Album Reviews

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    The Exploding Eyes Orchestra – I (2015)

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    Featuring five out of seven members of one of our favorite bands of all time: Jess and the Ancient Ones, Svart records present The Exploding Eyes Orchestra and their enigmatic debut release “I”. Delivering seven brilliant tracks of moody Occult/Pscychedelic Rock/Metal, this new band has a similar energy behind them than JATAO, but with an extra exploratory and nature and a more relaxed and freely defined style.

    Opening with the sultry “The Smoke”, the band makes a very quick impression with this trippy schedelic piece masterfully guided by Jess’s talented vocals. Things get jazzier and mellower with the emotional “Crazy Heart”. This track flows perfectly with very subtle guitars and a relaxing tempo. The fuzzy guitar leads are excellent and perfectly set you in a very hypnotic mood.

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    Les Discrets – Live at Roadburn (2015)

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    Marking the end of Les Discrets metal/rock musical era, today we have their “Live at Roadburn” release. Having been lucky enough to be at the show in person, I have to say that this magical occasion was very well captured for eternity in this live release. Featuring eight songs from the set the band delivered that day, the crystal clear audio from this release brings shivers to my spine just by listening to it.

    Opening with “Linceul d'hiver” the atmosphere is instantly set with such a majestic piece. The band’s sound has always had a very unique aura around it and when I have seen them live its perfectly translated. With a lineup boosting Fursy Teyssier (on vocals/guitar) and Alcest musicians Neige (bass guitar), Zero (guitars / vocals) and Winterhalter (drums), unknowingly that was the last time that Les Discrets would sound like this. The tempo picks up with the lush “L'Échappée”, one of our favorite songs and most epic pieces of atmospheric music ever written.

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    Secret Symmetry – Emerge (2015)

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    Taking a peak into the more commercially friendly, today we have Secret Symmetry and their EP titled “Emerge”. Hailing from Portugal, this band mixes Progressive Rock/Metal elements with Modern Metal (AKA radio friendly stuff) and delivers five very catchy and engaging songs that command attention.

    Opening with the extremely catchy chorus section of “Broken Shards of Glass”, the band comes out strong thanks to powerful guitar riffs and the charismatic vocals of Pedro Nunes. Moving into “Curtain Call”, the band changes the speed of things and starts a bit slower and in a more Progressive fashion. Thanks to the great production behind this EP, we can greatly appreciate the tight percussions and excellent bass guitar line in this solid song.

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    Enemy of Reality – Rejected Gods (2014)

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    Featuring all the right ingredients to make a great Symphonic Metal band, today we have Enemy of Reality and their bombastic debut release “Rejected Gods”. Filled with catchy vocal melodies and excellent atmospheric passages, these newcomers from Greece deliver the WOW factor with 45 minutes of brilliant music.

    After the typical warm-up intro, the band starts things with the super catchy “My Own Master”, a track that features Mike LePond handling the bass guitar duties. In this song we are gladly impressed by the very mellow and yet powerful vocal performances, allowing Iliana Tsakiraki to instantly standout. The band’s music is much like your Serenity / Sirenia type of Symphonic Metal with Gothic elements, and they greatly interate their guest vocals into the band’s unique groove as we can hear in “Needle Bites” which incidentally features Ailyn from Sirenia.

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    Dead Summer Society – So Many Years of Longing (2015)

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    Being huge fans of Death/Doom/Gothic Metal release, we instantly jumped on Rain Without  End Records release “So Many Years of Longing”. This one-man outfit hails from Italy and it delivers some pretty solid barebones music that while it gets a bit repetitive and tiring, has some glimmers of hope.

    Building up into “Coldness Gods” via the intro “So Many Years”, all the elements of releases in this genre are pretty well executed, such as the strong riffs, highly atmospheric passages and hearty grunts. Things remind us a bit of Forest of Shadows and Rapture for the most part, with sprinkles of Draconian and such when the female vocals appear on songs like “It Devours my Faith”.

