Post-Metal

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    When Icarus Falls – Circles (2014)

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    Building up on their excellent discography comprised of “Over The Frozen Seas“ and “Aegean”, When Icarus Falls delivers another gem with the EP “Circles”. Featuring three new tracks and a remix of “Nyx”, the band keeps pushing the limits of Post-Metal with their own forward thinking sound in this release. Filled with lush atmospheres and savage riffs, this band deserves a place right next to Neurosis thanks to their music.

    The mood is instantly set with the suspenseful “Erechtion”, a track that perfectly dances around the aggression of Post-Metal and the dreaminess of Post-Rock. The band perfectly crafts a very intriguing atmosphere and the harsh lashings nicely contrast it. Keeping on this tradition, “The Great North” exploits subtle keyboards to further the band’s atmospheric component and create very well paced songs. Jumping back and forth between harsh and clean vocals, this track is quite elaborate and a very unique one.

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    Alcest – Shelter (2014)

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    Fully coming out of their cocoon, today we have Alcest and “Shelter”. In this album we have Alcest dropping their last remaining Metal influences and swiftly delivering a Shoegaze/Post-Rock charged Dream pop release that will haunt you from beginning to end. Listing Birgir Jón Birgisson as a producer/mixer, from Sigur Rós fame, the band takes their dreamy sound to a whole new level of awesomeness.

    With the band shedding their Black Metal feathers over the years, “Shelter” marks their biggest jump by not having any hard vocals or extremely heavy guitar parts. However, the atmospheric brilliance of the band is untouched and further explored within the eight tracks presented in this release. The journey begins with the atmospheric intro “Wings”, featuring some dreamy vocals that quickly build up the listener’s expectations. As this song blends into “Opale”, Niege leads the way with some awesomely crafted guitars and his signature clean vocals.

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    The Fall From Grace – The Colours of Change (2013)

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    Dancing around the fine line between Alternative Rock / Post-Hardcore and the dreaded Metalcore, The Fall From Grace manages to deliver a multi-textured and well-crafted release with “The Colours of Change”. Hailing from Denmark, this three-piece crushes the competition with catchy and powerful tunes that will be stuck in your head for days to come.

    The album really opens with the second track titled “Static Conclusion”. Immediately you get that guitar tunning that tons of Post-Hardcore and some Metalcore bands use, but the band stays away from the clichés and carves their own path with incisive riffs and very diverse vocals. The vocals are quite solid, providing a mix of screams and clean leads that are far from your average (and annoying) Metalcore blabber.

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    An Autumn for Crippled Children - Try Not to Destroy Everything You Love (2013)

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    Always improving with each release, An Autumn for Crippled Children (AAAFCC) delivers one of the most sonically complex releases of 2013 with “Try Not to Destroy Everything You Love”. Not relying on technical virtuosity, but rather a perfect layering of intense elements, this album is further expands on the band’s melancholic Post-BM / Shoegaze sound with lush guitar arrangements and brilliant atmospheric elements.

    Opening with the intense “Autumn Again”, we have immediately a wall of dramatic synths and a throbbing bass guitar line that is instantly complemented by the band’s shoegazing guitars. Inserting back and forth Black Metal riffs into the melting pot, AAAFCC quickly establishes the sonic power of this release. The harsh vocals are excellent as always, and the underlying melancholic passages of tracks like “The Woods are on Fire” and “Never Complete”, allow their thick sound to take many different shapes.

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    From Beneath Billows – Monolith (2013)

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    Delivering six crushing blows of brilliant Post-Metal, today we have Norway’s From Beneath Billows and their latest offering: “Monolith”. With a very well defined sound and excellent composition skills, this album is one hell of a ride for any fan of the genre. Think of Neurosis, The Ocean, Thränenkind, and When Icarus Falls and you will get the perfect picture of what to expect from this very promising Norwegian band.

    Opening with the moody “One Death and the Kings”, this track greatly rewards patience with a very suspenseful progression. Once the guitars get more aggressive and the screams make their appearance, the listener is already fully immersed in the band’s expansive sound. Throwing in some melancholic clean vocals into the mix, From Beneath Billows really captures the vibe of Post-Metal in their own signature sound, as you can immediately find out on “Verity”.

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    Year of No Light – Tocsin (2013)

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    If you ignore the weird side-step that was “ Vampyr”, “Tocsin” is the perfect continuation for the band’s previous masterpiece “Ausserwelt”. Year of No Light arrives from France with a pummeling dosage of Instrumental Doom/Sludge Metal that will make melt your faces. Crafting over 57 minutes of music, this six-piece outfit delivers one of the most intense and complex Doom/Sludge releases we have heard in quite a while.

