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  • Angrepp – Warfare (2010)

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    Is nice to finally hear some Black/Thrash Metal that is not trying to sound too ‘oldschool’ or too brutal. Angrepp manages to perfectly Thrashy riffs, Punk-ish rhytms, and powerful vocals, creating a very thick sound that will surely please metal fans since the first couple of minutes of this CD.

    The opening song (after the Intro) “Five Horned Formation” wastes no time in establishing that the band’s riff machine is open for serious business. With a very powerful Thrashy opening riff, you will think that you are listening to the new Exodus, or something like that. After the initial impression settles, you will be quickly taken away by the surgically precise drumming that makes your head explode.

  • M-16 – La Raiz De Todo Poder (2010)

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    While there is very good Metal music from bands south of the US border (Cenotaph, Mutum, Disgorge, Aglarond, Hacavitz, etc), it’s not too common to hear good Latin Metal in the USA, besides Brujeria. While most people in the USA’s Latin community are listening to Reggaeton, Shakira and similar bullshit, it’s great to hear bands like M-16 that are keeping their Latin identity and kicking ass.

    As a Hardcore/Metal band from New York, M-16 has great power in their musical aggression and they sing completely in Spanish so they say (even though some of their song names are in English, and some lyrics are definitely in English). The band’s aggressive Hardcore style has many Metal elements that makes it brutal at points, but without loosing track of the melodic aspect of Metal and Hardcore.

  • Artep - Thy Will Be Done On Earth As Is Done In Hell (2010)

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    Hailing from Canada today we have Artep, a symphonic Black Metal band that does one heck of a job in crafting epically crushing anthems of pure darkness and destruction. The band’s first full-length release is filled with pleasing surprises for all fans of Melodic/Symphonic Black Metal.

    Signed on Bleak Art Records, the band is a great addition to their already impressive roster of bands such as: Aenaon and Sokrovenno. With no minutes to spare, Artep kicks off this release with a solid intro that sets the stage for the greatly diabolical and lush atmosphere of “The Antichrist”, the albums second track. Since this song you can hear the bands solid guitar work paired with atmospheric keyboards, making the comparisons to Emperor, Dimmu Borgir, Anorexia Nerviosa, etc., an easy pick in describing the band’s bombastic and aggressive sound.

  • U.S. Christmas – Run Thick In The Night (2010)

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    All the way from the Appalachian Mountains today we get the deeply enigmatic U.S. Christmas and their super trippy Psychedelic Rock/Blues/something else. Our first encounter with this awesome band was on the Hawkwind tribute split album, where the band completely owned Hawkwind’s songs and provided an amazing rendition of them.

    Signed to Neurot Recordings, the band delivers their fifth full-length release “Run Thick In the Night” (RTITN for short) which clocks at almost 80 minutes. With such a long album you would expect to have a bunch of wasted time, but with RTITN this is not the case. Every single sample, riff, etc, is creatively masterminded to be part of the whole experience created for this album, and before you know it the CD ends and you will want to keep listening to it for hours.

  • Neurosis – Live at Roadburn 2007 (2010)

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    In the eve of the band’s 25th anniversary and after a 3 year waiting period, we finally get a ‘new’ release from Neurosis, in the form of the live CD “Live at Roadburn 2007”. With amazing clarity and masterful production behind this release, you closer than ever to having Neurosis play in your living room in CD form at least (We are still waiting for a proper live DVD/Blu-ray featuring 5.1 or even 7.1 audio).

    For all of us ‘old-school’ Neurosis fans “Live at Roadburn” comes with a bit of disappointment since this release features songs from “Times of Grace” till the bands 2007 album “Given to the Rising” but nothing else from before. However, with the band’s previous live CD’s and the bootlegs we can get that fix.

  • Fen – Trails out of Gloom (2010)

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    Sometimes in our review queue some albums get lost in the mix and we don’t get to them until ‘late’. Unluckily for us we didn’t heard this majestic release from Fen (from Canada not the UK one) and now we can’t stop listening to it in order to pay attention to newer releases that need to be heard.

    Before the confusion set’s in, this Canadian outfit plays Progressive Rock/Metal and it should not be mixed up with UK’s Fen (that play’s Atmospheric Black Metal/Post-rock). The first impressions we had of this CD where outstanding since the band has managed to craft 9 Progressive Rock/Metal anthems unlike many bands are able to do these days. After further listening, we can’t stop agreeing that this is surely the Progressive Rock/Metal album of the year for us as of August.

  • Chaos in Paradise – Demo (2010)

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    All the way from Portugal today we get Chaos in Paradise a very young band that is releasing their first demo. This demo features four very interesting songs that showcase the band’s talents, but it also shows the areas where they need work. Since it’s a short demo we will use the dreaded ‘song-by-song’ approach to this review.

    The band opens their demo with “Dawn” a very well structured song that features what this band is all about in less than 4 minutes. With powerful riffing, you quickly get the impression this might be a Melodic Death Metal release, but soon Sara’s angelic vocals follow and your whole impression of this album is changed. The band does a very solid job in crafting a powerful chorus section with solid riffing and a catchy vocal melody. However, the small use of male vocals could have easily been avoided and this would have kept the song more consistent.

  • Chaossworn – Chalice of Black Flames (2010)

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    Formed under the moniker of Creeping Death, the band changed names to Chaossworn in 2009. As a promising but underachieving band they released 3 demos and 1 EP before changing names, now with “Chalice of Black Flames” the band is unleashing three powerful songs of pure chaotic Swedish Death/Black Metal.

    If you love bands like Dissection, Einherjer and Naglfar, then you will love what Chaossworn brings to the table in this short but sweet EP. While some people might argue that ‘there is nothing new’ presented in “Chalice of Black Flames”, but there is nothing wrong about ‘similar but good’. Because of the lack of releases that feature this Swedish Death/Black sound, we think that Chaossworn deserves a chance in the spotlight since their music is spot on in every single level.

  • Armagedda – I Am (2010)

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    For fans of the now defunct cult Black Metal band Armagedda, Eisenwald/Nordvis is releasing a lost recording of 2001-2002. The band dissolved after their epic “Ond Spiritism: Djæfvulens Skalder” and with this EP we get another little glimpse into the band’s hate fueled Black Metal rawness.

    During the 24 minutes of music in “I Am”, the listener is transported to Armagedda’s cold and grim parallel world that sparks hatred and destruction. Fueled with grim ‘traditional’ riffing, and mournful rasps of pain, you will be brought to your knees by these powerful songs. And after the CD is over, you will find yourself playing it over and over again, just to relive the whole experience once more.

  • Mouga – The God and Devils Schanpps (2009)

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    We have received very solid releases from Mystic Productions from Poland until now, Mouga’s attempt at mixing Emo with Nu-Metal and some Metalcore elements fails terribly and the band just comes up with a garbled release that will make you want you puncture your ear-drums after listening to it for more than 10 minutes. Imagine we listened to it for at least 3 full spins before going on to write this review.

    We usually don’t like to put bands down unless they really deserve it, and for Mouga we feel that is our obligation to warn you about this steaming pile of shit of an album. The band’s attempt at mixing ‘commercially’ safe genres might be justified, but when there is no substance, and more importantly no music behind such an attempt, it just makes it crash and burn miserably.

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