Album Reviews

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    Dragonforce - Warp Speed Warriors (2024)

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    Needing no introduction, Dragonforce has been delivering waves of high-octane Power Metal over the years with a high emphasis on flair and technical brilliance. With “Warp Speed Warriors”, the band returns with their playful and superbly catchy style to deliver ten tracks and nearly 50 minutes of expertly crafted epic music filled with soaring vocal arrangements and technical wizardry.

    Opening with the engaging “Astro Warrior Anthem”, we quickly get Herman Li and Sam Totman racing off with soaring guitar leads alongside Gee Anzalone’s tight drumming. Thanks to Marc Hudson’s soaring lead vocals, tracks like “Power of the Triforce”, “Kingdom of Steel”, and “Burning Heart”, nicely have that superbly epic and intense vibe that is the signature style of the band. Filled with intricate details and a crystal clear production, all songs in this release are an aural experience on their own.

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    Oblivium Regnum - Zrádce (2023)

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    It has been a while since we received a physical promo CD, and luckily for us it was from this promising Czech band Named Oblivium Regnum. With their EP titled “Zrádce”, the band showcases four diverse and equally engaging tracks. Showing that the Czech Republic is not only good at making beer and having some awesome festivals, shout out to Brutal Assault, they have some very interesting bands that nicely combine old-school elements with a raw and direct take to unleash some crafty Melodic Death Metal songs.

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    They Came From Visions - The Twilight Robes (2024)

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    Creating a very captivating blend of Black Metal with Post-Metal/Rock elements, today we have Ukraine’s They Came From Visions and their sophomore release “The Twilight Robes”. Featuring seven tracks and nearly 45 minutes of elaborate music, this release perfectly delivers waves of fury alongside moody melodic passages, creating uniquely haunting and desolate atmospheres.

    Opening with the folky mood setting “Lughnasadh”, the album kicks into gear with the blistering riffing of “Equinox Ablaze”, a very crafty track that while having some of that 90’s Black Metal luster, it also features lush clean interludes filled with dreamy vocals and guitars. Our personal favorite track has to be the furious “Burning Eyes Blackened Claws” and its intense opening, and then perfectly transitioning into more melodic territories alongside pummeling drums.

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    Aborted - Vault of Horrors (2024)

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    With almost 30 years of existence, Sven de Caluwé’s Aborted is one of those quintessential Death Metal bands that while it has kept their sound fresh, it also delivers chugging tracks that will leave your neck sore from all the headbanging. With “Vault of Horrors” the band plays homage to horror movie classics in a well crafted manner. Clocking in at 40-minutes, this release delivers ten tracks of sheer brutality that any fan of the genre will enjoy.

    Opening strong with the intricate drumming/riffs combo of “Dreadbringer”, the album sets a very high-octane tone and never really lets go. The band enlisted one guest vocalist per track, giving Sven’s vocals that extra kick and allowing their sound to have a more diverse range, as tracks like “Condemned to Rot”, “Brotherhood of Sleep”, “Hellbound”, and “Death Cult”.

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    Merrimack - Of Grace and Gravity (2024)

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    Unleashing one of the finest Black Metal releases of the last few years, today we have Parisian outfit Merrimack and their crushing return “Of Grace and Gravity”. As their first album in seven years, the band returns with thirst for vengeance and delivers over 40 minutes of excruciatingly brutal music that any fan of the genre will go nuts for. If you like incisive and punishing music with a perfect balance of atmosphere and swift brutality, this is the release for you.

    The release kicks off with a bang with the demolishing “Sulphurean Synods”, a track that blasts off with ravaging guitars, pummeling drums, and hellish vocals. There is certain rawness to the band’s approach that is quite savage and direct. With the intensity of “Sublunar Despondency”, the band has that viciousness of 90’s Norwegian Black Metal, giving a certain Satyricon edge that works wonderfully within the band’s aggressive style.

