Gothic Metal

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    Inner Blast – Sleepless Monster (2012)

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    With a Gothic Metal style that we haven’t heard in quite a while, today we have Portugal’s Inner Blast and their debut EP “Sleepless Monster”. Reminding us of Gothic Metal bands from the early 2000’s, the simplicity behind this band’s sound makes them very fresh and something completely different to what we are currently used to these days. Providing us with nearly 28 minutes of music, the five tracks in this EP are quite enjoyable and bring back some nostalgic memories from the past.

    Since the opener “Better Days”, the band delivers a very ‘old-school’ vibe thanks to the simple production. The keyboards are just present to add atmosphere, and are never overdone like in all bands these days. Liliana’s vocals are very natural and don’t try to be operatic or anything, just filled with feeling and that is all. We have missed music like this since bands like Nightwish, Epica, etc., now sound like a movie soundtrack and some of the emotion behind the music is greatly lost.

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    Delain – We Are The Others (2012)

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    After being shelved for several months by Delain’s European label, “We Are The Others” finally sees the light of day in North America on July 3rd, through Sensory Records. Featuring four bonus live tracks, this North American version is packed with enough material to keep the fans of the band pleased for a long time.

    Three years have passed since the highly popular “April Rain”, and with “We Are The Others” the band is looking to establish themselves as one of the premiere Gothic Metal bands in the world. Following the same musical direction, Delain delivers 12 tracks of well composed Gothic Metal with heavy Rock influences. The band does a few adjustments in terms of making their music catchier, but nothing much has changed.

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    Winter Haze – Silent Deception (2011)

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    Today we have Italy’s Winter Haze delivering an exciting Symphonic Metal EP release titled “Silent Deception”. Featuring four tracks, this EP showcases a very mature and interesting band that can write and execute superbly melodic songs. The band’s biggest asset besides their musical skills is the sweet and unique voice of Giorgia Marra and its powerful range, making them immediately a force to be reckoned in this very crowded genre.

    Opening with a jazzy sax intro to the track “Cross the Sea”, this release sets the mood very effectively. The guitar work is pretty standard and very catchy, allowing Giorgia’s vocals to shine very nicely. Mixing clean male vocals and grunts with the classically trained female vocals is far from revolutionary, but when done right (like here) it is very effective and powerful. This track also has some nice vocal layering that gives it a very professional and dramatic edge.

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    69 Chambers – Torque (2012)

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    Making its way from Switzerland, today we have the 69 Chambers and their sophomore full-length release “Torque”. With almost 65 minutes of catchy and well-crafted Gothic Rock with an emphasis of the rock side of things, this band delivers a quite enjoyable release that will surely grab the attention of fans of female-fronted bands.

    Led by the multi-talented (and super-hot) Nina Treml, 69 Chambers does a great job in combining catchiness with groovy guitars and a very healthy sense of melody, something that bands with longer careers struggle with. The opener “Cause and Effect” features none other than Chrigel Glanzmann of Eluveitie on backing vocals, making this song very aggressive and well rounded. Nina’s vocals are quite enchanting and straight forwards, no need for any soprano crap here.

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    Moonspell – Alpha Noir (2012)

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    Coming back after an intense four years of touring since their last release back in 2008, today we have Moonspell and their most ambitious release yet: Alpha Noir / Omega White. In this double CD release, the band delivers one complete CD with the aggressive side of the band, and another with… we don’t really know since we didn’t get that part of the album, but Fernando Ribeiro says is more mellow, dark, and deep.

    Opening with the powerful yet enigmatic “Axis Mundi” the band shows no signs of slowing down and delivers a typical catchy Moonspell track. With a very ritualistic feeling, the vocals are very commanding and the guitar riffing is excellent. With no need for excessive guitar layering or studio trickery, the band delivers crystal-clear sounding rawness in a very Moonspell fashion.

