Black Metal

  • Chamber of Unlight - Avernus (2026)

    Chamber of Unlight - Avernus (2026)
    Chamber of Unlight - Avernus (2026)

    Featuring one of the most stacked line-ups in Black Metal, today we have Finland’s Chamber of Unlight with their sophomore release “Avernus”. Featuring a fierce and yet melodic BM sound, this release unleashes over 35 minutes of crafty music with plenty of atmosphere and harshness. While not as flashy as outfits like Moonlight Sorcery or Vargrav, these guys have a very punishing BM core that happens to be adorned by crafty synths and melodic passages.

    Unleashing all fury with the whirlwind “One With the One”, we get a masterful guitar-driven piece with piercing atmospherics and a very raw and punishing vibe. Blistering past “Wraithlike”, and “Night Chasm”, we get that old-school Dimmu Borgir-meets-Tartaros vibe as the keyboards shine alongside crafty melodic riffs and pummeling drumming. The band’s sound is relentless, but masterfully adds melancholy and melody into the mix, creating a very powerful wall of sound.

  • Emptiness - Nowhere Speaks (2026)

    Emptiness - Nowhere Speaks (2026)
    Emptiness - Nowhere Speaks (2026)

    Creating a truly immersive and sickening listening experience, “Nowhere Speaks” delivers waves of minimalist textures layered in dissonant ways unlike anything you have heard before. Emptiness continues to surprise the listener with their highly evocative fractured approach to experimental Metal, while incorporating tons of decadent elements to perfection. For over 40-minutes, the listener will be challenged by this expansive and disturbing release.

    This album is more of a continuation of 2014’s “Nothing but the Whole”, as the release has that cavernous and more Avant-garde Black/Death Metal nature. Bringing back that darker and more punishing side of the band, tracks like “The Threat”, "Nowhere Speaks”, and the vicious “Darkness Commands”, layer crafty distorted guitars with minimalist rhythms and some enigmatic vocals. The band’s Black/Death Metal elements shine more than in their recent release, and create creepy tracks like the playful and funky “Words to Wind”.

  • Inferno - The Anthropic Sophisms (On the Heights of Despair) (2026)

    Inferno - The Anthropic Sophisms (On the Heights of Despair) (2026)
    Inferno - The Anthropic Sophisms (On the Heights of Despair) (2026)

    Unleashing unrivaled cavernous darkness, today we have Czechia’s Inferno and their ninth full-length release “The Anthropic Sophisms (On the Heights of Despair)”. Featuring a crushing sound that is a mixture of Blut Aus Nord, Oranssi Pazuzu, Deathspell Omega, and some Akhlys, this release is as brutal and atmospheric as they get.

    Opening with the fierce dissonant riffs of “Fission of the Soul”, the band creates a very chaotic and yet piercing atmosphere that slowly builds up to deliver waves of devastating melody and harsh vocals. Clocking in at around 10 minutes, this piece sets a very hypnotic and oppressive vibe that blends into the decadence and obliteration of “Dekranos Katexochen”. With all tracks being quite long, the band can explore different movements and moods while creating a cohesive pummeling experience.

  • Hammerfilosofi - Secundus Adventus (2026)

    Hammerfilosofi - Secundus Adventus (2026)
    Hammerfilosofi - Secundus Adventus (2026)

    In order to keep the momentum going after the crushing release of their 2025 opus “Signum”, Hammerfilosofi returns with a two track EP that features ‘reforged’ versions of two of the most intense tracks of said release. Not your average remaster or re-interpretation, these tracks underwent a brand new mix and master, alongside a re-recording of the drums by Dystopian. If you thought their original versions were intense, just wait to hear them here.

  • Sojourner - Gateways (2026)

    Sojourner - Gateways (2026)
    Sojourner - Gateways (2026)

    Creating a very atmospheric and epic blend of Gothic and Black Metal, today we have Sojourner and their third full-length release: “Gateways”. Featuring a fantasy inspired theme, this outfit delivers seven tracks of lush and elegant music filled with masterful contrasts and a hefty dose of heaviness. Greatly enhancing their sound and improving since their last release, this outfit creates a very dynamic and engaging release that any fan of their earlier work will love.

    Quickly setting a very melancholic vibe, “Dawnrays” opens up this release with solemn piano arrangements that quickly transition into Doomy territories. The addition of Heike Langhans on vocals, changes the band’s sound slightly, but it adds more emotional depth to the female vocals, rapidly showcased by opener and “An the Paintings Fall”. There is a certain magic to Heike’s vocals, and it is very cool to hear them in a different concept than her other work with Draconian, Remina, and Lightfield Reverie.

  • Hecate Enthroned - The Corpse of a Titan, a Lament Long Buried (2026)

    Hecate Enthroned - The Corpse of a Titan, a Lament Long Buried (2026)
    Hecate Enthroned - The Corpse of a Titan, a Lament Long Buried (2026)

    Hailing from the UK, Hecate Enthroned, for the uninformed, or just too young, was one of the few bands initially labeled Cradle of Filth clones back in the day. While there are similar elements between the bands, particularly the dramatic shrieks that the vocalists used, these guys kept on their own path and continued to release high-octane Symphonic/Melodic Black Metal. Only making us wait seven years between releases, “The Corpse of a Titan, a Lament Long Buried” is a testament to the band’s impressive timeless sound that is both crushing and lush.

