Death-Doom Metal

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    Ahab - The Coral Tombs (2023)

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    As the perfect companion for a gloomy and cold winter day, today we have Germany’s Ahab returning after eight years since their last full-length release with the crushing “The Coral Tombs”. As the pioneers of ‘Nautik Doom’, this band makes misery inducing music that only a handful of bands can rival (Skepticism, Shape of Despair, etc.). Featuring seven tracks and nearly 67 minutes of soul-crushing music, this is one of the finest Doom releases we have ever heard.

    The release opens with the oppressive “Prof. Arronax' Descent into the Vast Oceans”, with a very aggressive opening that slowly transitions into clean vocals and total bleakness. We particularly like how the band blends in Epic Doom (or traditional Doom) elements with heavier and more punishing Death/Funeral Doom parts. The track “Colossus of the Liquid Graves” nicely creates a somewhat funky atmosphere that is brilliantly flanked by deep growls, oppressive riffs, alongside crafty tempo changes.

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    Mare Infinitum - Cryosleep (2022)

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    Hailing from Russia, today we have Atmospheric Death/Doom outfit Mare Infinitum with an engaging release titled “Cryosleep”. Showing further evolution in the band’s sound, this album adds some bombastic Symphonic Metal elements to the band’s powerful Doom core. Evoking thoughts from Therion to Epica to Funeral and Swallow the Sun. For over 46 minutes the band dazzles listeners with a high octane release.

    The release starts with the highly theatrical and Therion-esque piece “Your Final Bow”, a song with very dramatic choir arrangements and excellent clean male vocals. This track sets a very imposing and lush backdrop, which serves quite well for the traditional deep growls and weeping Doomy guitars the band lays down. With an even more dramatic edge, “The Flight Of No Return” is a fragile piece that nicely shakes things up with crafty tempo changes and excellent guitar leads.

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    Mournument - Smouldering Into Dust (2022)

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    Unleashing unrivaled melancholy and atmospheric bleakness, today we have newcomers Mournument and their debut release “Smouldering Into Dust”. Reminding us of bands like Agalloch and Empyrium with a Doomier edge, this release delivers six tracks and 46 minutes of brilliant music. Perfect for a gloomy fall/winter day, this album is one of the best and most complete releases we have heard in 2022.

    Opening with “On Rain and Thunder”, we get lush acoustic guitars and violins setting a bleak and desolate soundscape. As the clean vocals make their way, the Tenhi/Empyrium vibe slowly transitions into heavier territories with Agalloch-esque mournful distorted guitars. “Chasm of Abandoned Souls” continues the onslaught with more traditional Doom elements and an eerie mixture of deep clean vocals and harsh screams.

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    Arche - Transitions (2022)

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    One of our favorite genres at Infernal Masquerade has to be any variant of Death/Doom Metal, particularly during winter, Funeral Doom Metal releases are just the best for a stroll in the cold weather. Today we have Finland’s latest export named Arche and their full-length debut “Transitions”. Featuring three songs and over 36 minutes of music, this release shows a worthy competitor to Finnish greats like Thergothon, Shape of Despair and Skepticism.

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    Abyssic - Brought Forth in Iniquity (2022)

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    It is hard to innovate in Metal these days, however, there are always bands like Abyssic that take known formulas and greatly improve on them with their highly eerie Symphonic Doom/Death Metal. With “Brought Forth in Iniquity”, the band’s sophomore release, Memnoch and company craft over 50 minutes of highly atmospheric and very crushing music that greatly improves over their first release.

    Opening with the decadence of “Cold as Winter Storm”, we are introduced to a perfectly balanced old-school Funeral-ish Death/Doom Metal with a huge atmospheric component. This atmosphere is quite cinematic and it feels like a black and white horror movie, making songs like “Mirror of Sorrow” and “Djevelens Lys” deliver a truly immersive and imposing experience. The band features members like Memnoch (ex-Susperia) and Tjodalv (ex-Dimmu Borgir) and they bring their years of songwriting experience together in a very cohesive and engaging way.

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    Décembre Noir - Pale Serenades (2022)

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    Showcasing a very different side of their music, today we have Germany’s Décembre Noir with their latest EP “Pale Serenades”. Featuring a re-interpreted version of an individual track of each of the band’s previous releases: "The Renaissance Of Hope", "Autumn Kings", "Forsaken Earth" and "A Discouraged Believer", the listener is treated to a more naked and direct approach from the band, creating a very unique and powerful experience.

    The release opens with “A Swan Lake Full of Tears”, a very solemn and melancholic track which also features Nick Moss on guest vocals, adding that extra punch to make the song even more special. Next up, we have the fragile “Barricades” with lush and dramatic piano arrangements alongside Aaron Stainthorpe’s mournful guest vocals. This is certainly our favorite track of the release.

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    Norilsk - Beyond the Mountains (2022)

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    Hailing from Canada, today we have Death/Doom outfit Norlisk and their latest EP “Beyond the Mountains”. Since this is released through Hypnotic Dirge Records, you know this is going to be a good one. Featuring a retro but firm sound, the band unleashes two tracks filled with slow and crushing riffs alongside hefty growls. If you are a fan of My Dying Bride, Mournful Congregation, etc., you will definitely dig this one.

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    Mournful Congregation - The Exuviae of Gods - Part I (2022)

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    It’s been almost four years since Mournful Congregation’s last release and they have been some very doomy years indeed. Luckily for fans of Funeral Doom Metal, the band returns with a ‘short’ EP titled “The Exuviae of Gods - Part I”, which of course clocks in at 37 minutes and unleashes three piercing tracks. Needing no introduction, this Aussie band is about to make your day a whole darker and gloomier with this crushing release.

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    Kuolemanlaakso - Kuusumu (2022)

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    Led by Mikko Kotamäki (Swallow the Sun), Kuolemanlaakso, a Finnish outfit, delivers killer Death/Doom Metal with some Gothic elements. With “Kuusumu” the band further expands it sound and incorporates some more modern elements alongside their highly emotional and soul crushing antics. The band’s Finnish only lyrics add an extra layer of uniqueness to their piercing sound.

    Opening with the dazzling atmospherics of “Pimeys laski”, a very somber and yet lush mood is set. The combination of clean and harsh vocals alongside female vocals and harsh shrieks gives the music a very theatrical versatility, like on the Therion-esque “Katkeruuden malja”, or the punishing “Surusta meri suolainen”. Far from linear and traditional, the band’s Doom influences provide a nice contrast to faster and heavier elements thrown into the mix as “Kuohuista tulisten koskien” showcases.

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    Hanging Garden - Neither Moth nor Rust (2022)

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    Keeping themselves busy during the last couple of years, Finland’s Hanging Garden is set to unleash their latest EP titled “Neither Moth nor Rust”. After their very impressive 2021 release, this EP delivers around 25 minutes of highly dynamic and engaging music, with a well balanced mixture of Gothic and Doom Metal influences, this album reminds us of late Theater of Tragedy, To/Die/For/ and Beseech releases.

    Creating a very somber and yet lively atmosphere, the album title track delivers a well balanced mix of growls and clean male and female vocals, alongside engaging and catchy music. This playful vibe continues on tracks like the dreamy “The Last Dance”, and the atmospheric “And Leave All Love Behind”, showcasing the band’s versatility and craftiness to write highly emotional and yet diverse songs.

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