Technical Death Metal

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    Cryptopsy - An Insatiable Violence (2025)

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    Canadian legends Cryptosy are back with one of their most vicious releases with “An Insatiable Violence”. Showing that the ‘old guys’ can hang out with the younger Brutal/Technical Death Metal crowd, the band further elevates their sound to be more brutal and faster in this one. Featuring over 33 minutes of music in eight tracks, the band makes a pummeling statement with this release.

    Blasting away with “The Nimis Adoration”, one immediately notices that Matt McGachy vocals are more vicious and mean this time around,and so are the crafty guitar leads of Christian Donaldson. The band has managed to keep up with the times while still keeping their signature style, and unleashes bangers like “Until There's Nothing Left”, the blistering “Fools Last Aclaim”, and the more melodic onslaughts of “The Art of Emptiness” and its deep growls. All in-all, the band alongside Dying Fetus, are standing the test of time with their music.

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    Fallujah - Xenotaph (2025)

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    It is quite impressive how far has Fallujah come, from their early Deathcore days, to their current Progressive/Technical Death Metal style. With “Xenotaph”, the band continues to polish their skills and delivers the best album to date. It is brutal, it is technical, it is fast, it is crafty, it basically has it all, and fans of the band and the genre will be blown away as to how good it really is.

    Setting the mood with “In Stars We Drown”, we get a very dreamy and ethereal piece, similar to Persefone cranks out, but with the distinctive Fallujah style. From here on, the rollercoaster ride begins with the crushing “Kaleidoscopic Waves” and its intricate guitar work, “Labyrinth of Stone” and “Step Through the Portal and Breathe”, and their Death-like tempo changes and crafty melodic interludes . The band’s abilities to craft songs that perfectly blend heaviness with melody and technical prowess have greatly matured over time and are beyond masterful here.

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    Fractal Universe - The Great Filters (2025)

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    Masterfully crafting intoxicating Progressive/Technical Death Metal songs, today we have Fractal Universe and their excellent “The Great Filters”. As the band’s fourth full-length release, this album unleashes nine tracks and over 46 minutes of perfectly balanced musicianship with melody and a good dose of heaviness. For fans of bands like Leprous and Opeth, to heavier outfits like Obscura and Allegaeon, this release has a bit for everybody with refined taste.

    Opening with the proggy goodness of “The Void Above”, we get masterfully layered guitars and crafty tempo changes alongside a hearty growl and a very clean and direct atmosphere. This track has some serious Leprous vibes that gently make their way into most of the release, as heard on tracks like “The Great Filter”, “Causality’s Grip”, and “The Seed of Singularity”, nicely enhancing the band’s range and keeping things very lively and engaging.

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    Allegaeon - The Ossuary Lens (2025)

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    Continuing their crushing onslaught to the top levels of Technical/Melodic Death Metal, today we have Allegaeon and their latest opus “The Ossuary Lens”. Featuring ten tracks and nearly 45 minutes of blistering music, this release further refines the band’s high-octane sound, while infusing some new elements and marks the return of their original vocalist Ezra Haynes. With a focus on creating engaging songs and delivering maximum brutality, the band manages to unleash their finest release to date.

    After the atmospheric “Refraction”, the band instantly means business with the punishing “Chaos Theory”. This track sets a very hectic pace thanks to its insane riffing and crafty drumming. The band has never focused on creating complex tracks just for the sake of it, like others in the genre, but rather deliver a perfectly balanced mixture of musicianship, melody and brutality, as “Driftwood”, “Dies Irae” and “The Swarm” showcase.

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    Nile - The Underworld Awaits Us All (2024)

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    Everybody’s favorite Egyptian-inspired Brutal/Technical Death Metal outfit is finally back with another high-octane release titled “The Underworld Awaits Us All”. Featuring eleven tracks and nearly 55-minutes of music, the band returns with masterful incisive onslaughts of brutality, perfectly paired with crafty atmospheric elements and crushing tempo changes. If you are a fan of the band’s earlier work, you will love this album as it keeps things hectic and punishing from start to end.

    Blasting away with “Stelae of Vultures”, we get those sweet chuggy Death Metal riffs the band is known for alongside the crushing drumming of George Kollias. Pummeling through blistering fast tracks like “To Strike with Secret Fang” and “Naqada II Enter the Golden Age”, to the traditional instrumental pieces like “The Pentagrammathion of Nephren-Ka”, Nile continues to polish their style while delivering intense pieces of music, only getting better with time.

