Perfectly blending melancholy and melody, today we have the latest EP of international duo Enshine, titled “Transcending Fire”. Highly recommended for fans of In Mourning, Insomnium and similar outfits, this release delivers 20 minutes of highly refined melancholic music. Slowly evolving since their 2013 debut release, the band seamlessly blends different influences in a highly appealing and atmospheric package.
Opening with the title track, we are treated to a slow and melodic intro with lush guitar arrangements and highly melancholic atmosphere. The mixture of clean and harsh vocals works in perfect harmony as the track weaves back and forth between heavy passages to more exploratory melody interludes. One of the band’s greatest strengths is the ability to create highly enjoyable songs that are conducive of both fearless headbanging and hypnotic contemplation, as we can hear in “Awake in Void” and the dreamy “Ascend”.
Always surprising us with high quality and engaging releases, Rain Without End records is ready to unleash the third full-length release of Seeming Emptiness, titled “Bliss Entombed”. For the uninitiated, this band features members/ex-members of In Mourning and October Tide while creating a very unique blend of Melodic Death Metal, Doom, with some Post-Rock elements. With over 50 minutes of highly melancholic music, this release will please any fan of the previously mentioned bands and genres.
Opening with the Katatonia-esque “An Impious End”, we get a very moody track with crafty drums, incisive guitars and a well balanced mix of growls and clean vocals. Showing a more dynamic and yet melancholic side, tracks like “What Spirits Forebode” and “Infernal Charade” perfectly mix all of the band’s influences and are complemented with soaring clean vocals and engaging tempo changes.
Returning with an even more bombastic and yet misery inducing release, today we have Finland’s Hanging Garden and their latest effort “Skeleton Lake”. Moving a bit away from their traditional old-school Death/Doom Metal, the band steps in territories pioneered by bands like Tristania, Theatre of Tragedy, etc. with the addition of more Gothic/Pop-ish elements in the 46 minutes of music. If you like well crafted melodic, catchy and engaging music with diverse influences, this release will bring the band close to the previously mentioned bands.
Opening with the lush and bombastic “Kuura”, new female vocalist Riikka Hatakka shines as her sweet voice is the perfect contrast to heavy distorted guitars and energetic growls. While the atmospheric component of the band’s sound is still present and the mournful melodic riffs are there, tracks like “Faith”, “Nowhere Haven”, and “Winter’s Kiss” add extra Gothic-like elements alongside additional catchiness. The use of clean male vocals also gives the band a certain To/Die/For edge, making their sound more dynamic than before.
Unleashing crushing melancholy and gloom, today we have Finland’s Marianas Rest and their third full-length release “Fata Morgana”. For being huge fans of Melodic Death/Doom Metal we are quite shocked that we never heard of this band before, but we are glad that this has since been corrected. Featuring Aapo Koivisto of Omnium Gatherum fame, this band delivers some of the most impressive and demoralizing melancholic music we have ever heard.
Creating an unsettling mysterious atmosphere in “Sacrificial”, the band starts building up the pummeling momentum of this release with solid atmospherics, diverse guitar styles and subtle piano passages. Jaakko Mäntymaa vocals perfectly fit the overall mood of the band’s sound, as their versatility (shrieks to growls to clean) allows the band to not sound like any of their other Finnish counterparts. “Glow from the Edge” keeps the misery rolling with bleak guitars, and haunting female vocals courtesy of guest Lindsay Schoolcraft, further elevating the band’s atmospheric brilliance.
Highly prolific Daniel Neagoe (Clouds) is back with another soul-crushing Funeral Doom Metal release with his new band Mourners. In “Act I: Tragedies”, the band explores the depths of misery with a very powerful and direct release. For over 50 minutes the listener is immersed in a solemn and bleak experience, making this one of the best releases of the genre in 2021.
The typical atmospheric piece, “Apparitions” sets a desolate mood while delivering a warm-up onslaught of crushing brutality. “The Way of Darkness” slowly builds up to crushing combinations of massive growls and punishingly slow riffs. Daniel’s signature vocals perfectly layer with the minimalist instrumentation and ripping guitars in tracks like “Souls Breathing Nothingness” and “Ansu Enthroned” further creating a cavernous hollowness that only bands like Thergothon, Evoken or Mournful Congregation create.
