Avant-garde Metal

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    Code – Augur Nox (2013)

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    Making a dominating comeback, today we have Code and their third full-length release “Augur Nox”. Pushing the sonic boundaries of Black Metal, this UK band delivers 12 uncompromising and very unique songs. Perfectly recuperating from the exit of long-term and unique vocalist Kvohst, Code delivers 51 minutes of very interesting and complex music on their own terms, allowing them to push their legacy to new levels.

    Opening with the contrived “Black Rumination”, the band’s unique musical signature is immediately present with intricate guitar work and catchy drum patterns. The mixture of clean and harsh vocals is as good as ever with Wacian doing a great job in capturing the band’s essence. Mixing Progressive/Avant-garde elements into their music, the band further evolves their signature style on tracks like “Becoming Host”, “Ecdysis”, and “Glimlight Tourist”.

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    Natan – Às (2013)

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    Going in the stack of ‘why the hell is this band not signed yet’ promos, today we have Belgiums Natan and their sophomore release “Às”. With over 45 minutes of a very unique blend of Pagan Metal, Black Metal, and tons of Avant-garde influences, this release is one of the few that immediately caught our attention and we have been listening to it non-stop. Having a bit of everything for everybody, this band has a truly unique style that is impressively well-crafted.

    Opening with a bang, “Asch” immediately reminds us of Greece’s Aenaon and their very crafty music. The riffing is quite funky and the vocals very harsh, giving a very unique and somewhat progressive vibe to the music. The addition of the clean vocals really gives the band an extra dimension that your average band usually lacks. The intense “Ride Out!” gives us very cool tempo changes and powerful riffs constructed in a very unique and progressive way, reminding us of Enslaved at points.

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    Ihsahn – Das Seelenbrechen (2013)

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    Being huge fans of Ihsahn, we finally made the pilgrimage this year to watch him play live at the Afterburner in the legendary Roadburn Festival. Having surrounded himself with the extremely talented musicians of Leprous as his ‘backing band’, he delivered quite an impressive performance by nailing almost all the songs with brilliant technical perfection. Anyways, on his latest release, “Das Seelenbrechen”, he pushes the envelope even further with a lot of experimentation and a few of his signature elements. If you are expecting another “After” or “Eremita”, you might find yourself scratching your head a bit with this one.

    Enlisting Leprous drummer-extraordinaire Tobias Ørnes Andersen for this release, Ihsahn as always handled everything else. Things seem to open in a very traditional way with the beginning of “Hilber”, a seemingly straightforward track that starts getting crazy as the odd keyboards come up. While this track is quite engaging, the weirdness is still manageable for all fans of Ihsahn. “Regen” takes a turn for the dramatic with clean vocals and a very dark vibe. The ballad-esque opening nicely builds up to some very epic moments as the song progresses. This track is one of our favorite ones thanks to the brilliant mood progression and dramatic climax.

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    Dawn of Tears – Act III: The Dying Eve (2013)

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    With an eerie resemblance to Dark Lunacy and Eluveitie (sans the folk stuff), today we have Dawn of Tears and their excellent release “Act III: The Dying Eve”. Being huge fans of Melodic Death/Gothic Metal, this Spanish band blew us away since the first time we listened to this release. Mixing heavy guitars with tons of melodic/headbanging interludes and some female vocals and keyboards, they manage to deliver super catchy tracks that will have all fans of Dark Lunacy, Eternal Tears of Sorrow, etc. craving for more.

    The album immediately starts on a high note with the high-octane “A Curse Herritage”. This track immediately shows great energy from this promising band. The incursion of female vocals is quite enjoyable, giving the music a completely different dimension. The album’s first single, “Present of Guilt”, is another mega-catchy melody that features an excellent chorus section and brilliant guitar work. With some cool atmospheric components, this song’s vocals reminded us of Eluveitie. Stepping up their game, “Lament of Madeleine” delivers a powerful opening that nicely turns mysterious in a very Eternal Tears of Sorrow way.

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    Oranssi Pazuzu – Velonielu (2013)

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    Cracked out Psychedelic Black Metaliers Oranssi Pazuzu, make a triumphant return with their latest release: “Velonielu”. Pushing the boundaries of Black Metal (and music in general) to new extremes, this album features six thought provoking tracks that will either make you hate the band completely or fall into a deep trance. For over three quarters of an hour, this Finnish band will make you have nightmares with their unique level of weirdness.

