Album Reviews

  • Tortorum – Katabasis (2014)

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    Keeping the Norwegian Raw Black Metal decadent sound alive, today we have Bergen’s Tortorum and their pummeling second release “Katabasis”. With all the watered down Black Metal we have these days, it is quite refreshing to hear bands like this being released by labels like World Terror Committee that focus on superb Black Metal. With over 50 minutes of music, this is one hell of a release you cannot miss.

    The first sign of BM decadence comes with the initial powerful riffs of “The Great Apocalypse”. Delivered with a crystal clear production, this track really opens the album wide open with inhuman vocals and blistering drumming. With Immortal-esque catchiness, “In Nameless NonBeing” is one of those tracks that are prefect for moshing after a long day of work.

  • Reacta – Refraction (2014)

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    Bordering on the limits of what we review here at Infernal Masquerade, today we have Alternative/Prog Rock outfit Reacta from Mexico. In their 2014 release “Refraction”, the band delivers 10 dreamy tracks of expertly crafted music that will grab the attention from fans of 30 Seconds to Mars all the way to God Speed Your Black Emperor.

    Hailing from the city of Aguascalientes, Reacta kicks off the release with the perky “Lost”, a very mainstream track that has a super catchy vibe. This track instantly brings memories of bands likes Kings of Leon and similar outfits that have charismatic lead vocals and an eye for detailed guitar melodies. The Post-Rock/Atmospheric “Back Home” is another catchy piece with lush guitars and memorable vocals that sometimes have a certain ring to heavy weights U2.

  • Fluisteraars – Dromers (2014)

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    Unleashed only in LP and Cassette, today we have Dutch outfit Fluisteraars and their debut full-length release “Dromers”. Presenting us with over 34 minutes of music divided over three pummeling tracks; this release shows the band’s abilities to create engaging Black Metal songs that are both very long and highly atmospheric in nature.

    Opening side A with “De Doornen”, the band slowly builds up their sound in a style similar to acts like Agalloch, Fen, Velnias, that keep things going for a while before their intentions are fully revealed. The guitar work is quite solid and the sporadic vocals are very well placed to allow the music to develop without any interruptions. The drumming is quite solid and nicely executed, highlighting the brutality of the band’s sound.

  • Grue – Casualty of the Psychic Wars (2013)

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    Arriving from American label Eternal Death, today we have a duo from Boston named Grue. In their debut full-length record “Casualty of the Psychic Wars”, the pair delivers five crushing tracks of highly atmospheric and devastating USBM. Mixing blistering passages of furious Black Metal with more mellow and powerful atmospheric sections, this is one excellently constructed release that will immediately put the band on the map.

    Opening with the album title track, we get a whirlwind vibe that reminds us of BM outfits Mortualia, Algazanth, and Sargeist. The riffing is quite primitive and the distortion nicely creates a thick layer of decadence in the music. Changing the tempo of things, “Calling down the Stars” continues the aural onslaught with fast paced drumming and very interesting atmospheric interludes that feature some spoken word sections.

  • Behemoth – The Satanist (2014)

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    Having lost interest in Behemoth since their 2004 release “The Apostasy”, it is quite refreshing to hear they have recovered their brutality and desire to deliver the most sickening, and perfectly produced, release they could with “The Satanist”. Featuring nine tracks of Behemoth at the top of their game, this is one hell of a demolishing aural experience that no Metal fan would want to miss.

    Opening with the first single of the release, “Blow Your Trumpets Gabriel”, the guitar sound is quite piercing and Nergal’s vocals are as commanding as ever. The use of choirs greatly enhances the atmosphere and gives it that “The Omen” kind of unholy vibe. The band’s aggression continues through demoralizing tracks like the punishing “Furor Divinus” and the massive “Messe Noire”, both of which are filled with pummeling drums and an intense bass guitar pounding away.

