Album Reviews

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    Glorior Belli – The Great Southern Darkness (2011)

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    After their excellent last album “Meet Us at the Southern Sign”, Glorior Belli decides to unleash a 180 degree twist on us and delivers one of the most interesting sounding Black ’n’ (Southern) Roll releases in the last few months. With 11 tracks and around 48 minutes of music, “The Great Southern Darkness” has a very fresh sound to it, while still maintaining some of the previous Glorior Belli flair in the music.

    The opener “Dark Gnosis” gives early hints of such a Stoner/Southern influence in the riffing and overall atmosphere of the song. The band however, keeps some of their own brand of BM influences in this very interesting and eye-popping opening track. With a heavier nature, “Secret Ride to Rebellion” delivers some excellent depraved riffing that will hum in your ears until you go to bed. The Southern/Stoner tanginess returns with the very entertaining “They Call Me Black Devil”, a track that has a cinematic like experience to it.

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    Hatesphere – The Great Bludgeoning (2011)

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    After multiple line-up changes, today we have the return of Hatesphere and their aggressive Thrash Metal sound, but now refined with a Hard Rock edge that makes them even better than before. Changing vocalist is a major move for any band, but Esse Hansen delivers powerful pipes that nicely fit the band’s evolved sound.

    Through the nine tracks presented in “The Great Bludgeoning”, the band delivers powerful Thrash Metal anthems that sound very sophisticated and intriguing since they don’t seem to be ‘more of the same’ stuff we get with countless Thrash releases these days. With the powerful opener “The Killer”, we immediately listen to the different distortion and melodic nature of the guitar riffs, something very refreshing considering the band’s previous two releases sounded very similar to each other.

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    Thulcandra – Under a Frozen Sun (2011)

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    Dissection worshipers Thulcandra return with an even more impressive sophomore effort titled “Under a Frozen Sun”. In this release the band takes their amazing Dissection-influenced Death/Black Metal to new heights with seven crushing tracks and one cover song. If you thought that “Fallen Angel’s Dominion” was an excellent release, brace yourself since this new album will rip you a new one.

    Opening with “In Blood and Fire”, the band will send shivers through your spine with the acoustic opening guitars. But once the powerful riffing starts, you will be hooked on this album like if it was your drug of choice. Steffen Kummerer does a great job in capturing that peculiar guitar sound from the early Dissection material and makes it his own with Thulcandra’s band of hectic and guitar driven Black/Death Metal.

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    Untimely Demise – City of Steel (2011)

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    All the way from the Nordic lands of Canada, today we have Untimely Demise’s debut full-length release “City of Steel. While the band plays the traditional Thrash/Death Metal game, there are a few elements here and there to make this release standout from the countless dull bands we get every week.

    Having some early Children of Bodom (vocals and some guitar work) edge makes “City of Steel” a nice 32 minute release that will not go easily forgotten. In the opening “Virtue In Death” track, we have the traditional Thrash/Death Metal sound back in the day, but the guitar work is what makes this song (and album) more entertaining and different.

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    Slaughtery - Path-(t)o-Logic (2011)

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    Featuring 36 minutes of very brutal Death Metal with some technical elements, today we have Slaughtery’s first full-length release “Path-(t)o-Logic”. In this album we have tons of chugging riffs, brilliant technical sections and an overall crushing feeling that will leave your ears bleeding (in a good way) after just one spin of this release.

    Opening in a very traditional fashion with “Nine Minutes”, the band shows their strengths in crafting punishing riffs, a pounding bass guitar line and some hellish vocals. The intricate guitar sections are what immediately sets this band apart from your typical cookie-cutter bands and will surely get Salughtery noticed in the scene. “Chimerism” gives a little of the old-school Death sound but with actually brutal vocals, a feat that only a few bands have come close to doing in the past.

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    Aclla – Landscape Revolution (2011)

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    Packed with 14 powerful guitar-driven songs, today we have Aclla’s debut album “Landscape Revolution”. Merging elements from Power Metal with Heavy Metal in an aggressive fashion, we are left with pounding guitars on top of Power/Heavy Metal song structures, a very interesting approach.