    Opening with the demoralizing “Vino Verso”, we are treated to very unconventional Black Metal guitars and funky atmospheric elements. The vocals are your traditional BM screams with some distortion added that greatly complements the pounding guitars. “Tyhjä Tempelli” changes things up with funky Psychedelic guitars and an excellent bass line. The riffing sounds Black Metal-esque, in a very weird and unique manner, reminding us a bit of bands like Furze. The atmospheric component of this track is quite disturbing, especially when contrasted by the harsh distorted vocals and the cool guitar feedback.

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    Azure Emote – The Gravity of Impermanence (2013)

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    As the brainchild of Mike Hrubovcak (Monstrosity, etc) today we have the totally wacked out second full-length release of Azure Emote titled “The Gravity of Impermanence”. Featuring 14 tracks and around 60 minutes of very chaotic and somewhat odd music, this release will have listeners at the end of their seats waiting to hear what is coming up next. Mixing all kinds of styles, both musically and vocally, this is one very complex album that takes a bit to sink in.

    Opening with the strange “Epoch of De-Evolution”, you immediately know that this is one of those albums that will keep you confused. Immediately we start to draw comparisons to bands like Sigh, Unexpect, etc, where you don’t really know where the album is going until you decide to give up and just enjoy the weirdness. “Carpe Diem” is quite a good example of this weirdness with haunting vocals and the excellent signature violin contribution of Pete Johansen.

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    Way to End – Various Shades of Black (2013)

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    After Way to End’s impressive 2009 debut, “Desecrated Internal Journey”, we had huge expectations for this French outfit and with “Various Shades of Black” they have managed to surpass them and set a whole new standard for themselves. Clocking in at 50 minutes, this release is an excellent example of how a band with excellent technical skills can produce something that is both crushing and complex in nature.

    Nicely warming up with the mellow “Sous Les Rangs”, people that don’t know the band will surely be puzzled and not really prepared for what is to come in this excellent release. “L'apprenti” brings back the intricate guitars from the band’s debut but with a more twisted and refined sound. The incorporation of Vaerohn of Pensées Nocturnes on bass allows them to sound richer with equally complex guitar and bass guitar sections.

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    Pensées Nocturnes - Nom d'une Pipe! (2013)

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    The moment you think you have heard it all, you get an album like “Nom d'une Pipe!”. Breaking the boundaries of Avant-garde Black Metal by infusing some neo-classical and jazz influences, Pensées Nocturnes manages to deliver one of the most diabolically excellent releases we have heard in the last few years. Taking were Arcturus and their “La Masquerade Infernale” left off, this release has a exquisite circus feeling mixed into the whole Avant-garde BM theme.

    Opening with the dark “Il a mangé le soleil” the band initially sets a very chaotic and aggressive mood that is very typical of Avant-garde BM release. The band’s musical elegance really kicks in when the enthralling “Le Marionnettiste” brings its jazzy and extremely psychotic sound. Reminding us a bit of bands like Angizia and Elend, but with a darker and heavier vibe, the wind and string classical instruments are just excellent and allow the atmosphere to drastically transform.

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    Todtgelichter – Apnoe (2013)

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    After breaking the mold with their outstanding 2010 release “Angst”, today we have Todtgelichter back with an even more impressive release titled “Apnoe”. Continuing to push their Avant-garde Black Metal boundaries into more Post Rock/Black Metal territories, this German band manages to deliver 10 captivating songs that if you are a fan of their previous release, you will be in musical paradise for hours on end.

    Featuring a new bass guitarist and vocalist, the band opens very energetically with “Embers”. The band’s excellent songwriting skills are immediately present in how this track weaves back and forth from aggressive harsh vocals sections to more dreamy parts with female vocals. The band’s female singer, Marta, has that very natural voice that we love from singers like Agnete Madder Mortem and Marjan of Autumn. The very organic dreaminess of this song makes it quite magical indeed.

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    Abstrusa Unde – Introspection (2012)

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    Being re-released by Apathia Records, today we have Abstrusa Unde and their debut full-length “Introspection”. In this very diverse and entertaining release, the band delivers eight tracks of brilliant Avant-Garde Black Metal with a deranged theatrical vibe to it, similar to Arcturus, Unexpect, and such bands. With ten musicians participating in this release, the listener is in for a truly exciting experience through many different musical landscapes.

    Opening with the album’s title track, the band crafts a very sinister atmosphere similar to a mixture of Angizia with The Diablo Swing Orchestra. Immediately invoking the spirits of the masterpiece of Arcturus, “La Masquerade Infernale”, the band delivers the intoxicating “Hamsa Lonri”. This song features enchanting female vocals and intense string instruments. The harsh vocals mix very well with the female singing and with the crazy keyboards, creating a truly haunting experience.

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