Death Metal

  • Invasion – Orchestrated Kill Maneuver (2010)

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    Quality can usually be considered a matter of perspective, and when it comes to Invasion’s “Orchestrated Kill Manuever” perspective immediately comes in to play. If you compared them to old-school European bands that play (and have played) the whole war-inspired Thrash/Death Metal band, then they are just one more in the bunch. However, if you consider what US bands have done for the genre, then we have to agree that Invasion is not that bad.

    With chuggy distortion and catchy riffs, Invasion comes at us with a brutal attack of straight-forward in-your-face Thrash/Death Metal that will make it hard for anybody to deny their effectiveness. That being said, they don’t have much to offer when it comes to originality or diversity.

  • Melechesh – The Epigenesis (2010)

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    Continuing in the same vein as “Sphynx” and “Emissaries”, Melechesh unleashes upon us a high caliber Middle Eastern influenced Black/Death Metal assault with “The Epigenesis”. For those of us that like a little more substance in your music, Melechesh manages to fuse Middle Eastern folk elements with heart-pounding Metal elements creating an elaborated, yet accessible album that blends through genres like sugar in water.

    Expanding their sound with more traditional elements, the band greatly refines their sound when compared to their older releases. The crushing riffing, blasting drumming, and pounding bass guitar lines are as good as always, but not you can hear different patterns in the riffing, giving you a more elaborate sound that fans of the bands will greatly appreciate. The overall result is a very ritualistic experience that masterfully adorns the mystical and mythological backdrop of the album’s lyrics.

  • Noctis Imperium – Nihil (2010)

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    Out of the hundreds of bands we receive every month, we have three main categories for them: great, terrible, and average. Noctis Imperium is one of those that fit exactly in the average category, there is nothing really wrong with it, but there is also nothing impressive to this band. The songs are catchy and brutal, but asides from this you can fast forward in between songs and everything will sound the same.

    Hailing from Venezuela, the band does a solid job in creating energetic Death/Black Metal songs. The band’s guitar work is pretty solid and catchy, and the solos are very well placed in the songs, we venture to say that the guitars and drumming (courtesy of Nicholas Barker) are probably the strongest elements of this band, since the rest falls on the ‘nothing out of the ordinary’ category.

  • Heretic Soul – Born Into this Plague (2010)

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    In this modern age finding good Death Metal can become quite a hard thing to do, you have all the ‘classic’ bands still releasing good shit like Cannibal Corpse, Immolation, Malevolent Creation, etc. But finding a new band that is worthy to be added to such an impressive Death Metal lineup is hard to so, especially because of all the shitty Deathcore influences that many bands have these days.

    Today we have from Rotting Corpse Records, the first full-length release of the Turkish band Heretic Soul. “Born Into this Plague” is a release that can surely be called extremely ‘traditional’ and nothing out of the ordinary, but who cares, if you are looking for catchy Death Metal, then look no further since Heretic Soul is the band for you.

  • Gangrenator – Tales from a Thousand Graves (2010)

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    Hailing from Norway and featuring Kvohst (vocalist of Code and ex-DHG), today we have Gangrenator and their interesting sounding old-school Death/Grind Metal. This band feels like a tribute band to old-school Death/Grind and B movies, and they actually manage to pull of this feeling very successfully on the 13 tracks presented in this short but sweet release.

    During “Tales from a Thousand Graves”, we get a bunch of deranged tracks that last between 1 and 3 minutes of highly chaotic, but interestingly crafted music. Amoque Von Berlevaag does a very solid job in providing countless riffs that range from Grindcore to traditional Death Metal influences.

  • Prosanctus Inferi - Pandemonic Ululations of Vesperic Palpitation (2010)

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    Featuring J. Kohn of Black Funeral (USA) fame, Prosanctus Inferi is one of those bands that you will either love or hate to death. Their style merges Black and Death Metal elements into a blender and creates very brutal and mostly aimless 2-3 minute musical ‘compositions’ that will either make you headbang like crazy or scratch your head wondering WTF is going on.

    “Pandemonic Ululations of Vesperic Palpitation” the band’s first full-length album features 13 songs and around 25 minutes of sheer brutality. If you like your music to be extremely brutal and somewhat pointless then this is the album for you. The band’s drummer Antichristus committed suicide before the release of this album.

  • Denouncement Pyre - World Cremation (2010)

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    When it comes to sounding evil and grim, the Aussie’s behind Denouncement Pyre got it down to a science. With their first full-length album in 7 years they are finally arriving to American shores via Hell’s Headbangers. The band consists of two members and they alone can create enough havoc to unleash war and hell upon planet earth.

    After several demo’s, EP’s, Split’s, we finally get a true full-length release form this band and while it’s a bit short of complete epicness, it does create a very solid atmosphere and has a powerful Black/Death Metal ring to it. As you can expect, the band is short from being original or revolutionary, but they do a great job in sticking to the basics and creating raw melodies without the need of sounding like they recorded this album in the toilet.

  • The Royal Arch Blaspheme – The Royal Arch Blaspheme (2010)

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    With J. Gelso composing the music and N. Imperial on vocals, The Royal Arch Blaspheme is ready to torture our soul and ears with their Blackened Death Metal sound. With such a promising line-up, the band knows what old school Black Metal fans like: raw and unceasing attacks of brutality and dissonance.

    With such a foul sound, The Royal Arch Blaspheme delivers 10 tracks of total blasphemy and destruction. While this self-titled album is nothing close to a revelation or re-invention of the genre, it is very direct and effective in creating thick guitar-woven atmospheres that are greatly adorned by Imperial’s hellish screams.

  • Kataklysm – Heaven’s Venom (2010)

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    After listening to the band’s EP “The Mystical Gate of Reincarnation” we were highly impressed by the sheer brutality that oozed from that release. Fast-forward almost two decades, several band member changes and a handful of uninspired releases (mostly everything they did in the 00 decade) and now we get “Heaven’s Venom”, a very inspired release that immediately turned our heads and made us focus 100% on listening to this solid release.

    While the band is not as ‘brutal’ as on their earlier days, they have matured enough to be able to pull of Melodic songs with brutal blastbeats and not even break a sweat. During the ten tracks presented in this release, the listener is treated to a rollercoaster ride through melody and brutality unlike another found in an ‘older’ Death Metal band this year.

  • Malevolent Creation – Invidious Dominion (2010)

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    Legendary American Death Metal band Malevolent Creation is finally back with another hard-hitting face-pounding release that will blow you away. “Invidious Dominion” is yet another powerful release in the band’s 23+ years in the business, marking the return of Jason Blachowicz to the band (for the 2nd time).

    If you are a Death Metal fans and have never heard of this band before, you are either 18 years old, or a complete poser and you need to stop reading… maybe not, but there is plenty of research you need to do in order to call yourself a Metal head. Anyways, the band feels completely rejuvenated and they totally kill on this release. Each of the 11 tracks are fast paced and as brutal as ever.

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