Album Reviews

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    Neverland – Ophidia (2010)

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    Hailing from Turkey today we have Neverland, a Power/Progressive Metal outfit that is here to kick-ass and take names. The band has such a bombastic sound that you would image you are listening to a side project by Jon Oliva, or Tobias Sammet. The band takes you through an 11 song journey or epic music that will surely be one of your favorites of 2010.

    Featuring guest appearances by Jon Oliva, Edu Falaschi, and Urban Breed, the band does a great job in composing intricate and powerful songs that will blow you away. The band never relies on the guest appearances to much, since their own vocalists: Iris Mavraki and Oganalp Canatan are very good themselves. And if you have been reading Infernal Masquerade for a while, you must know that we have a knack for being picky when it comes to Progressive/Power Metal vocalists.

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    Masterplan – Time To Be King (2010)

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    Power Metal’s super group (yes, another one) Masterplan is back after keeping us waiting for a follow-up to their acclaimed “MK II” album. With “Time To Be King” the band is poised into becoming one of the premier Power Metal bands, and they surely have the correct personnel to achieve this feat. We think the album is aptly titled for what Masterplan is set to do with this great release.

    With the return of Jørn Lande, the band again has a very strong and versatile vocalist. And featuring legends Roland Grapow and Mike Terrana, on guitars and drums, you can’t ask for a more experience and overall excellent musical foundation for Masterplan. After the hype created by their single “Far From The End Of The World”, the full-length release is even better than the small sample with got with this single.

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    Kissin’ Dynamite – Addicted To Metal (2010)

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    The current revival/rehashing of ‘traditional’ metal genres such as Trash Metal, old-school Black Metal, and old-school Heavy Metal, has been reaching the point of being extremely ridiculous. Every four out of ten releases we get have to do with some kind of new band playing old-school music. Now, it’s surprisingly shocking to us when we actually get a band trying to do something new and exciting.

    Kissin’ Dynamtie hails from Germany and they formed back in 2002 to play… ‘traditional’ Heavy Metal, what a shocker. The band actually is very good at what they do and they capture the old-school sound perfectly. Some people are calling this band the next-best thing after Edguy (for German Heavy Metal), and while we can agree that musically this band is pretty solid, they have no originality at all.

    • Posted By: Dark Emperor
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    Big Ball – Hotter Than Hell (2010)

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    Who ordered and nicely cooked AC/DC clone?, apparently AFM records did with Big Ball. While the band never denies, and even encourages, the label of AC/DC clones, we find them to be good at capturing AC/DC’s sound and essence and providing a tiny-little-bit of their own into “Hotter Than Hell”, the band’s first full-length release.

    As the band states, if you hate AC/DC you will hate us, so if you do then stop reading and move on to the next review. Big Ball is a pretty decent clone/tribute band to AC/DC and even the vocals sound strikingly similar to earlier the earlier style of Brian Johnson, but sometimes get a bit raspier and sound more like Udo Dirkschneider, still not bad.

    • Posted By: Dark Emperor
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    Vomitor - Devils Poison (2010)

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    While Hells Headbangers is known for releasing very retro (and good) sounding releases, with Vomitor’s “Devils Poison” they have dropped the ball immensely. This Aussie band had done a great job with “Bleeding the Priest”, a very worthy debut album that gained them well deserved comparisons with Sodom, Celtic Frost and the all mighty Hellhammer. But with “Devils Poison” they sound like they should be heading back to their garage and record a few more demos.

    “Devils Poison” is a very chaotic release that has pretty much nothing going for it, the album gets boring right after track number one. We are not complaining about the raw and primitive sound the band has (which is characteristic of the early Sodom, etc albums), but we complain about the lack of creativity and even musicianship behind this release.

    • Posted By: Dark Emperor
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    Canvas Solaris - Irradiance (2010)

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    Hailing from the USA today we have Progressive Metal wizards Canvas Solaris. “Irradiance” marks the band fifth full-length album, and a very impressive one we might add. For over 40 minutes we are taken through a brilliant exercise in execution and composition skills, “Irradiance” is one of the best Progressive Metal albums we have reviewed this 2010.

    With their heavy influences from Cynic, Yes and Dream Theater, we can quickly notice why Canvas Solaris has been around for a while and are serious about making brilliant Progressive songs. The songwriting quality behind “Irradiance” is top notch and will immerse you into the band’s powerful sound.

    • Posted By: Dark Emperor
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    Delain – Lucidity (2010)

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    Four years have passed since this album’s original (and European only) release. During this years Delain, which started as a project of Martijn Westerholt, has gained worldwide acclaim and recognition. Martijn then decided to make this a full-time touring band and has since released “April Rain”, the band’s second full-length album. Going back in time when Delain only consisted as Martijn and Charlotte Wessels as the permanent members, they recorded “Lucidity”, a majestic Gothic Metal masterpiece.

    “Lucidity” features guest appearances from some of the most celebrated musicians in the Gothic Metal scene. We have Marco Hietala (Nightwish, Tarot) on vocals and bass guitar, we also have the appearance of Sharon den Adel (Within Temptation), Liv Kristine (Leaves’ Eyes), and George Oosthoek on growling duties in some of the tracks. As you can expect from this impressive lineup, “Lucidity” is a pretty strong first-release for a band.

    • Posted By: Dark Emperor
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    Low Twelve – Splatter Pattern (2010)

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    Today we have one of the shittiest albums we have reviewed in quite a while. Low Twelve patter is a Death Metal band hailing from Illinois that has been around for quite a while, but display an impressive lack of ideas and musical abilities in “Splatter Pattern”.

    Fro over one hour and 14 songs we have been subjected to a very painful Death Metal that sounds very bad might be the promo quality of just the recording facilities the band used, but in general the sound is very terrible. The vocals don’t help either, featuring a mixture of drowsy screams and some spoken sections; they have a metalcore-ish feeling to them that is downright terrible when combined with the Death Metal riffing of this release.

    • Posted By: Dark Emperor
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    Aluk Todolo – Finsternis (2010)

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    Aluk Todolo has been labeled (and use to be a Black Metal), but with “Finisternis” they open our minds into a darkly demented world that will surely be understood by a select few. The band’s latest effort explores minimalistic sounds that for the most part will leave you expecting some sort of climax that never occurs, making you hand by the edge, waiting patiently.

    Comprised of 5 songs merged into two side-a and side-b, “Finsternis” is truly an aural experience that even if it fails to fully deliver it’s full potential, should be hear by fans of the truly bizarre. On side-a we have a very monotonous drum rhythm that made me so anxious that I started biting my nails. It creates the perfect endless and dark corridor feeling that has you pondering if you will every reach the end. With it’s deranged guitar riffs creating peaks into our anticipation of something happening in this release.

    • Posted By: Dark Emperor
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    Aun / Habsyll – Split (2010)

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    In the Aun / Habsyll split album we find a perfect example of why buying split releases is not always a good idea. Aun, hailing from Canada, crusher their listeners with their monumental Noise/Drone Doom music, and on the other side French Habysll bored us to death with their (luckly) single track in this release.

    Noise/Drone Doom is an acquired taste and it’s sometimes hard to differentiate the true genius from the plain terrible. In this release, you can easily do that since Aun propose more with their music and have enthralling passages that kept me engaged. On the other hand, Habsyll used one cord and some tribal drums to bore us to sleep.

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