    After a mood setting intro, “Spirits Stir Within Our Ancestors Tombs” properly kicks off the release with the band’s usual bombastic style of lush keyboards alongside Joe Stamps signature shrieks. The guitar work of Nigel Dennan and Andy Milnes is excellent, creating very incisive riffs and superbly melodic parts, as “The Arcane Golem”, “Steed of the Still Water” and “Pwca” come around. While the dramatic keyboards create very dense and magical atmospheres, they are never overbearing and allow all other elements to shine through them.

  • AntiHuman Industries - Accelerated Death Impulse (2026)

    AntiHuman Industries - Accelerated Death Impulse (2026)
    AntiHuman Industries - Accelerated Death Impulse (2026)

    Unleashing 35 minutes of Industrial Black Metal hell, today we have the debut release of Finnish super group AntiHuman Industries, titled “Accelerated Death Impulse”. Featuring Spellgoth and VnoM from Horna (and many others) fame, Syphon from True Black Dawn, and Corvus from Korgonthurus, this all-star outfit delivers some of the most decadent and crushing tracks from the genre since the days of Diabolos Rising, Malignant Eternal, and Mysticum.

    Blasting this release wide open with “Loop of Cosmic Horror”, the band sets a very dystopian cyber punk-esque vibe with the samples and electronics in this piece. The madness continues as the band pummels through tracks like “ErrorHuman”, “Brain Noise”, and “Eerie Curiosity” with blistering speed alongside crafty tempo changes and dramatic atmospherics. With a hearty Black Metal core, there is no lack of aggression.

  • Darkthrone - Pre-Historic Metal (2026)

    Darkthrone - Pre-Historic Metal (2026)
    Darkthrone - Pre-Historic Metal (2026)

    As one of the most anticipated releases of 2026, today we have Darkthrone and their latest effort “Pre-Historic Metal”. Continuing their path in unleashing crafty and uncomplicated releases, this album delivers eight tracks of the band’s crunchy Black/Doom/Heavy Metal of late. In the same vein of their last couple of albums, the band’s sound is compact and pays homage to old-school Black/Death/Heavy/Doom Metal with a wide variety of engaging riffs and tempo changes.

    Opening with the crunchy riffs of “They Found One of My Graves”, Fenriz and Nocturno Culto showcase that they will continue to de-construct the BM genre and infuse additional elements to keep unleashing crafty and enjoyable songs. The is something quite primal and raw of songs like the album title track, “Siberian Thaw”, and “Deeply Rooted” that have that Norwegian BM vibe, but with some Mercyful Fate/Celtic Frost-esque influences.

  • A Forest of Stars - Stack Overflow in Corpse Pile Interface (2026)

    A Forest of Stars - Stack Overflow in Corpse Pile Interface (2026)
    A Forest of Stars - Stack Overflow in Corpse Pile Interface (2026)

    Unleashing one of the finest and most chaotically beautiful releases of 2026, today we have A Forest of Stars with “Stack Overflow in Corpse Pile Interface”. Eight years in the making, this release delivers six tracks and over 73 minutes of magical weirdness in the shape of Avant-garde/Progressive Black Metal, that only this British outfit could produce. Following the style of their previous release, this album is both engrossing and insane, masterfully showcasing unique craftsmanship.

    Opening with the lush “Ascension of the Clowns”, the band sets a very dense atmosphere with dramatic violins alongside Mister Curse’s deranged vocals and crafty guitars. This atmosphere feels suffocating (in a good way) as the band escalates their antics with the piercing “Street Level Vertigo”. Excelling in creating slow-burning tracks that span 10+ minutes at a time, each song expertly develops around chaotic onslaughts of madness and elegant instrumentation/vocal arrangements, creating very cinematic experiences.

  • Möhrkvlth - Gwenojennoù An Ankounac’h (2026)

    Möhrkvlth - Gwenojennoù An Ankounac’h (2026))
    Möhrkvlth - Gwenojennoù An Ankounac’h (2026)

    Unleashing over 44-minutes of highly melancholic Black Metal, today we have France’s Möhrkvlth with their sophomore release “Gwenojennoù An Ankounac’h”. Being eight years in the making, this album showcases a very mature band creating a very organic sound that is both melodic and quite intense at times. Reminding us of older Empyrium and bands like Enid, this release has a very regal and lush atmospheric component to it.

    Opening with the fierceness of “Dindan gouloù ar c'hroajoù mein”, the band masterfully transitions between hectic aggressive sections to lush melancholic passages with ethereal clean vocals. The band’s ability to change tempos and deliver relentless brutality alongside dreamy atmospherics is one of their best capabilities as tracks like “Va c'heriadenn” and “Pour une couronne de chrysanthèmes”, showcase and masterfully contrast other pieces like the lush instrumental “ Recueillement”.

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