2010

    • Posted By: Dark Emperor
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    Whitechapel – A New Era of Corruption (2010)

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    With all the shit-core bands out these days we are very skeptical about reviewing anything that comes with the Metalcore and Deathcore tags. We usually trash most of these bands because of their lack of creativity and musical maturity, using a bunch of random riffs before the ‘traditional’ breakdown is not a formula for success (some might differ with this opinion).

    When we first started listening to Whitechapel’s 3rd album “A New Era of Corruption”, the first thing that came to our minds was: “Oh shit, another Black Dahlia Murder clone”. However, after the first few songs we actually discovered that Whitechapel is much more than a ‘straight forward’ Deathcore band. Their sound over the years (yes, we had check them out since their first releases) has changed from an uninspired copy-cat Deathcore, into their own brutal combination of Death Metal with some modern core-ish influences.

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    Aeon – Path of Fire (2010)

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    Hailing from Sweden we have today yet another Death Metal band that wants to be ‘brutal’ and technical at the same time. Aeon is not a very (or at all) original band, but what they do, they do perfectly. With a very groovy sound, the band reminds us of the likes of Jungle Rot, Six Feet Under, etc.

    Combining chugging riffs and meaty hooks, the band does a great job in creating a very brutal DM backdrop, with the addition of some brilliant solos and bestial drumming (courtesy of Nils Fjellstrom, from Dark Funeral) the band creates very solid tracks that will have people moshing in no time. While Aeon is an extremely formulaic band, they do have good song writing chops to keep you entertained for over 40 minutes.

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    Sabaton – Coat of Arms (2010)

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    With all the Power Metal bands these days trying to sound extremely technical, overly symphonic, or like space cowboys, Sabaton does their thing in a more traditional fashion. The band’s sound is bombastic but not overdone; the band saves up their musical prowess to focus on catchy rhythms and cohesive song structures.

    The band’s main characteristics are Joakim Broden’s deep and powerful vocals that can easily compete with Morgan Freeman’s ability to narrate the shit out of anything he is given. We also have the brilliant bass guitar line crafted by Par Sundstrom, a very particular sound (at least for us) for a Power Metal release. Both of this things will undoubtedly make any band that posses them a far superior band than the norm.

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    Istapp – Blekinge (2010)

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    With a particular beef with the sun (read their bio) and a very interesting overall concept behind the band, we get today Istapp and their blend of Black Metal with Viking/Folk Metal elements. The band’s first full-length release “Blekinge” set to be release on June 8th on Metal Blade records is one of the most complete Black Metal albums of 2010.

    Hailing from Sweden, a place where pretty much every band seems to have the skills to craft great music, it’s hard to find young and promising talent such as Istapp. The band’s music is very straight forward and aggressive, but has mystical clean passages that create unparalleled atmospheres fully enriching the listening experience.

    • Posted By: Dark Emperor
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    Saint To Sinner – The Unveiling (2010)

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    We receive a high volume of releases from bands every month, always claiming that they sound like nobody else, and end up sounding like everybody else. This is not the case when it comes to Saint To Sinner, hailing from Rhode Island, USA the band does a great job at having a very unique sound to them. And here is where their little problem occurs.

    The band’s combination of Rock and different genres of Metal sounds a bit chaotic at times, and sometimes the female vocals are going in one direction, and the music is going somewhere else. Desiree Villegas as a very hypnotic and versatile singing style, but in some sections her vocals sound very odd, like the spoken backing section, and the awful ‘rapping’ on the song “Anti-corporate”. Some comparisons to Amy Lee of Evanescence are in order, but her voice sound less over produced and feels more natural.

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    Toby Knapp – The Campaign (2010)

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    After being blown away by Godless Rising latest album, we had to get more from Toby Knapp’s brilliant guitar skills. Luckily for us Shredguy Records, Toby’s label, hooked us up with his latest solo album “The Campaign”. Featuring a wide variety of styles, Toby manages to create the near perfect Shred release.

    While most of the existing guitar virtuosos focus on Heavy/Progressive Metal tunes, Toby mixes things up with Trash, Black, and Death Metal influences. There is also a very cohesive sound to his music, it does not only showcases his abilities as a guitar player, but also as a multi-instrumentalist handling the bass guitar and most of the drum duties in this recording as well, suck on that John Petrucci.

    • Posted By: Dark Emperor
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    Violet Sun – Loneliness in Supremacy (2010)

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    Featuring a very bombastic (and futuristic) sound, today we have Violet Sun, an unsigned band from Italy. The band does a very good job in creating Symphonic Power Metal songs that are as good as any other signed band that plays similar music. But Violet Sun adds a wide variety of different elements to the mix, creating a very peculiar sound of their own.

    Our first comparison that comes to mind is with Edenbrigde. Both bands rely on a Symphonic Power Metal foundation accompanied by Female vocals. However, Edenbrigde relies more on ‘massive’ arrangements and some guitar virtuosity all courtesy of Lanvall. Violet Sun has more Progressive Metal elements in their sound, as well as clean Male vocals that sometimes hit the spot, but in other occasions sound a bit off.

    • Posted By: Dark Emperor
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    Lantlôs - .neon (2010)

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    Hailing from Germany (well, the original ‘half’ of the band is from Germany), we get today Lantlôs with their second “.neon”, the band’s second full-length release. And right of the bat, we will tell you that “.neon” is one of the best depressive Post-Black Metal releases we have ever heard. The bleak atmosphere created by this release is unparalleled.

    Featuring Neige from Alcest on vocals, Lantlôs has crafted around 40 minutes of pure depressive music that will make Amélie Poulain get sad and depressed. The enchanting melodies crafted on “.neon” are greatly adorned by Neige’s sorrowful vocals, sounding sometimes similar to Alcest, but with a higher dose of jazzy elements that create an intoxicating atmosphere.

    • Posted By: Dark Emperor
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    Edenbridge – Solitaire (2010)

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    Out of the very impressive roster of bands over at Napalm Records, Edenbridge has always been one of the most consistent bands they have. Over the years they have released very solid albums, that feature well crafted songs and a very characteristic sound given by Sabine Edelsbacher the bands vocalist, and Lanvall’s music composition skills.

    The band’s bombastic sound is present in every single one of their releases and “Solitaire” is not an exception. The band’s Symphonic Power Metal sound is very well crafted around Sabine’s vocals, and the use of catchy melodies, as opposed to using overly complicated structures in their songs.

    • Posted By: Dark Emperor
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    Soilwork – The Panic Broadcast (2010)

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    Ever since “Natural Born Chaos”, the real Soilwork died for us. However, the band has been constantly improving in terms of their ‘new’ Metalcore/Modern Metal/Rock sound. And with the return of Peter Wichers to the band in 2008, they are closer to being very good again. With “The Panic Broadcast” the band combines all the previously mentioned genres in a very interesting way not sounding extremely Metalcore-ish, not sounding too much like a rock band either.

    We are sure that Soilwork will gain a considerable amount of followers in the USA and markets where Metalcore is highly accepted with “The Panic Broadcast”. The band’s latest release is very well designed to fit into so many categories, that most people will end up liking this release (except for old Soilwork fans). Using a wide variety of vocals, Björn Strid does the Modern Metal screams very well and the clean Metalcore-ish sections even better.

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