Death Metal

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    Haemorrhage – Loathesongs (reissue) (2012)

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    Originally released back in 2000 through Morbid Records, today we have EveryDayHate’s reissue of the incredible “Loathesongs” of the legendary Haemorrhage. Hailing from Spain, this Goregrind band has made a name for themselves through violent music and sick blood-drenched live performances. In this re-release we also get a few extra songs that weren’t available on the original “Loathesongs”, but come from the band’s vast early catalogue.

    The opener is Defecation’s “Megaton” blended with “Vestige of Earthly Remains” allowing the band quickly sets the bar very high in terms of crushing pace and aggressive growls. While not all covers in this release are ‘extremely’ good, the band does a nice job in keeping some of the essential elements in the tracks, such as in Carcass’s “Pyosisified” and its relentless riffing.

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    Alter self – Promo (2012)

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    Delivering three excellent Death/Thrash Metal tracks, today we have Alter self and their 2012 promo. In this short but sweet release, we are treated to nearly 12 minutes of very well composed music that will have you headbanging since the first minute. With a well-balanced mixture of old-school Thrash and aggressive Death Metal elements, this band has a very clear and direct sound that many others can only dream about.

    Opening with a bang, “My Sober Reflection” delivers very powerful riffs and a very nice bass guitar line that is pulsating in the background. With a very aggressive sound, this track delivers a hefty balance between Melodic Thrash Metal and hard-hitting Death Metal. The band’s musical abilities are pretty solid and all elements of this song work very well together.

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    Martyrdöd – Paranoia (2012)

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    Delivering a wall of crusty guitars and a very decadent (but effective) mixture of Punk and D-beat with Death and Black Metal influences, today we have Sweden’s Martyrdöd and their full-length release “Paranoia”. While we usually don’t like this type of music, Martyrdöd does a great job in making it engaging, brutal, and well sounding, enough for us to be fully immersed in the 11 tracks presented in this release.

    Opening with some sick riffs, “Nog Är Nog” fully delivers the unexpected: a five minute song (not 2 minutes like other bands) with excellent melodic elements as well as the traditional crusty sound and punkish edge of these kinds of releases. The band’s focus on the catchiness of the riffing is excellent perfectly contrasting the more aggressive sections. With a more Black Metal influences tracks like “Överkom Er Rädsla” and “Hör Världens Rop” feel like a punkish version of Immortal with some of Satyricon’s edge from the 90’s. These two songs are the perfect example of why Martyrdöd is beyond your typical one-dimensional crust band and can delivers in many different fronts while maintaining their identity.

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    Legacy of Brutality – Ad Bellum (2012)

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    Our favorite Spanish Death Metal band returns with their latest release titled “Ad Bellum”. Being a double CD release, the first CD contains four brand new tracks, a cover of Gorefest’s “The Glorious Dead” and a video track. The second CD contains a crushing 46 minute live show they recorded last year. Nicely illustrated and well presented, this release continues the crushing path the band set in their previous release “Path of Forgotten Souls”.

    Opening with crushing riffs, “Masacrado” delivers waves of punishing guitars, massive drumming, and very powerful growls. The band’s ability to craft catchiness into brutality is as good as always, making this song very entertaining. On then four minute chug fest “Para la das paredes do cliseu”, the band crafts very meaty hooks and a nice older DM vibe with a few upgrades in the guitar department. If you like traditional Death Metal, but also enjoy the clarity and guitar work of modern bands, this will surely catch your attention.

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    Antigama – Stop the Chaos (2012)

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    Featuring one of the nastiest and most chaotic sounds we have ever heard (in a good way), today we have Antigama and their latest EP titled “Stop the Chaos”. Going over 15 minutes of music in six tracks, this Death Metal/Grindcore will blow you away with their super rich and equally devastating sound.

    Immediately blasting away with “E Conspectu”, Antigama reminds us of a Death Metal version of Anaal Nathrakh. The sheer brutality behind this track, and all the others in this album, is just outstanding if you are looking for a ‘quick and brutal’ kind of release. The riffing is super hectic and deranged, the drumming is super intense and sometimes it even sounds too random to be true. The growls are just the icing on top of this already excellent cake.

