Doom Metal

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    Bianca - Bianca (2025)

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    Creating a very unique blend of Black Metal with Doom Metal and a heavy emphasis on atmospherics, today we have Italy’s Bianca and their self-titled debut release. With a very unique sound that could be considered adjacent to bands like Ponte del Diavolo, this release unleashes eight tracks and over 43 minutes of captivating music that is both hypnotic and punishing.

    After the atmospheric opener “The Dawn”, the release fully unravels with Doomy riffs and dreamy clean female vocal antics of “Abysmal”. However, it's the fierce Black Metal onslaughts that provide a brilliant contrast to a very sultry atmosphere. Keeping the vibes quite sultry and ethereal, “Somniloquies” continues to build the album’s atmosphere as the ravaging BM shrieks, blistering riffs, and crafty drumming keep things weaving back and forth from aggressive to melancholic.

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    Evoken - Mendacium (2025)

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    Showcasing that the USA can also unleash punishing Funeral Doom albums, today we have the legendary Evoken and their latest opus “Mendacium”. Seven years have passed since their last full-length release and the band returns with some gargantuan slabs of Doom, split in eight tracks and over 60 minutes of music. For fans of slow and painful music, this release has that grainy old-school vibe of outfits like Thergothon and Morgion, with hauntingly simple and effective atmospherics and deep growls.

    Opening with the cavernous explorations of “Matins”, the band sets a glacial pace with distorted riffs and subtle atmospherics. As the release progresses to the chugging Death Metal riffs of tracks like “Lauds”, and “Terce”, the listener can appreciate the band’s core influences in a slow and demoralizing way, creating a bleak atmosphere while providing rays of light through crafty guitar leads or instrumental passages. The band has perfected their tempo switching, to combine superbly slow parts with some hellish onslaughts of speed and punishment.

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    Remina - The Silver Sea (2025)

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    Unleashing one of the most dreamy and otherworldly releases of 2025, today we have Remina with their sophomore release “The Silver Sea”. Formed by Heike Langhans and Mike Lamb, and now with Shayne Roos on drums, this outfit delivers one hell of an Atmospheric Gothic/Doom Metal release that will send shivers down your spine. For seven tracks and nearly 45-minutes of music, the band creates some of the most atmospheric and haunting music ever created, so be prepared to be blown away.

    Opening with the sidereal dreaminess of “Trust No One”, Heike’s solemn and charismatic vocals are perfectly embraced by trippy and crafty atmospherics alongside powerful riffs. Featuring a more prominent Doom vibe, “Algol” has Mick Moss (Antimatter) in an amazingly engaging duet with Heike. The second guest appearance comes under “Vanta Ray”, a very lively piece featuring Tony Dunn of Sgàile and very crafty guitar work, alongside playful drumming and a very melancholic vibe.

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    Ba'al - The Fine Line Between Heaven And Here (2025)

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    Unleashing a highly melancholic and very cathartic release, today we have UK’s Ba’al with “The Fine Line Between Heaven and Here”. Featuring over 60 minutes of a brilliant amalgamation of Sludge/Post-Metal/Doom Metal, and some sprinkles of Black Metal, this release is fierce and punishing. Creating masterful emotionally charged soundscapes, this album will sneak up on you and you will find yourself playing it over and over again.

    Opening with the moody “Mother’s Concrete Womb”, the band sets a bleak and yet pummeling mood, thanks to crushing Sludgey riffs that blend into lush Post-Metal territories. There are plenty of tempo changes into fierce and brutal Black Metal-ish territories, perfectly adorned by the harsh,and familiar, screams of Joe Stamps, of current Hecate Enthroned fame. The band seamlessly transitions between dreamy atmospheric passages, like the opening of “Waxwork Gorgon” as it transitions into heavy walls of distortion and moody Sludgy/Post-Metal atmospherics.

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    In The Company Of Serpents - A Crack In Everything (2025)

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    Unleashing a hefty dose of twangy Sludge/Doom Metal with some Stoner elements, today we have Denver’s In The Company Of Serpents with “A Crack in Everything”. As the band’s fifth full-length release, this album features over 43 minutes of engaging music that has a traditional vibe for the genre while infusing some Spagetti-Western undertones and a solid dose of heavy riffs. If you like bands like Yob, High on Fire, and Neurosis, check these guys out.

