Bird, the Lion and the Wildkin”, we get a nice warm-up featuring crafty atmospherics and Manuel’s Signature vocals, preparing us for the madness that is to come. With a more epic feel, “Fend You Off” we get the band’s multi layered vocal approach that creates such epic soaring melodies, alongside a hefty dose of heaviness. With a great knack for catchiness, “Kilonova” creates a very lively and engaging atmosphere, with an excellent chorus section and highly addictive percussions.

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    Robse - Harlekin & Krieger (2024)

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    Unleashing nearly 45 minutes of lively Melodic Death Metal, today we have Germany’s Robse and their debut release “Harlekin & Krieger”. With an old-school European Melodic DM style, this outfit delivers eleven tracks of high-octane moments filled with crafty melodic onslaughts and engaging vocals. If you are a fan of bands like Crematory, Dawn of Disease, and Night in Gales, this is another outfit that will satisfy your headbanging cravings.

    After a cinematic intro, the release kicks into full gear with the crafty album title track. Paired with engaging melodic riffs, intense drumming and Robert-Martin Dahn’s harsh vocals, this track sets a very lively and engaging tone. Short, catchy, and full of melody, songs like “Hey Sturm”, “Amenthes”, and our favorite “Aus dem Gleichgewicht”, create a very seamless and enjoyable experience as the album plays. We particularly enjoy the additional elements thrown into the mix like subtle keyboards, different vocal styles, and engaging tempo changes.

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    Ellende - Todbringerin (2024)

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    Today we have a very pleasant surprise from Austria’s Ellende, a re-recorded and reinterpreted version of their amazing second release “Todbringer”. With “Todbringerin”, the band takes control of the music behind this release by re-recording it (no studio masters from the original exist) and making it available in all formats for listeners. We are huge fans of the original, and have a physical copy of that release as one of our treasured items on our collection, so we were psyched to hear how the band, eight years after, would take on such an excellent release.

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    True Black Dawn - Of Thick-circling Shadows (2024)

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    Finally! After an eight year wait, True Black Dawn is back with another incisive Black Metal release titled “Of Thick-circling Shadows”. Led by Wrath (Ex-Enochian Crescent), this outfit continues to push the boundaries of the genre, creating a very thick and enveloping atmosphere while keeping things raw and quite brutal for over 45 minutes. If you are a fan of BM that is forward thinking and incorporates interesting tempo changes, and a very sickening atmosphere.

    Opening with the vicious “Algol”, the band quickly sets a furious mood of harsh aggression with some restraints. After the opener, “The Depths of the Looking Glass”, “Night and Names”, and “The Wind from the Red Cloud” really show the band’s strengths in creating unique rhythmic patterns that go beyond your super repetitive tremolo-picking that is a staple of the genre. This allows for the music to be more sinister and incisive, and perfectly sets up Wrath to change the mood through his versatile vocals.

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    Uprising - III (2024)

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    Spawned as a side project from Jan van Berlekom mastermind of Waldgeflüster, this release delivers a swift and brutal onslaught of fierce Black Metal. With over 40 minutes of music, “III” unleashes six tracks of fierce music with a certain Uada/Mgła edge and crafty atmospherics. If you are a fan of uncompromising and yet well crafted and melodic BM, this is an interesting release to check out.

    Opening the release we have the oppressive guitar of “Eternal Mantra”, a fierce track that sets the tone for this high-octane and engaging release. As the crafty drums weave intricate patterns within the songs, we noticed that Austin Lunn (Panopticon) is actually performing them in this release, with tracks like “Uprise III” and “Raise a Glass” having interesting and engaging tempos. We appreciate that while the music is well polished, there are some experimental elements and melodic passages thrown into the mix to keep things interesting.

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    Mourners Lament - A Grey Farewell (2024)

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    Punishing the listener with a gargantuan slab of Doom, today we have Death/Doom outfit Mourners Lament, all the way from Chile, with their latest full-length release “A Grey Farewell”. With over 64 minutes of soul crushing music, this release delivers six tracks filled with ravaging riffs, inhuman growls, and a very mournful pace. For fans of Mourning Beloveth, Shape of Despair, Skepticism, My Dying Bride, this release is packed with sorrow and melody from start to finish.

    Opening with the moody “Towards Abandonment”, we get mournful guitars alongside solemn keyboards building up a very fragile and engaging momentum. With some solid slower interludes, weeping guitar leads, and excellent clean vocals, we got a nice vibe of early Lacrimas Profundere. Next up, we have a 13-minute onslaught of even more melancholy and elegant atmospheric arrangements, perfectly paired with pummeling harsh vocals and masterful tempo changes.

    • Posted By: Dark Emperor
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    Occulta Veritas - Irreducible Fear of the Sublime (2024)

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    Unleashing an excruciatingly atmospheric release, today we have Occulta Veritas and their full-length “Irreducible Fear of the Sublime”. With a highly dissonant style, this outfit delivers six tracks and over 33 minutes of chaotic Black Metal with tense atmospherics and ravaging brutality. Like a mixture of NONE with Déhà and Acathexis, this release is violent, contrived, and yet extremely punishing and brilliant.

    Opening with the dissonance of “The Mirror Stage”, the mood is set with chaotic guitar work alongside furiously aggressive harrowing vocals. The song instantly creates a sense of desperation and uneasiness that is nicely flanked with a hefty dose of melancholy. The madness continues with piercing tracks like “The Sacred Horizons of Totality” and “Metonimia”, two songs that deliver intense guitar work alongside crafty drumming and hellish vocals.

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