Hailing from Tunisia, today we have a very unique and aurally abusive outfit: Omination. Dropping their third full-length release, “NRG”, this band delivers one hell of an expansive sound that incorporates elements of traditional Funeral Death/Doom Metal with some more cinematic and experimental endeavors.
Unleashing an eerie and ritualistic aural assault with “Crossing the Burned Wasteland”, the band sets a very punishing and intriguing atmosphere. This oppressive atmosphere is further explored with the monolithic onslaughts of “Apocalyptic Ignis Fatuus”, a very powerful track featuring hellish atmospheric elements and potent distorted guitars. The band’s drums, which seem to be programmed, at times give the music a certain industrial edge that classes at times with their atmospheric context, but at the same time creates a very unique and aurally confusing experience, like on “Last Trisagion”.
Dramatically balancing brutality with sheer beauty, today we have Exitium Sui and their debut release “Ad Personam”. Mixing elements of Black/Death Metal with lush atmospherics and excellent vocal arrangements, this release delivers over 35 minutes of excellently crafted music. One-man projects usually allow musicians to craft exactly the music they want, with no compromises, and this release shows a very personal and crushing aural experience.
The release kicks off with the punishing “Eviscerate My Withered Soul”, which has a more traditional Death/Black sound but with a calmer pace and an intriguing and very subtle atmospheric undertone. The vibe continues to get bleaker in songs like “The Long Return To Nothing” and “Into The Conflagration”, while delivering a hefty dose of harsh growls and crushing guitars. It is quite interesting how the release slowly builds up its atmospheric components and turns darker as the minutes pass.
As a nice complement to “Ghost of Orion”, today we have My Dying Bride’s latest EP titled “Macabre Cabaret”. Featuring over 20 minutes of new music, this EP is the perfect continuation to an already superbly impressive release earlier this year. Filled with melancholy and pain, the three new songs presented here as a must-have for fans of the band and the genre.
The release opens with the creepy atmospherics and thunderous bass guitar lines of the EP’s title track. This song slowly evolves into a crushing experience with the band’s signature riffs and eerie ambiance. Lasting 10 minutes, this piece features some very eerie interludes that lead into chilling passages of Aaron’s harrowing clean vocals. Continuing the bleak mood, “A Purse of Gold and Stars” nicely continues the band’s dark and somber musical experience with a very subtle and yet elegant piece.
Oozing an incredible amount of melancholy and misery, today we have Draconian and their latest opus “Under A Godless Veil”. In what is one of the band’s strongest releases to date, over 62 minutes of music create a lush and apocalyptic atmosphere filled with punishing growls, weeping guitars and the enchanting and at times demoralizing vocals of Heike Langhans. If you like the punishing atmosphere of bands like Shape of Despair and the harrowing vocal dynamics of My Dying Bride, this is the perfect release for you.
The band wastes no time in setting a very depressive mood with the haunting “Sorrow Of Sophia”, a track that beautifully combines fragile female vocals and dreamy guitars that even take a certain Post-Rock-ish vibe. Anders Jacobsson growls continue to be some of the best in the game, as they perfectly create those ‘beauty and the beast’ duets on songs like "The Sacrificial Lame" or the masterful "Sleepwalkers".
Three years after terraforming the scene with their excellent 2017 release, today we have Brasil’s Jupiterian dropping the massive “Protosapien”. Pushing the boundaries of the genre and always delivering something interesting and aurally punishing, this band is one of the few that constantly improves over time and morphs into new shapes in each release. If you like punishing riffs, a wide variety of genres, and the feeling of being on a choke hold (by music), then you can’t miss out on this one.
After slowly creating a very dissonant atmosphere with their opening track, “Mere Humans” instantly unleashes a barrage of punishing riffs and a hypnotic pace. As one of their specialties, the band suddenly switches gear into heavier and slower territories with the (newer) Lantlôs-esque “Voidborn” and its waves of pummeling guitars. The growls are a perfect match for such an aggressive and yet subtly melodic onslaught.