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    Pseudogod – Deathwomb Catechesis (2012)

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    After countless split releases, Russia’s Pseudogod delivers their debut full-length “Dethwomb Catechesis”. Pummeling through eight tracks of violent Death/Black Metal that creates a thick-as-fuck atmosphere, the band does a pretty solid effort in presenting us with their debut release. Hailing from Russia, this band sounds like it has a lot of hate and anger to vent and they sure make their point with “Deathwomb Catechesis”.

    Opening with the demolishing “Vehement Decimation”, the band immediately fills the room with a wall of distorted guitars and hellish growls. The band’s sound is a brutal as you can get and thanks to the thick distortion layer, it sounds entirely demonical. “Malignant Spears”, “Saturnalia”, “Azazel”, and “The Antichrist Victory”, keep delivering waves of negative vibes, adding to the overall atmosphere of destruction that this release present. We particularly like how the band gets a bit Doom-ier in some sections like on “Azazel” and it’s very decadent slowdown passage that also features and excellent guitar solo.

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    Six Feet Under – Undead (2012)

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    With Cannibal Corpse returning this 2012 with an impressive release, ex-CC member Chris Barnes the folks at Six Feet Under fire back with the hyper groovy “Undead”. After the lukewarm “Death Rituals” back in 2008, it is nice to hear that Six Feet Under is still capable of delivering a solid album with plenty of meaty hooks and excellent chugging sections.

    Opening with the powerful “Frozen At the Moment of Death”, the riffing immediately stands out due to its timeless DM vibe. The drumming is pretty hectic and Chris Barnes vocals perfectly fit the bill. While the raw power he had in the past is not there anymore, he can still deliver excellent growls by DM standards. Aside from the meaty hooks presented in tracks like “Fromaldehyde”, “18 Days”, “Molest Dead”, and “Blood on My Hands”, the slow groovy vibe that SFU constructs around their songs is what makes them standout in the scene.

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    Unleashed – Odalheim (2012)

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    Continuing on the concept brought forth on “As Yggdrasil Trembles”, Unleashed delivers their every two years release with “Odalheim”. As one of the forefathers of Viking Metal, Unleashed keeps bringing it every time they release an album and with the high-intensity of “Odalheim” they keep maintaining their aggressive-yet-melodic brand of DM that many bands wish they could play.

    Blasting through their opener “Fimbulwinter”, this release is off to a great start with fast riffing, blistering drumming and the always effective vocals of Hedlund. The riffing courtesy of the band’s longstanding guitarists Anders Schultz and Tomas Olsson nicely switches band from high-powered Viking Metal sections and some barebones DM chugs. It is very surprising to see that the band has not had any line-up changes in years and it shows in the overall quality and tightness of their music.

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    Hour of Penance – Sedition (2012)

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    With a massive and destructive sound, today we have Hour of Penance and their latest release “Sedition”. Waiving the Technical Brutal Death Metal flag, Hour of Penance delivers high intensity brutal music with a nice technical edge that puts them over their closest competition. While not as technical as Obscura, Decrepit Birth, and similar band, this release compensates with intense drumming and a more brutal feel to the music.

    After the opening instrumental, the band delivers its first punch with “Enlightened Submission”, a very brutal and crushing opening song. The growls are as deep and brutal as you can get, but the massive drumming is what immediately sticks out. “Decimate the Ancestry of the Only God” and “Fall of the Servants” keep pummeling your ears with insane levels of brutality, thanks to the hellish vocals and powerful riffs that accompany the extreme drumming.

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    Impiety – Ravage & Conquer (2012)

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    Recently signed to Pulverised records, today we have Impiety and their eight full-length released titled “Ravage & Conquer”. Feeling like a bag of bricks to the face, “Ravage & Conquer” delivers some of the most brutal music Impiety has ever written. Pummeling through eight furiously paced tracks, this is one release that no fan of this band would want to miss.

    Opening like an epic soundtrack to some medieval battle, the guitars blast through things and the punishing drumming indicates that Impiety has arrived. “Revelation Decimation” is the 8 minute opener that delivers waves of brutal onslaughts of hellish vocals and crushing riffs. The band’s sound is cleaner than in previous releases and the overall feeling is very chaotic and brutal… just what the doctor ordered. Steamrolling with “Ravage & Conquer”, “Weaponized” and “The Scourge Majesty”, this release is off to a very brutal and intense start, not to mention several 8+ minute long anthems of destruction.

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