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    The Eternal - Celestial (2026)

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    Perfectly unleashing a highly melancholic mixture of Gothic and Doom Metal, today we have international outfit The Eternal, returning with a six-track EP titled “Celestial”. Featuring current and ex members of Finland’s Amorphis and members of Australia’s Nefariym, this release unleashes nearly 30 minutes of music that reminds us of a cross between bands like To/Die/For with sprinkles of Anathema and Paradise Lost.

    After the dreamy opener, “Celestial Veil” quickly unleashes powerful Doomy riffs that set a very melancholic backdrop to Mark Kelson’s piercing vocals. The band’s ability to shift tempos and moods is very effective, partly thanks to Jan Rechberger’s expert drumming, creating very dynamic songs. Other tracks like “It All Ends” have a more prominent Gothic Metal edge with crafty percussions and dreamy atmospherics, reminding us of the late 90’s/early 2000’s Finnish Gothic Metal scene.

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    Umbrío - Quintaesencia nocturna (2025)

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    Hailing from Chile, today we have a very unique and interesting Atmospheric Black Metal release titled “Quintaesencia nocturna”. Featuring a poignant Black Metal sound with heavy Doom influences, this outfit delivers eight tracks and nearly 40-minutes of hypnotic and ritualistic music with a certain retro edge, and some truly haunting passages. This band has a similar, albeit less theatrical sound that one of our favorite Mexican bands of the 90’s: Argentum, and their captivating Black/Doom Metal.

    After a magical and lush atmospheric opening, “El vacío de una flama bajo el firmamento” kicks off with blistering drumming and punishing riffs. The deep monotone vocals are quite engaging, keeping things very eerie, particularly thanks to the Spanish lyrics that add that extra layer of mystery (to non-Spanish speakers). The harsh vocals are very fitting of the genre, and a solid contribution, but the atmospheric components of the music is what draws the listener’s attention as “Vientos del clamor del pasado” and “Polvo - piedras - silencio” showcase.

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    Ulver - Neverland (2025)

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    Always an event when the wolves of Ulver return with their signature antics and superbly produced sound. Waiting until the last day of 2025 to unleash “Neverland”, the band continues to expand and explore with their sound, removing all vocals and focusing on creating trippy ambient soundscapes that capture subtleties of other genres like Post-Punk and Synth-pop. For 11-tracks and over forty minutes, the band weaves back and forth between dreamy and ethereal soundspaces, to darker and hypnotic pieces, always being uniquely Ulver and completely enthralling.

    Setting a somber opening mood, “Fear in a Handful of Dust” creates a very ethereal vibe, similar to outfits like Hælos. The exploration of synths/pianos of the sultry “Elephant Trunk” and “Weeping Stone”, takes us back to the band’s “The Assassination of Julius Caesar” sans the vocals, while “People of the Hills” has that funkiness to it of walking into a time machine. Crafty tempo changes and Ambient elements make "They're Coming the Birds” and “Horses of the Plough” be dark and yet quite refreshing, alongside more catchy pieces like “Hark Hark The Dogs Bark”.

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    Burial Gift - MMXXV (2025)

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    Unleashing an explosive and totally awesome EP, today we have North American outfit Burial Gift with their three song debut. With a sound that evokes the likes of Deafheaven, Heretoir, Alcest, etc. and but with a hefty dose of heaviness and rawness, this release makes a statement to keep an eye out for these guys.

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    Irae - In the Key of Twilight (2025)

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    Portuguese one-man Black Metal battalion Irae returns this November with their latest offering “In the Key of Twilight”. Featuring eight tracks and over 40-minutes of hellish music, this release has that primordial viciousness and rawness of the genre, thanks to crafty atmospherics, fierce shrieks and pummeling riffs. If you are looking for that old-school retro Black Metal sound of the late 90s, this band will bring back some memories.

    Opening with some melodic guitar leads, this album goes on a full-on destruction path with “Apex Predator” and its vicious onslaughts of blistering drums and fierce shrieks. The band’s musical core is very compact and it transitions brilliantly to melodic head-banging sessions thanks to incisive guitars. Featuring plenty of atmospheric elements and moody tempos, tracks like “Key to the Darkest Path”, “Forlorn”, and “There Will Be Wrath”, keep the listener fully engaged thanks to their cavernous vibe.