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    Fright Night – Life Eternal (2014)

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    Making it our review stack, today we have Russia’s Fright Night and their sophomore release “Life Eternal”. Featuring a keyboard-driven Gothic Rock/Metal style, the band nicely blends elements of other groups like Lacrimosa, Lacrimas Profundere, and End of Green, but keeps their sound timeless with a high atmospheric emphasis. Clocking in at 45 minute, this release consists of nine tracks that will surely please any fan of the genre.

    Opening with lush atmospheric elements and prominent keyboards, “Cherry Blossom” is one of those bleak sounding tracks that is both catchy and dark. The usage of three different vocal styles is quiet solid, and the main female/male singers do a great job in fusing their vocals in several brilliant dual sections. The album mood is quite melancholic and tracks like “Gerda” and “Numb” bring us back to some of the early days of Gothic Metal from bands like Edge of Sanity.

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    Strynn – Alienation (2015)

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    Seems like there is something in the water in France that has been coming from the Norwegian highlands in the last few years, and that something is making some of the most vicious Black Metal bands come out of France instead of the Nordic lands. Today we have a very brutal outfit called Strynn and their sophomore release “Alienation”. Released through Mortis Humanae Productions, this is yet another of their finest releases for those of us that like savage Black Metal like it was originally envisioned many years ago.

    Quickly pummeling through demoralizing tracks like “Anthropophobia”, “Sadistic”, and “Obliteration”, the band perfectly blends the rawness of Black Metal from the 90’s with a vicious clarity that we rarely hear these days. Not only looking to viciously attach through brutality, there are some atmospheric/’melodic’ elements like on “Desolation”, “Reminiscence” and “Plague” that make this release even more incisive and dynamic.

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    Almøst Human– Ø (2012)

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    Better late than never, today we have Switzerland’s Almøst Human with their super catchy EP titled “Ø”. Featuring five tracks and around 25 minutes of music, this is a great business card from a band that has a highly refined sound and a the attitude to deliver Heavy songs with a certain modern flair that makes them comparable to bands like Stork, Amaranthe (minus the female vocals), and even some of the most recent Coal Chamber stuff.

    Blasting things wide open with the blistering “Living Wreck”, which starts off a bit like a mixture of Linkin Park meets Devildriver. The vocals are quite engaging and very fitting for the musical style, allowing the track to go from heavy to brutal in seconds. The band settles in a bit after the killer opener with the melodic “Obey, Consume or Disappear”, which showcases a mellower and cleaner side of the band thanks to the solid vocals and guitar leads.

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    Pestifer – Reaching the Void (2014)

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    Greatly improving from their 2010 debut release, today we have Belgium’s Pestifer and their sophomore effort “Reaching the Void”. In a scene as competitive as Technical Death Metal, there are always bands that are clearly better than the ‘known alternatives’ and one of those is Pestifer. Cranking out nine brutal hyperactive headbanging anthems, this album will blow you away since the first song.

    Showing their insane musical skills since the opener, “Witness of the Loss”, the band demonstrates immense improvement since their previous release. Filled with hateful growls, acrobatic riffing and sick bass guitar lines, the album demolishes its way through tracks like “Exiled to the Abyss”, “Tree of Thorns” and the personal favorite “Abominations”. It is immediately evident that the dual guitar onslaughts by Antoine Paterka and Emerson Devresse will be responsible for multiple sore necks.

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    Waverly lies North – A Soul in the Void (2014)

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    Hailing from France today we have an excellent Power Metal band called Waverly Lies North, and their debut full-length release “A Soul in the Void”. Being in the intersection between bands like old Stratovarius and Rhapsody of Fire, this French outfit delivers nearly 50 minutes of explosive music that will have you cheering and psyched up from start to end.

    Opening with the epicness of “The Curse”, this release is off to a great start with lush orchestrations, solid guitar leads, and excellent vocals (courtesy of Eric Pariche). With a very well defined Power Metal foundation, tracks like “A Soul in the Void”, “Labyrinth” and “Chimaera” have a very epic mood that is greatly enhanced by excellent atmospheric elements, dramatic guitar leads, and very well rounded vocal performances that elevate the music.

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