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    Lullacry – Where Angels Fear (2012)

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    Finally after a seven year wait, Lullacry is set to release their 5th full-length release titled “Where Angels Fear”. In this latest release, the band sounds very mature and avoids the cliché Gothic Metal or Pop-Metal release and favors a heavier and darker Melodic Heavy Metal release with just a few Gothic Metal hints. Featuring 11 hard-hitting tracks, “Where Angels Fear” is by far the best release of the band since “Crucify My Heart”.

    Being huge fans of the band’s previous releases, we are just realizing that we are old since the last album we liked from the band was almost 10 years ago. Aside from this, the band has also managed to stay pretty much intact and features the same lineup since 2002 when Tanja Lainio joined the band. This has clearly allowed them to fully develop a sound of their own and be able to produce such a mature release with “Where Angels Fear”.

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    Your Tomorrow Alone – Ordinary Lives (2012)

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    Rounding out our most recent promo package from My Kingdom Records, today we have Your Tomorrow Alone debut full-length release “Ordinary Lives”. Mixing Gothic Metal with Doom influences, this is one of those releases that is full of emotional songs that are also very catchy and approachable by the listeners. For over 50 minutes this Italian band will surely entertain you with their well written tracks and melancholic music.

    Opening with “Renaissance”, the first riffs reminded us of EvenSong’s “Path of the Angels” release since they have a similar sound to them. Combining clear vocals with growls, the band nicely creates a very solid atmosphere and keeps things standard, without needing to go to the overly abused usage of female vocals. The atmosphere keeps getting more dramatic and emotional with the powerful “Praise for nothing”. In this track, the band uses some classical elements to add more depth to their sound and this works perfectly.

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    Gothminister – Anima Inferna (2011)

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    Rounding off our promo package from End of Light records, today we have Gothminister and their fourth full-length release “Anima Inferna”. Presenting 11 tracks of a very engaging and catchy mixture of Gothic and Industrial Metal paired with plenty of electronic elements. Drawing similarities to Combichrist and Rammstein, this band shows a great deal of maturity in their latest release.

    Opening with the very catchy “Stonhenge”, the band quickly shows their skills in crafting simple-yet-effective guitar riffs and a very atmospheric song structure. The combination of the clean vocals with the female choir is just outstanding and gives a very eerie and ethereal feeling, especially when the song is coming to a close. “Liar” delivers super catchy electronic beats and very intoxicating vocal melodies, we are not huge fans of this type of music but Gothminister makes it very hard for us not to like this song.

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    Evenoire – Vitriol (2012)

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    Making its way from Italy, today we have Evenoire’s debut full-length release titled “Vitriol”. Featuring a Gothic Metal sound with some Folk elements, Evenoire manages to sound a little bit different than ‘traditional bands’ giving them a small edge over the competition. With 9 tracks of music, “Vitriol” is a very solid debut effort that while having some minor issues, shows that the band is ready to be heard.

    With a very ethereal opening track titled “Vitriol”, the band sets a very lush fantasy-like atmosphere that generates high expectations for this release. This is nicely continued with the very classically inspired “Days of the Blackbird”. The band’s singer Elisa "Lisy" Stefanoni has a very sweet voice that has that natural retro sound at times, when bands had regular singers on not extremely trained ones, but she can also do all the classical stuff very graciously.

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    Epica – Requiem for the Indifferent (2012)

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    As one of the band’s most elaborate and grandiose albums, today we have Epica’s highly awaited “Requiem for the Indifferent”.  Packing in around 71 minutes of music in 13 tracks, this release is by far the band’s most musically ambitious release to date. While marinating their traditional Gothic/Symphonic Metal approach, Epica manages to incorporate Progressive elements into their already excellent sound, and end up with a release that is as complex as it is long.

    In a similar fashion to MaYaN’s “Quarterpast”, this release requires more than a few spins before it really starts to sink in and you will start to enjoy it. While we think it is great that a band is making an effort in growing as musicians and making their sound a bit more complex, this might also alienate some fans that just like plain bombastic songs they can cheer/headbang to. “Requiem for the Indifferent” is not all very complex, but it feels like much more of an effort has to be put to it to be really enjoyed.

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