Shoegaze

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    Vestige - Janis (2024)

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    Just when you think you have heard it all, a band like Vestige drops a release like “Janis”. Creating a very unique amalgamation of Post-Metal, Shoegaze, Alternative Metal and a hefty dose of melancholy, this release delivers nearly one hour of captivating music. With influences from bands like Alcest, SOM, Mountaineer, Cult of Luna, Deafheaven, just to name a few, this release is full of emotional swings and dreamy interludes that will captivate any fan of unique and atmospheric music.

    Setting a playful and engaging mood, “Différent” nicely leads into the dream-like opener of “Deviens la Nuit”, which quickly brings crushing riffs alongside dreamy vocals giving that Mountaineer meets Cult of Luna vibe as the harsh vocals come in. A good dosage of Alcest-like shoegaziness comes front and center with “Démence de l' me” and “Océan”, further cementing a very ethereal atmosphere alongside dramatic tempo changes.

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    Mountaineer - Dawn and All That Follows (2024)

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    Just like clockwork, The Bay Area’s Mountaineer returns after 2 years with their latest opus in melancholy titled “Dawn and All That Follows”. Not on LifeForce records this time, the band unleashes a hefty 50-minute release split into eight highly engaging and very dreamy tracks. For the uninitiated, the band’s mellow sound combines elements of Post-Rock/Post-Metal with some shoegazey influences and highly melancholic clean vocals, creating a very crafty and highly atmospheric release.

    Opening with the devastating “Cradlesong”, the band quickly unleashes their powerful riffs alongside a thick and demoralizing atmosphere, perfectly paced to inflict maximum pain as the mopey clean vocals of Miguel Meza come into play. There are definitely some crafty Doom/Sludge influences in the band’s sound, as tracks like “Hypnos” and “Prism” continue to develop the crushingly melancholic atmosphere, similar to Katatonia, but more ‘alternative’.

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    Alcest - Les chants de l'aurore (2024)

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    As one of the most awaited releases of 2024, “Les chants de l'aurore” sees Alcest reaching new heights with their seventh full-length release. With a five year gap since their last release, Neige and Winterhalter are back with seven highly dreamy and engaging songs, clocking in at nearly 45 minutes of music. The band’s sound continues to be refined, keeping their core ‘ethereal’ dreaminess, but it also explores new textures and elements, creating an even more immersive and surreal experience.

    Opening with “Komorebi” sets a very magical and ethereal stage with lush guitars alongside crafty atmospherics and masterful drumming. Neige’s clean vocals quickly set the mood and this track has very nice tempo changes with some excellent melodic passages and crescendos, creating a very traditional Alcest-like vibe. This brilliantly continues on pieces like “L'envol” and “Améthyste”, where the Blackgaze atmosphere nicely blends with more Post-Rock-style moments.

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    Austere - Beneath the Threshold (2024)

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    After a long hiatus, the masters of melancholy and one of the initiators of the Depressive Black Metal sound, Austere finally returned last year with a killer release. Not even one year has passed and they are now back with another demoralizing album with “Beneath the Threshold”. Featuring six tracks and around 40 minutes of music, this Aussie duo unleash more depressive vibes filled with melancholy and some crafty musicianship.

    Opening with “Thrall”, we get a slow burning piece that nicely unleashes dissonant guitars in a very mellow tempo alongside harsh and mournful vocals. The duality of the clean and harsh vocals alongside the subtle keyboard atmospherics creates a thick and soul crushing atmosphere, the thing we most enjoy from this band. Both “The Sunset of Life” and “Faded Ghost” masterfully induce more misery thanks to their crafty tempo changes and very solemn atmospheres.

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    Suldusk - Anthesis (2024)

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    Hailing from Australia, today we have Suldusk and their sophomore release “Anthesis”. Marking a transition from a Folk sound to Dark Folk with Blackgaze, Progressive and even some Doom influences, this release unleashes nine tracks of sublime music filled with raw emotion and mystery. For fans of more modern Post-Black Metal releases with a melancholic edge, this release will certainly catch many by surprise and take the scene by storm.

    Opening with the solemn “Astraeus”, the band quickly changes gears with the brutal initial onslaughts of “Verdalet”. Once the band settles in more melancholic territories, their stylistic duality is masterfully revealed. Emily Highfield’s vocals are just the right amount of sweet and mysterious to carry a very lush instrumentation including dramatic violins and intricate guitar melodies.