    The album title track kicks things off with a heavy atmospheric intro that slowly melts into a full-on Sludge riff-aton. We particularly love how the track around the 5th minute takes a turn to the Doom side of things with some think melancholic guitars. The band’s versatility is pushed further with the Post-Metal/Rock-ish anthem “Géhenne”. The guitars are pushed to the limit and so is the pulsating bass guitar line on this one. The band keeps the intensity going and instead of being the typical band that climaxes and then slowly drifts away, they keep pushing the intensity of their sound further and further.

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    Doyle Airence – Monolith (2013)

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    With a French scene recently growing in numbers and strength, Doyle Airence is another excellent band that is finally getting some attention in the international scene. “Monolith” marks the band’s sophomore release and mixes elements of Post-Hardcore with Ambient. Rock, and Metal. The band’s very unique sound will surely grab you attention and divide opinions since they are far from your typical run-of-the-mill ‘up and coming’ band.

    Kicking off with a mood setting atmospheric track, “03.11.11”, it is not until “Painting with Lights” were we first hear the band’s punishing guitars. In this track we have a very typical Pos-Hardcore approach to thins, with devastating screamed vocals and pummeling drums. It is not until “Friendly Fire” that we get some of the band’s more experimental side with a modern sounding Metalcore-ish vibe and some very solid Post-Rock/Post-Metal passages thrown in between. While we are not huge fans of the Metalcore-ish clean vocals, they still fit the melodic aspect of the song very well.

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    Winterblood – Herbstsehnsucht (2013)

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    Making its way from Germany, today we have Winterblood and their debut full-length “Herbstsehnsucht”. Mixing Black Metal with some Doom elements, this Post-BM release is one tough cookie to crack. At first some things seem a bit rough, but once you get the whole picture of the album it comes together nicely in a very unconventional way.

    The album starts with the mysterious opener “Nur der Tod hat mir Erlösung gebracht”. In this track the band nicely builds up to some brutal sections with harsh screams. While the music is well-crafted, the drums are programmed and sound a bit fake in some points. We are usually very picky about this, but most of the time you can’t tell them apart. Taking the opposite approach, “Mit jedem Abschied wird Erinnerung geboren” starts very heavy and slowly mellows out as it concludes. The atmospheric sections have some Drone-like elements and really help setting up a dark and cavernous mood.

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    Acacia – Tills döden skiljer oss åt (2013)

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    Just when you think you have almost heard everything under the sun, it comes a truly moving release like Acacia’s debut full-length “Tills döden skiljer oss åt”. Melancholic and depressive are adjectives that barely start to describe the mood and atmosphere of this soul (and spirit) crushing album. Formed originally under the name of Livsnekad, this Swedish outfit manages to deliver 61 minutes of truly moving music that we will do our best to try to do justice while describing.

    The solemn piano opening of “Död mans mask” really builds anticipation and once the clean vocals come on, the mood suddenly gets even darker. As “Förnimmelsens lund af längtan” opens, the riffs remind us a bit of bands like Draconian and Desire with a certain atmospheric touch of My Dying Bride. Being huge fans of Death/Doom Metal, the growls are up to par to any of the heavy hitters of the scene, a very important element to contrast the atmosphere of the music. The Black Metal influences kick in and elevate the music to a whole new level, featuring extremely contrasting brutality with a highly atmospheric content. As the song winds down, we get some nice Post-Rock/Depressive Rock final minutes that serve as a relaxing culmination to this excellent track.

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    Thränenkind – The Elk (2013)

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    From the highly creative mind of Nathanael, of Bonjour Tristesse and Agrypnie fame, today we have Thränenkind’s debut full-length “The Elk”. Being released through LifeForce Records, this powerful exercise in desolate and depressive music combines Post-Black Metal elements with Depressive Rock and a huge knack for bleak musical passages. With influences from bands like Heretoir and Austere (among others) to more Post-Rock outfits like God Is an Astronaut and Godspeed Your Black Emperor, this is one emotional rollercoaster ride that you do not want to miss.

    Brilliantly setting the mood with the desolate “Monument”, we don’t have to wait much to get fully immerse in the band’s melancholic music. The first heavy hitting song is the ethereal “Just Another Way of Expressing Defeat”. Featuring dreamy guitars and a very mellow pace, this is one song that is very well constructed, transporting the listener back and forth from ethereal dream states.

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