    Opening with “The Totem”, we can immediately tell that this distortion is not very typical for a Power/Heavy Metal release and this marks the beginning of a very interesting musical journey. Power through tracks like “The Hidden Dawn”, “Under Twilight Skies”, “Ride” and “Living for a Dream”, there is no doubt on the quality of the musicians behind Aclla, since they manage to make very good songs through “Landscape Revolution”

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    Kaktus Project – Superstition (2011)

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    Delivering an impressive debut solo album, today we have Sylvain Rouvière and his Kaktus Project release “Supersition”. Featuring 13 songs of well crafted Heavy/Power Metal with Hard Rock influences, this release is a very nice showcase of both Sylvain’s vocal and guitar playing abilities.

    Unlike many side project releases, “Superstition” truly showcases the musician’s ability and not his countless buddy’s that make guest appearances on the album. Since the opener track “Farewell” we have soaring vocals and very well crafted guitar work, this track reminds us a bit of older Timmo Tolki-era Stratovarius. Moving on with “Superstition”, we get some hints of Edguy/Avantasia in this very entertaining song.

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    Insomnium – One for Sorrow (2011)

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    As one of the most expected releases of 2011, today we have Insomnium’s latest release: “One for Sorrow”, a truly sublime piece of work that will be nearly impossible to improve upon. Featuring a mixture of majestic melodic passages, depressive emotions, skillful instrumentation, and powerful vocals, “One for Sorrow” is definitely the finest Insomnium release to date and a near perfect release in terms of Melodic Death Metal.

    Opening with the hypnotic momentum builder “Inertia”, the band quickly delivers their signature weeping guitars followed by Niilo Sevänen’s perfect growls. With such a momentum builder, the album starts on a very high note. “Through the Shadows” delivers a more unified riffing structure of pure Insomnium’s trademark sound; this creates the very melodic and dense atmosphere that we all love about the band. Here we are treated to some clean vocals that add an even more dramatic edge to this beautiful song.

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    Bahrrecht – Nuit de Neige (2011)

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    Making its way from Ketzer records, today we have Bahrrecht and their 90’s inspired Black Metal sound in “Nuit de Neige”. In this powerful release we are presented with 10 tracks of pure fucking destruction that will cater to all fans of grim Black Metal from a few years back. Featuring Winterhalter (of Alcest, Les Discrets (live)) on guitars, this release is very intense and has fresh ideas here and there.

    Blowing up in your face with the album title track, Bahrrecht wastes no time in creating the lovely whirlwind Black Metal sound that bands like Immortal and Satyricon came to perfect in the 90’s. The riffing is very effective and the overall pace of the songs is very hectic, but not extremely overdone. “Nuit de Neige” is a release that is very guitar oriented and on tracks like “The Sign of Bahrrecht Lotharingen Black Hordes”, you can quickly notice how well the riffing works in creating a thick atmosphere without resorting to the overdone tremolo-picking that many BM bands use.

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    Darkest Grove – Pain and Suffering Shall Be Known (2006)

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    Lastly on our promo package from Forever Plagued Records, we have found a hidden gem that while being released back in 2006, it is still pretty solid and interesting to listen to. Darkest Grove debut full-length record “Pain and Suffering Shall Be Known” has a lot of different layers to it making it a very enjoyable listening experience. Being a one man band, all instruments are nicely executed and give this release a very professional feel to the already very well crafted music.

    Clocking in at 63 minutes, “Pain and Suffering Shall Be Known” opens with a very mysterious organ-like intro track. The second track “(Within My) Drunemeton” delivers a nicely paced structure that features both hypnotic passages and powerful riffing with harsh vocals, all very well balanced. Moving into more traditional Black Metal ground, “Now in a Ruined State Will She Ever Cleanse Herself” delivers a chilling atmosphere created by distorted guitars and nice percussions. While this release is definitely less fast paced than traditional BM, the rawness of the emotions behind the music is excellent.

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