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    Fleshgod Apocalypse - Opera (2024)

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    As one of the most anticipated releases of 2024, today we have Italy’s Fleshgod Apocalypse marking their return with the impressive “Opera”. As their first full length release in five years, this album delivers ten tracks and nearly 45 minutes of high-octane Orchestral arrangements paired with crafty Technical Death Metal and lush vocals. With a very lively pace and masterful arrangements, this release is definitely one of the best that the band has ever released.

    Setting the mood with a very operatic opener, “I Can Never Die” opens this release with pummeling drumming alongside dramatic orchestrations and the super vocals of Veronica Bordacchini. Francesco Paoli handles the growls quite well, providing masterful contrast between the female counterparts. Aside from being explosive and crafty, the band’s music perfectly exploits catchy and cinematic elements to keep this release rolling with excellent songs like “Pendulum”, “Bloodclock”, and the Omen-esque “At War With My Soul”.

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    SYK - eartHFlesh (2024)

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    Holding us over until the new Ulcerate drops next month, today we have Italian outfit SYK and their pummeling release “eartHFlesh”. With eight tracks and over 45 minutes of highly intricate and punishing Death Metal with Groove and even some Djent elements, this release is as crushing as it is complexly layered to infuse maximum pain. If you like music that is brutal, relentless, filled with excellent ideas, and masterfully executed, this is an album you can’t miss.

    Opening with the ravaging “I Am The Beast”, the band sets a very disturbing and cinematic vibe with creepy atmospherics until the massive drumming and layered guitars make their appearance. The band’s ability to unleash sinister riffs is outstanding, as they pair perfectly with blistering drums and insane tempo changes. On tracks like “Where I Am Going There is No Light”, “I'll Haunt You In Your Dreams”, and “eartHFlesh”, the band rips through crafty tempo changes, hellish growls, and tons of Meshuggah-esque passages, showcasing masterful musicianship and execution.

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    Hour of Penance - Devotion (2024)

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    Five years since their last release, Hour of Penance is finally back with the pummeling “Devotion”. Showcasing their mixture of Brutal and Technical Death Metal, this band is ready to wail at the listener with ten tracks and nearly forty minutes of intensity. Far from disappointing, this release sets a new bar in terms of brutality and execution for 2024.

    The release kicks off with the brutal “Devotion For Tyranny”, a track that packs powerful punches in the shape of pummeling drums and crushing riffs. Like a bag of bricks to the face, the opener alongside “Parasitic Chain of Command”, “Birthright Abolished”, and “Retaliate” quickly dominate the listener with their sinister vibes and crushing instrumentation. The band has refined the art of being brutal and incisive as these songs clearly show.

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    Linus Klausenitzer - Tulpa (2023)

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    Delivering over 52 minutes of intricate Technical/Progressive Death Metal, today we have German virtuoso Linus Klausenitzer. As one of the best 6-string fretless bass guitar players (the other has to be Jeroen Paul Thesseling), Linus manages to craft ten very engaging, and diverse tracks, that while they always highlight his staple instrument, they are very well rounded with tons of guest guitar solos, variety of vocal styles, and Hannes Grossmann on drums. If you like proggy/jazzy extreme metal, and are a fan of bands like Obscura, Obsidious, etc. this release will blow you away.

    Opening with acoustic guitars and quickly jumping into incisive riffs, “King of Hearts” sets the stage for a very engaging and crafty release. The bass guitar lines are superb, as to be expected, but instead of just banking on this ability, Linus has composed very intricate tracks like “Axiom Architect”, and the extremely catchy “Our Soul Sets Sail”, which has a certain Soilwork-esque vibe. Other pieces like “Sister in Black” are quite playful and exploratory, creating a sultry atmosphere, while delivering insane technical proficiency.

    • Posted By: Dark Emperor
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    Cryptopsy - As Gomorrah Burns (2023)

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    Fully righting their musical ship, today we have Canadian legends Cryptopsy and their first full length release in over 10 years: “As Gomorrah Burns”. Returning to that vicious Brutal Death Metal sound from their earlier years, the band delivers eight tracks and 33 minutes of crushing brutality. While the band showed their mettle with a new lineup during “The Book of Suffering - Tome I and II”, this release perfectly blends their old style with newer and fresher Technical DM elements that nicely polish their sound.

    The band quickly makes a statement with the pummeling “Lascivious Undivine”, and follows it with the even more blistering “In Abeyance”. The best part of this opening pair of tracks is that you can hear the old-school Death Metal from the band perfectly blended with a fresher and more modern edge of current Technical Death Metal/Deathcore productions. Blasting the listener away, one of our favorite tracks has to be “Godless Deceiver” and its intense drumming, perfectly flanked by chuggy riffs and hellish vocals.

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