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    Pencey Sloe - Neglect (2022)

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    Clearing our backlog of releases after our run covering and attending summer festivals after 3 years of COVID-19 hiatus, today we have Pencey Sloe and their dreamtastic release “Negelect”. Being huge fans of Shoegaze/Dreamgaze music, this release delivers 40 minutes of very ethereal and engaging music filled with hypnotic vocals and crafty guitar work. Highly recommended for fans of bands like Alcest, Tides From Nebula and EF.

    The release opens with the expansive “What they Need'' and its moody vibe, created via dreamy guitars and the fragile vocals of Diane Pellotieri. Things gradually get a bit more elaborate with pieces like “Smile to Zero” and the album title track building momentum and further mesmerizing listeners with their subtle craftiness. Perfectly creating unique tempos and allowing the music to have a certain exploratory nature, Clément Hateau’s drums/percussions make songs like “Mirror Rorrim” be a cinematic experience.

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    E-L-R - Vexier (2022)

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    Unleashing waves of trance inducing music, today we have Switzerland’s E-L-R and their sophomore release “Vexier”. As it is to be expected from a Prophecy Productions release, this album goes beyond atmospheric and into hypnotic territories with a brilliant mixture of Doom, Shoegaze, and Post-Metal elements. For around 46 minutes, the listener is nicely transported by the intricately crafted expansive music in this release.

    Opening with the dreamy “Opiate the Sun”, the band slowly unravels a 12-minute piece filled with haunting atmospherics and powerful distorted guitars. Think of The Ocean paired up with some Tide From Nebula and some sprinkles of SubRosa, as other tracks like “Three Winds” and “Seeds” further enshroud the listener into the band’s unique and expansive sound.

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    Sylvaine - Nova (2022)

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    Being huge fans of multi-instrumentalist Sylvaine and her enchanting music, we completely cleared our review queue and went deep into the intricacies and layers of “Nova”. Perfectly balancing the fragility of genres like Shoegaze and Atmospheric Metal with the aggression of Black Metal and Post-Metal influences, this release marks Sylvaine’s best effort to date with around 45 minutes of complex enchanting music.

    Setting a very ethereal vibe with the album title track, things quickly escalate with the piercing guitars of “Mono No Aware”. This track perfectly blends onslaughts of harsh screams alongside dreamy vocal melodies, creating a very intense and yet melancholic atmosphere. We are always quite impressed with the build-up of songs like “Nowhere, Still Somewhere”, which slowly hypnotize the listener with siren-like vocal arrangements and shoegazey guitars.

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    Mountaineer - Giving Up The Ghost (2022)

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    After making a huge splash with their 2020 release titled “Bloodletting”, Mountaineer achieves the impossible and unleashes an even more melancholic and more polished release with “Giving Up The Ghost”. For fans of Post-Rock/Doom/Shoegaze, this release delivers over 32 minutes of highly emotional and disharming music, creating a fully immersive atmosphere and a truly magical listening experience.

    Opening with a mood setting instrumental, the band gets down to business with the dreamy “Blot Out the Sun”, filled with soaring vocal melodies (both harsh and clean) and very dynamic guitars, perfectly capturing the ‘Mountaineer vibe’ but further extending it with even more melancholy and sublime arrangements like we can hear in “Bed of Flower” or the The Ocean-esque “Touch the Glass”.

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    Illudium - Ash of the Womb (2021)

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    Unleashing one of the most emotionally charged and disarming releases of 2021, today we have Illudium with “Ash of the Womb”. With a very difficult sound to define, the band mixes elements from acts like Kate Bush, Pencey Sloe, all the way to ISIS and Alcest, creating a very dreamy and yet powerful amalgamation of melancholic sounds. If you are looking for dark, dreamy, but with a hefty dose of fuzzy heavy riffs, this release is one you can’t miss.

    Opening with the moody “Aster”, the band creates a very overpowering atmosphere with heavy distorted guitars paired with Shantel Amundson’s emotionally charged vocals and a slow but steady progression. As “Sempervirens” comes along, the mood shifts into a livelier Post-Rock/Metal territory with a wide variety of guitar progressions, crafty drumming and a solemn bass guitar line. We particularly enjoy how the band transitions between levels of melancholy, while keeping their signature elements intact.

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