Album Reviews

  • M-16 – La Raiz De Todo Poder (2010)

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    While there is very good Metal music from bands south of the US border (Cenotaph, Mutum, Disgorge, Aglarond, Hacavitz, etc), it’s not too common to hear good Latin Metal in the USA, besides Brujeria. While most people in the USA’s Latin community are listening to Reggaeton, Shakira and similar bullshit, it’s great to hear bands like M-16 that are keeping their Latin identity and kicking ass.

    As a Hardcore/Metal band from New York, M-16 has great power in their musical aggression and they sing completely in Spanish so they say (even though some of their song names are in English, and some lyrics are definitely in English). The band’s aggressive Hardcore style has many Metal elements that makes it brutal at points, but without loosing track of the melodic aspect of Metal and Hardcore.

  • Artep - Thy Will Be Done On Earth As Is Done In Hell (2010)

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    Hailing from Canada today we have Artep, a symphonic Black Metal band that does one heck of a job in crafting epically crushing anthems of pure darkness and destruction. The band’s first full-length release is filled with pleasing surprises for all fans of Melodic/Symphonic Black Metal.

    Signed on Bleak Art Records, the band is a great addition to their already impressive roster of bands such as: Aenaon and Sokrovenno. With no minutes to spare, Artep kicks off this release with a solid intro that sets the stage for the greatly diabolical and lush atmosphere of “The Antichrist”, the albums second track. Since this song you can hear the bands solid guitar work paired with atmospheric keyboards, making the comparisons to Emperor, Dimmu Borgir, Anorexia Nerviosa, etc., an easy pick in describing the band’s bombastic and aggressive sound.

  • Kozeljnik – Deeper the Fall (2010)

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    In these times where most Black Metal bands are still doing what somebody else already did in the past, it’s very difficult to find something worth listening to and spending our hard earned money. Kozeljnik from Serbia might have a shot at being one of those few bands that are worth your money and your time.

    “Deeper the Fall” is an album that while not original by any means, it does a great job in recapitulating what we all have experience in the last 10-15 years of Black Metal. The band merges Satyricon-style grooviness with different styles of singing and random elements that have worked for the genre in different occasions.

  • U.S. Christmas – Run Thick In The Night (2010)

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    All the way from the Appalachian Mountains today we get the deeply enigmatic U.S. Christmas and their super trippy Psychedelic Rock/Blues/something else. Our first encounter with this awesome band was on the Hawkwind tribute split album, where the band completely owned Hawkwind’s songs and provided an amazing rendition of them.

    Signed to Neurot Recordings, the band delivers their fifth full-length release “Run Thick In the Night” (RTITN for short) which clocks at almost 80 minutes. With such a long album you would expect to have a bunch of wasted time, but with RTITN this is not the case. Every single sample, riff, etc, is creatively masterminded to be part of the whole experience created for this album, and before you know it the CD ends and you will want to keep listening to it for hours.

  • Neurosis – Live at Roadburn 2007 (2010)

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    In the eve of the band’s 25th anniversary and after a 3 year waiting period, we finally get a ‘new’ release from Neurosis, in the form of the live CD “Live at Roadburn 2007”. With amazing clarity and masterful production behind this release, you closer than ever to having Neurosis play in your living room in CD form at least (We are still waiting for a proper live DVD/Blu-ray featuring 5.1 or even 7.1 audio).

    For all of us ‘old-school’ Neurosis fans “Live at Roadburn” comes with a bit of disappointment since this release features songs from “Times of Grace” till the bands 2007 album “Given to the Rising” but nothing else from before. However, with the band’s previous live CD’s and the bootlegs we can get that fix.

  • Prosanctus Inferi - Pandemonic Ululations of Vesperic Palpitation (2010)

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    Featuring J. Kohn of Black Funeral (USA) fame, Prosanctus Inferi is one of those bands that you will either love or hate to death. Their style merges Black and Death Metal elements into a blender and creates very brutal and mostly aimless 2-3 minute musical ‘compositions’ that will either make you headbang like crazy or scratch your head wondering WTF is going on.

    “Pandemonic Ululations of Vesperic Palpitation” the band’s first full-length album features 13 songs and around 25 minutes of sheer brutality. If you like your music to be extremely brutal and somewhat pointless then this is the album for you. The band’s drummer Antichristus committed suicide before the release of this album.

  • Denouncement Pyre - World Cremation (2010)

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    When it comes to sounding evil and grim, the Aussie’s behind Denouncement Pyre got it down to a science. With their first full-length album in 7 years they are finally arriving to American shores via Hell’s Headbangers. The band consists of two members and they alone can create enough havoc to unleash war and hell upon planet earth.

    After several demo’s, EP’s, Split’s, we finally get a true full-length release form this band and while it’s a bit short of complete epicness, it does create a very solid atmosphere and has a powerful Black/Death Metal ring to it. As you can expect, the band is short from being original or revolutionary, but they do a great job in sticking to the basics and creating raw melodies without the need of sounding like they recorded this album in the toilet.

  • Fen – Trails out of Gloom (2010)

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    Sometimes in our review queue some albums get lost in the mix and we don’t get to them until ‘late’. Unluckily for us we didn’t heard this majestic release from Fen (from Canada not the UK one) and now we can’t stop listening to it in order to pay attention to newer releases that need to be heard.

    Before the confusion set’s in, this Canadian outfit plays Progressive Rock/Metal and it should not be mixed up with UK’s Fen (that play’s Atmospheric Black Metal/Post-rock). The first impressions we had of this CD where outstanding since the band has managed to craft 9 Progressive Rock/Metal anthems unlike many bands are able to do these days. After further listening, we can’t stop agreeing that this is surely the Progressive Rock/Metal album of the year for us as of August.

  • Drünken Bastards – Horns of the Wasted (2010)

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    It’s been a while since we have heard a band be as effective in 20 minutes as the Drünken Bastards manage to be with “Horns of the Wasted”. With a brutal mixture of Thrash Metal with Punk elements and a few Black Metal hints here and there, the band does a great job in crafting small, concise, and effective songs that will rock you sideways.

    Release in the USA on Hell’s Headbandgers, “Horns of the Wasted” is a great blast in the past, when bands where still having fun and freely rocking out tunes that mashed up several genres and they did not give a shit if people liked them or not. The overall Punk influences are very high in this release, and in songs like “Alcoholic Big Tits” the band goes all-out Punk on us. But they quickly regain their Metal-form with their cover of Barbatos “Prophecy of the Evening Star”, a song that sounds extremely Heavy Metal for this album.

  • A Dream of Poe – Lady of Shalott (2010)

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    Doom Metal is a an art that has been slowly dying in the last few years with more bands switching to the more ‘lucrative’ Gothic Metal scene or just starting off as a Metalcore band. Luckly today we have A Dream of Poe, as you can expect and Edgar Allan Poe inspired Doom Metal band from Portugal with members of In Peccatum.

    In this 5 song and 36 minute EP the band does a great job in crafting crushing songs that will make you want to dig up your older My Dying Bride albums and get on full-on melancholic mode. Starting with the slow (it’s Doom Metal!! what do you expect!) self-album-titled song “Lady of Shalott” the band quickly sets the tone in terms of down-tuned guitar riffs and mournful vocal atmosphere.

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