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    Sonata Arctica - Clear Cold Beyond (2024)

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    Over the years, Sonata Arctica continues to defy time by keeping their sound engaging and fresh. With “Clear Cold Beyond”, the band delivers their signature high-octane Power Metal with ten tracks and nearly one hour of superbly catchy music. Delivering a mixture of playfulness and masterful musical execution, this release is certainly a fun one from this Finnish outfit.

    The album kicks off with the lively “First in Line” and its playful keyboards perfectly paired with Tony’s staple vocals and a very upbeat and engaging tempo. The band’s ability to crank out catchy and yet technically engaging songs is clearly showcases on pieces like “California”, “Shah Mat” and “Dark Empath”. We have always loved how the band’s music is upbeat and sometimes to some degree a bit cheesy, but equally enjoyable.

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    Isenordal - Requiem for Eirênê (2024)

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    Unleashing one of the most powerful and disarming releases of 2024, today we have Isenordal and their latest opus “Requiem for Eirênê”. Filled with melancholy, this release features five tracks and over 50 minutes of majestically crafted music that transports the listener with mysterious and bleak soundscapes. Filled with lush instrumentation and perfect execution, this is one of our early candidates for best release of the year.

    Opening with the 15-minute behemoth “A Moment Approaches Eternity”, we get a slow atmospheric progression adorned by solemn viola accents, just until the moment when crushing Doom riffs lead way to harsh screams. The level of bleakness induced by the weeping guitars and the masterful tempo is unparalleled, and it only gets better as the track progresses with even more dramatic instrumentation and some hellish aggressive passages.

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    Firewind - Stand United (2024)

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    From the mind of guitarist extraordinaire Gus G, today we have Firewind’s latest effort “Stand United”. Delivering ten tracks and over 43 minutes of superbly crafted music, this release is the perfect fix of Heavy/Power Metal for genre purists and those who enjoy some hard-hitting Metal tunes to grab some beers and party the night away.

    Opening with the blistering “Salvation Day”, we get a pretty good intro to the band’s high-octane sound, perfectly balancing soaring vocal melodies alongside guitar wizardry and extreme catchiness. One of the best features of this band is that while Gus G is an insane guitarist, the music is actually quite balanced and never abuses his skills, but they rather work excellently in unison with all other instruments, as tracks like “Stand United”, “Destiny is Calling”, and “The Power Lies Within” showcase.

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    Grey Skies Fallen - Molded By Broken Hands (2024)

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    Since While Heaven Wept disbanded a few years back, Grey Skies Fallen has been left carrying the torch for that unique mixture of Epic-ish Melodic Doom/Progressive Metal that mostly North American bands have been playing. With “Molded By Broken Hands”, the band further refined their sound while keeping their signature elements and delivering seven tracks and nearly 50 minutes of moody and melancholic music.

    Opening with the acoustic guitars of “A Twisted Place in Time”, the band quickly sets a very melancholic vibe as the doomy distorted guitars come in alongside harsh vocals and engaging atmospherics. The album title track dabbles into more atmospheric territories at first with some crafty guitar leads and it progresses with some excellent moody tempo changes.

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    Suldusk - Anthesis (2024)

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    Hailing from Australia, today we have Suldusk and their sophomore release “Anthesis”. Marking a transition from a Folk sound to Dark Folk with Blackgaze, Progressive and even some Doom influences, this release unleashes nine tracks of sublime music filled with raw emotion and mystery. For fans of more modern Post-Black Metal releases with a melancholic edge, this release will certainly catch many by surprise and take the scene by storm.

    Opening with the solemn “Astraeus”, the band quickly changes gears with the brutal initial onslaughts of “Verdalet”. Once the band settles in more melancholic territories, their stylistic duality is masterfully revealed. Emily Highfield’s vocals are just the right amount of sweet and mysterious to carry a very lush instrumentation including dramatic violins and intricate guitar melodies.

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