    Opening with the crafty “Don’t Look In The Mirror”, the band opens the onslaught with some ripping riffs and a very catchy vibe. The raspy vocals perfectly blend with the tempo changes and the masterful melodies of the crushing guitars. Moving into funkier territories, the twangy “A Patchwork Art”, the playful “Cinders”, and the fierceness of “Endless Well”, the band experiments with a wider palette of elements, creating memorable tracks that induce plenty of headbanging moments.

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    Funeral - The Funereal (2025)

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    Dropping completely unexpectedly, today we have legendary Norwegian Doom Metal band Funeral with a four song EP titled “The Funereal”. Featuring a three movement song and an acoustic piece, this release continues the band’s voyage through Doom Metal territories with lush string instruments (violin) and crushingly heavy riffs. For fans of the genre, this is a nice entry in 2025, a year that has started slow with these types of releases.

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    Messa - The Spin (2025)

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    Facing the herculean task of following up to their ground-breaking release “Close”, Messa returns with “The Spin” and manages to shake things up enough to create awe and excitement. After heavily touring the world after their previous release, the band took a different approach when recording this album, and managed to deliver another Doomy/Jazzy/Proggy offering with a few interesting surprises.

    Quickly turning heads, the release opens with “Void Meridian”, a mysterious track that while having some of the band’s signature elements, it also introduces some intense Darkwave/Goth Rock vibes. With an eerie The Sisters of Mercy meets Tribulation meets Soror Dolorosa, the opener and “At Races”, and “Fire on the Roof” showcase the band’s on a different light, making them more dynamic and perfectly complementing their already hypnotic style. Sara Bianchin’s vocals are a perfect fit for such a style and are as haunting as ever, particularly on the solemn “Immolation”.

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    Year of the Cobra - Year of the Cobra (2025)

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    Unleashing a barrage of fuzzy distorted guitars and heaps of catchiness, Year of the Cobra returns with their eponymous third full-length release. Keeping to their heavy Psychedelic infused Doom Metal/Rock sound, this North American duo crafts eight tracks that are vibrant and quite dynamic, showcasing their maturity while delivering some truly memorable and engaging songs. If you like bands like Purson, YOB, Jex Thoth and Sabbath Assembly, this is right down your alley.

    Opening with the ripping “Full Sails”, we get the band’s fierce and in-your-face stripped down power of crushing bass guitar and crafty drumming. The album keeps the momentum going with the additional catchiness of “War Drop” as the pulsating bass guitar line perfectly balances Amy Tung Barrysmith’s charismatic vocals. The band’s catchier side comes out with the insanely fun “Daemonium” and its hard rocking nature.

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    Патриархь - Пророк Илия (2025)

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    Finally putting all their legal messes behind,Bartłomiej Krysiuk’s Batushka is now Патриархь or Patriarch, and they are back with an impressive release titled “Пророк Илия”. Keeping some of their ‘old’ stylistic themes and sound, but also adding some extra layers and new dimensions, this release unleashes over 40 minutes of highly ritualistic and hypnotic music, that while not close to “Литоургиiа”, it does show the band in a new light and with a unique identity.

    The release kicks off with an atmospheric piece that slowly transitions into the chilling “Вершалин II”. This track perfectly exploits the band’s eerie choir arrangements alongside a good dose of Black Metal harshness and some new string instruments. The full effect is quite cinematic, unveiling new layers to the band’s sound while keeping their own uniqueness. This bleeds into “Вершалин III”, another engaging ritualistic track that masterfully incorporates some haunting female vocals.

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    Kildonan - Embers (2024)

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    As a continuation of Vostok, Hamish MacKintosh returns with “Embers”, the debut release of Kildonan. With a very emotionally charged Black/Doom Metal style, this release features six tracks and nearly 40 minutes reminiscent of a mixture of Bethlehem on their “Dictius Te Necare” era, and Death/Doom Metal musings. Creating a very deep and powerful atmosphere, this is one of those sleeper releases that we found ourselves enjoying a lot more than we expected.

    Opening with the dreamy atmospherics of the title track, we are treated to dramatic clean vocals, harrowing harsh screams and a very Doomy vibe with Black Metal infused riffs. Kind of similar to Déhà and his exploits on his solo project as well as some Acathexis thrown into the mixture. We particularly love the piercing atmosphere created by the heavy Doom riffs of songs like “Ioliar-Bhuidhe” and “A Desperate Leap for Salvation” and their contrast with heavier and more brutal tempos.

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