  • Vyre – The Initial Frontier Pt. 1 (2013)

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    Out on Supreme Chaos Records, we have one of the most unique releases of 2013 that for some reason got lost in our review queue and we finally gave it the attention it commands. Featuring a unique blend of Melodic/Symphonic Black Metal with a heavy dosage of Atmospheric synths and Avant-Garde elements, “The Initial Frontier Pt. 1” is a release that will demand your undivided attention since the first minute.

    After a short intro, the space journey begins with the intergalactic epic “The Initial Frontier”. Delivering 9 minutes of lush atmospheric elements and imposing guitars, this track created a unique atmosphere that will disconnect you from reality. The Black Metal onslaughts remind us of bands like Shade Empire and early Dimmu Borgir, allowing the band to be quite versatile and engaging.

  • Carnifex - Die Without Hope (2014)

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    As one of the most extreme releases of 2014, today we have Carnifex and their crushing “Die Without Hope” release. Three years have passed since the band’s last effort and today we have them with their most mature and polished released to date. Evolving away from your cookie cutter Deathcore, Carnifex manages to deliver 10 brutal tracks filled with epic orchestrations, massive drumming, and crushing vocals.

    Wasting no time, “Salvation is Dead” produces some demoralizing Death Metal riffs that will crush anybody’s doubts of this band. The growls/shrieks of Scott Lewis are as brutal as they come and they greatly enhance the overall violence portrayed in the band’s sound. The band’s sound is 100 times darker on songs like “Dark Days”, where they exploit perfectly constructed orchestrations and keyboards to contrast their relentless riffing. There is also a certain melodic edge to the music that we found quite refreshing.

  • Sarke – Aruagint (2014)

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    Featuring one of the most brilliant line-ups in Extreme Metal, today we have Sarke and their third full-length release “Aruagint”. Originally intended as a solo project of Sarke (Thomas Bergli  of Khold, Tulus, ex-Old Man’s Child fame), this all-star Black Metal super group combines rudimentary BM elements with Heavy/Thrash Metal and a good dosage of Hard Rock thrown into the mix to create a decadent yet truly Norwegian sound.

    Opening with the crunchy riffs of “Jaunt of the Obsessed”, we immediately take notice on the super production behind this release as well as the technical proficiency of everybody involved in the album. With a catchy Black’n’Roll attitude in tracks like “Ugly” and “Strange Pungent Odyssey”, we get that urge to headbang similar to what Vreid has been doing to crowds in their last releases. Having Asgeir Mickelson handling the drums, we get a full range of his Progressive skills infused into the music.

  • Veonity – Live Forever (2013)

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    Arriving from Sweden in a lush digipack format, today we have newcomers Veonity and their three-song EP titled “Live Forever”. Perfectly capturing the atmosphere of 90’s Power Metal, this very young band makes an impressive debut with this release. If you are a fan of older Stratovarius, Helloween, and Gamma Ray, you will not be disappointed by the energy and intensity behind this short but sweet EP.

    Opening with the EP title track, the band instantly delivers blistering guitar leads and a very balanced sound. The epic vocal melodies drive this song to the top of the pile when it comes to new Power Metal bands. With excellent lead guitars and tight drumming, we proceed to the next epic track “Slaves In A Holly War”, a track that presents us with more guitar wizardry and extreme catchiness.

  • Shrapnel Storm – We Come in Peace… (2013)

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    Steamrolling their way from Finland, today we have Shrapnel Storm and their monstrous two song demo titled “We Come in Peace…”. With the Death Metal scene being invaded by tons of posers and pseudo-Death Metal, it is quite refreshing to hear a release that goes back to the basics of imposing riffs, brutal vocals, and a very polished traditional sound.

    The release immediately sets a brutal tone with the commanding old-school inspired riffing of “Detracked”. In this track the band quickly sets a very traditional Death Metal mood with crunchy riffs and imposing guitars. The production is quite clear and allows every detail of the song to show.

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