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    • Posted By: Dark Emperor
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    Domination through Impurity – Masochist (2010)

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    When it comes to Technical Death Metal, 2010 has been a great year; we got amazing releases from Pestifer and Decrepit Birth among others. “Masochist” is another album that will join these ranks since it will propel Domination through Impurity to the spotlight in this very crowded genre.

    Fronted by Joe Payne from Nile and Divine Heresy fame, we get a brilliant sophomore album that features traditional Death Metal roots with massive drumming and brilliant guitar acrobatics, showing that is more than the brutal bass player from the previously mentioned band, but a solid guitar player that can shred the shit out of an axe.

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    Kamelot – Poetry for the Poisoned (2010)

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    Three years after releasing “Ghost Opera”, Kamelot is finally back with a very different and ambitious album then ever before. The band steps aside of their traditional Power Metal roots and takes an exploratory journey with progressive elements. This creates a very dark and yet refined release that will most likely please most fans of the band, but will leave some in the dark.

    Our first impression of this album was not completely favorable since we expected something to sound more like older Kamelot releases. But upon exploring our 3rd, 4th, and 5th time we started to appreciate the album from its differences to older releases rather than the similarities. You will find the traditional vocal melodies of Roy, the impressive guitar work of Thomas, and all the other individual elements that make Kamelot a great band, but in different doses and with extra elements that elevate the band’s sound.

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    Place of Skulls - As a Dog Returns (2010)

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    Tennessee doomsters Place of Skulls return with another traditional Doom Metal combined with Rock release that will surely take you by surprise thanks to its groovy riffing and brilliant guitar solos. The band formed by Victor Griffin of Death Row/Pentagram fame gives us 9 very interesting tracks that will have you listening to them more than once in order to understand them completely.

    As we listened to “As a Dog Returns”, we quickly identified a single issue that caused some confusion when listening to this album. The ordering of the songs is a bit odd and it tends to cut the flow of the album, creating a very uncomfortable but yet intriguing listening experience. The differences between “The Maker” and “Breath of Life” (tracks 1 and 2) are pretty drastic, since the first song opens things up in a groovy powerful fashion and the second one is more of a slower-paced ‘doomier’ song that kind of kills the flow of this release. This issue also happens further in the album, but if you don’t mind about the flow of a release then this should not be a problem for you.

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    Heretic Soul – Born Into this Plague (2010)

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    In this modern age finding good Death Metal can become quite a hard thing to do, you have all the ‘classic’ bands still releasing good shit like Cannibal Corpse, Immolation, Malevolent Creation, etc. But finding a new band that is worthy to be added to such an impressive Death Metal lineup is hard to so, especially because of all the shitty Deathcore influences that many bands have these days.

    Today we have from Rotting Corpse Records, the first full-length release of the Turkish band Heretic Soul. “Born Into this Plague” is a release that can surely be called extremely ‘traditional’ and nothing out of the ordinary, but who cares, if you are looking for catchy Death Metal, then look no further since Heretic Soul is the band for you.

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    Locrian – The Crystal World (2010)

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    Every once in a while we get a release that makes us listen to it more than normal since it’s so complex and different that we can’t really craft a solid opinion about it with only 3-4 spins. This month we have Locrian’s third full-length album “The Crystal World”, the band plays a very experimental mixture of ambient, drone, and some Black Metal and Post-Rock elements. This might sound like a handful, but it actually works very well for the flow of this release.

    “The Crystal World” is a very powerful emotional ride that spreads through 6 tracks. With the first track “Triumph of Elimination”, the band immediately sets the stage for this dark and minimalistic journey. In the traditional fashion of creating expectation, this track starts building up with samples and drones that seem to be gaining momentum but they also seem to never culminate. The ‘culmination’ section for us that need it, comes in the next track “At Night’s End”.

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    Gangrenator – Tales from a Thousand Graves (2010)

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    Hailing from Norway and featuring Kvohst (vocalist of Code and ex-DHG), today we have Gangrenator and their interesting sounding old-school Death/Grind Metal. This band feels like a tribute band to old-school Death/Grind and B movies, and they actually manage to pull of this feeling very successfully on the 13 tracks presented in this short but sweet release.

    During “Tales from a Thousand Graves”, we get a bunch of deranged tracks that last between 1 and 3 minutes of highly chaotic, but interestingly crafted music. Amoque Von Berlevaag does a very solid job in providing countless riffs that range from Grindcore to traditional Death Metal influences.

    • Posted By: Dark Emperor
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    Sarath – Siste Indre (2010)

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    Norway might suck at basketball, football, and countless other sports, however, they are number one in producing Black Metal bands that can release cold and grim releases that will hypnotize you from beginning to end. Sarath is yet another one of those Norwegian bands that can kill with their music and don’t even break a sweat while doing it.

    “Sistre Indre” is the band’s (one-man band) first ‘full-length’ release in almost a decade of existence, and we must say that it was well worth the wait. Featuring 4 songs and around 31 minutes of music we wouldn’t really can this a full-length album. However, due to the repetitive nature of the band’s music, “Siste Indre” feels much longer and completely crushing.

    • Posted By: Dark Emperor
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    Aenaon / Satanochio – A Parallel Zoetrope (2010)

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    All the way from Greece recently we got a very nice 7” split from Aenaon and Romanian Satanochio. In this short but sweet split we get to listen to another brilliant track from Aenaon and a different but equally intense song by Satanochio. Featuring one track per side, this 7” split is very nicely packaged and ready to become a collector’s item for fans of either band since it’s limited to 500 copies.

    Starting off on the Aenaon side, we get a Black Metal anthem with influences from Zyklon and other more experimental bands like Dodheimsgard and Ihshan. Aenaon since their mCD “Phenomenon” has immediately grabbed our attention and with “I, Tyrant” they show that they are masters at creating powerful riffs, interesting vocal melodies and blasting drum patterns that deserve the attention of any ‘refined’ Black Metal fan.

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    Maniac Butcher – Masakr (2010)

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    After a ten year hiatus Maniac Butcher returns with a powerful Black Metal release that will surely send a lot of crappy Black Metal bands crying to their garage wishing they could craft such hate filled anthems of destruction. The band’s original members Vlad Blasphemer and Barbarud Hrom are back in top form and ready to spread disease through the world of Black Metal.

    With six songs clocking around 30 minutes of hate filled raw Black Metal, it’s like the band never left the scene. Featuring a crystal clear production, the band sounds as raw as ever and their music crushes since the first riff. Haling from the Czech Republic, the band writes are their lyrics in Czech, so we can’t really know what they are singing about but all we care about is how brutal and chaotic their music is.

    • Posted By: Dark Emperor
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    Broken Mirrors – Strong Enough (2010)

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    Hailing from France, today we have a very interesting EP from an unusual band that has a very fresh sound. Mixing some Thrash Metal influences with Melodic Death Metal elements and Children of Bodom like vocals “Strong Enough” is a short, yet effective release from a band that has great potential.

    The first thing that will pop out is the funky sounding keyboards, while they are very good, something just sounds weird about them. This alone will quickly grab you attention and make you interested in the band’s sound. They create nice a atmosphere that sounds very lush, but due to a low production budget they sound a bit too high in the mix. Not that we are complaining, but we just find it a bit odd.

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