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    Shores of Null / Convocation - Latitudes of Sorrow (2025)

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    Perfectly arriving for when the days are dark and short, today we have a split release featuring Italian Melodic Death/Doom Metal outfit, Shores of Null, and Finnish Funeral Doom duo Convocation. Splitting almost evenly the duration of this split, we get a nice mixture of more ‘upbeat’ tracks from Shores of Null to then set the backdrop to two long and punishing pieces from Convocation. Definitely a great introduction to two excellent bands for any fan of the genre.

    Opening with “An Easy Way”, Shores of Null unleashes catchy and guitar driven melodies with a nice blend of Melodic Death Metal, clean vocals (similar to old Before the Dawn), and hearty growls. The band’s style creates a very melancholic atmosphere, when combining weeping guitar riffs and very crafty tempos, as on our favorite “The White Wound”. Closing their side with “The Year Without Summer”, we get an excellent bleak atmosphere and plenty of headbanging passages.

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    Darvaza - We Are Him (2025)

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    Unleashing one of the most hellish Black Metal releases of 2025, today we have International duo Darvaza and their sophomore full-length release “We Are Him”. Delivering over 42 minutes of cavernous and nihilistic music, spread in seven piercing tracks, the band continues their onslaught with a crushing sound that is both visceral and punishing. For fans of raw and pummeling BM, this release sets a new bar for the band, once that sets them apart from the rest.

    Opening with dramatic atmospherics, “Holy Blood” quickly transitions into raw and in-your-face riffing onslaughts. Wraath’s snarl is as piercing as always, modulating between a harsh stance and some more demented screams. The band’s furious pace makes tracks like “A Last Prayer in Gethsemane”, “Lazarus”, and “Chaos.Fire.Devotion” be as pummeling as possible, with some masterfully crafted tempo changes and momentum building passages.

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    Lamp of Murmuur - The Dreaming Prince in Ecstasy (2025)

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    Unleashing a timeless ode to the early days of Symphonic/Melodic Black Metal days, today we have Lamp of Murmuur and their latest opus “The Dreaming Prince in Ecstasy”. Featuring a sound reminiscent of Tartaros, (early) Limbonic Art, and most recently Moonlight Sorcery, this release unleashes nine tracks of superb catchiness and haunting melodies with a hefty dosage of rawness.

    Setting a very dark and sinister mood with the opener, the album quickly escalates with the crafty “Forest of Hallucinations”. In this track we get that old-school sound of the genre, perfectly captured by lively keyboards/synths alongside M’s harsh snarls around engaging tempo changes. The playfulness behind tracks like “Reincarnation of a Witch”, and “Hategate (The Dream-Master's Real)” show the band’s timeless influences of gaudy (to some extent) atmospherics alongside fierce Immortal-esque riffing onslaughts.

    • Posted By: Dark Emperor
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    Bell Witch & Aerial Ruin - Stygian Bough: Volume II (2025)

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    Unleashing one of the most demoralizing and gut-wrenching releases of 2025, today we have Bell Witch pairing with Aerial Ruin to deliver the second volume of “Stygian Bough”. Featuring four tracks and nearly one hour of monumentally crushing Funeral Doom Metal, this album is as bleak as they come. Erik Moggridge of Aerial Ruin perfectly complements Bell Witch, creating a very punishing and lush release that won’t easily be forgotten.

    Opening with the moody vocals of “Waves Become the Sky”, they perfectly blend into the weeping Doomy riffs, creating a very desolate and punishing atmosphere. The tempo slowly drowns the listener in misery as the opener seamlessly blends into the bleakness of “King of the Wood”, a more atmospheric piece. The band’s ability to create slow and very uneasy soundscapes is just magical, as these tracks fly by and they are over 12-minutes each.

    • Posted By: Dark Emperor
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    Waldgeflüster - Knochengesänge (2025)

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    Unleashing a massive double full-length release, Waldgeflüster showcases their multiple facets in a very emotional and devastating manner. With the first album clocking in at nearly one hour and the second around 50 minutes, we get to hear the band’s heavier and more complex amalgamation of Black Metal with Post Metal/Rock elements in the first, and a more stripped down version of them in the second. Very emotionally charged, this release is truly a journey into the band’s psyche and trajectory.

    Opening the first album with “Krähenpsalm”, we get lively Post-Black Metal riffing and massive atmospherics, reminding us a bit of outfits like Austere, Heretoir, and Harakiri for the Sky. This style is very predominant in this first album, with highlights of very emotional tracks like “Bamberg, 20. Juni”, the hypnotic “Von Hypnos und Thanatos”, and the dreamy “Lethe - Der Fluch des Schaffenden”. The mixture of harsh screams, fast riffs, is very nicely offset by lush clean vocal arrangements, and crafty atmospherics.

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