Album Reviews

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    Vesseles - Home (2026)

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    Unleashing one hell of a magical debut full-length release, today we have Vesseles with “Home”. Featuring a very lively and explosive sound that reminds us of the early days of Symphonic Black Metal in the 90’s with bands like Tartaros, Limbonic Art, and most recently rekindled by the likes of Vargrav. Featuring nine tracks and over 44 minutes of music, this release makes a statement as the band showcases their abilities.

    Opening with the bombastic “Flesh Throne”, we get a very lush and blistering opening, filled with ravaging guitars, crafty atmospherics and hellish shrieks. The band’s tempo changes work perfectly, creating a very contrived and chaotic vibe. Pummeling through nightmarish pieces like “Eternally Within Us”, “The Beneath”, and the solemn album title track, the band gives that theatrical vibe that Cradle of Filth featured in their earlier releases like “Dusk and Her Embrace” and “Cruelty and the Beast”.

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    Ov Sulfur - Endless (2026)

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    Delivering the first blow to the head in 2026, today we have Ov Sulfur and their crushing sophomore full-length release “Endless”. Featuring ten tracks filled with unrelenting brutality, this outfit unleashes over 45 minutes of some of the most brutal music that has been released in the last few years. However, not all is linear and dull, as there are a few surprises here and there that keep the release fresh and very engaging.

    Opening with the punishing “Endless//Godless”, we get the expected pummeling breakdowns of your typical Deathcore release and Ricky Hoover inhuman growls. The album quickly transitions to a more melodic and yet brutal tempo with “Seed”, a track that delivers waves of crafty riffs and engaging vocal arrangements alongside the band’s razor sharp brutality. The cinematic nature of “Forlorn” and “Vast Eternal” brings the band’s sound closer to contemporary giants like Lorna Shore, while still featuring their own identity and style.

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    The Eternal - Celestial (2026)

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    Perfectly unleashing a highly melancholic mixture of Gothic and Doom Metal, today we have international outfit The Eternal, returning with a six-track EP titled “Celestial”. Featuring current and ex members of Finland’s Amorphis and members of Australia’s Nefariym, this release unleashes nearly 30 minutes of music that reminds us of a cross between bands like To/Die/For with sprinkles of Anathema and Paradise Lost.

    After the dreamy opener, “Celestial Veil” quickly unleashes powerful Doomy riffs that set a very melancholic backdrop to Mark Kelson’s piercing vocals. The band’s ability to shift tempos and moods is very effective, partly thanks to Jan Rechberger’s expert drumming, creating very dynamic songs. Other tracks like “It All Ends” have a more prominent Gothic Metal edge with crafty percussions and dreamy atmospherics, reminding us of the late 90’s/early 2000’s Finnish Gothic Metal scene.

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    Beyond the Black - Break the Silence (2026)

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    Continuing the rise in the Symphonic Metal/Rock scene, today we have Germany’s Beyond the Black with their sixth full-length release “Break the Silence”. Masterfully fronted by the charismatic and talented Jennifer Haben, this outfit moves one step closer to transitioning from traditional Symphonic Metal, to the more radio friendly and Within Temptation-esque Symphonic Rock/Alternative Metal territories. While this release is still pretty solid, the band’s shift is more evident than ever.

    Opening with the bombastic “Rising High”, the band sets a very dynamic and playful atmosphere that, at least for now, keeps things heavy thanks to powerful guitar riffs/leads and crafty drumming. Things get a bit more catchy and engaging with the dreamy “Break The Silence" showcasing the band’s heavier side. Things shift a bit into the Gothic Rock realm with “The Art of Being Alone”, a collaboration featuring Chris Harms of Lord of the Lost. This track is pretty engaging and explosive, but a slight shift is felt, especially coming after two very engaging opening tracks.

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    Iotunn - Waves over Copenhell (2026)

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    After blowing everybody away with their majestic 2024 release “Kinship”, Iotunn has been making the rounds playing their highly melancholic music to live audiences. Lucky for those of us that haven’t been close enough to catch them live, Metal Blade opens 2026 with the band’s “Waves over Copenhell” live album. Featuring five tracks and tons of energy, the band gives us a little glimpse of their live show.

    Opening with “Waves Below”, the band showcases fierce rawness and their signature emotive sound that oozes melancholy. Jón Aldará is a very talented vocalist and masterfully showcases his range as Jesper Gräs and Jens Nicolai Gräs guitars lead the way. The band’s live sound seems to be more organic and powerful, delivering tracks like “The Tower of Cosmic Nihility” and “Access All Worlds” with a vicious edge, while keeping things engaging and heavy.

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    Ellende - Zerfall (2026)

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    Starting 2026 with a bang, we have Ellende with their latest opus “Zerfall”. Featuring a distinctive and very fierce approach to Post-Black Metal, this Austrian one-man outfit delivers nine tracks and over 53-minutes of highly emotional and crushing music. Constantly improving and refining their sound since their breakthrough “Todbringer”, this release showcases poise and maturity while keeping their signature sound mostly intact.

    Opening with the mood setting “Nur”, the band quickly escalates their onslaughts with their fierce two part opener “Warheit”. In the first part we get the band at its finest with waves of crafty riffs alongside L.G’s punishing snarls and very crafty drumming. This nicely transitions into lush atmospheric passages and dramatic guitar leads as this blends into the second part. With both songs so well developed and connected, one only wonders why not have a very long song rather than two movements.

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    Umbrío - Quintaesencia nocturna (2025)

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    Hailing from Chile, today we have a very unique and interesting Atmospheric Black Metal release titled “Quintaesencia nocturna”. Featuring a poignant Black Metal sound with heavy Doom influences, this outfit delivers eight tracks and nearly 40-minutes of hypnotic and ritualistic music with a certain retro edge, and some truly haunting passages. This band has a similar, albeit less theatrical sound that one of our favorite Mexican bands of the 90’s: Argentum, and their captivating Black/Doom Metal.

    After a magical and lush atmospheric opening, “El vacío de una flama bajo el firmamento” kicks off with blistering drumming and punishing riffs. The deep monotone vocals are quite engaging, keeping things very eerie, particularly thanks to the Spanish lyrics that add that extra layer of mystery (to non-Spanish speakers). The harsh vocals are very fitting of the genre, and a solid contribution, but the atmospheric components of the music is what draws the listener’s attention as “Vientos del clamor del pasado” and “Polvo - piedras - silencio” showcase.

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    Martröð - Draumsýnir eldsins (2025)

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    As one of the most brutal and punishing releases of 2025, “Draumsýnir eldsins” comes directly at your throat and never lets go. Featuring four tracks and over 36-minutes of demoralizing Black Metal, this Icelanding/American duo unleash one hell of a blistering sound that is both violent and chaotic. For fans of outfits like Misþyrming, this album took us by surprise as it is quite masterfully crafted and equally vicious, making us listen to it non-stop for several days

    Opening with the blistering dissonance of “Sköpunin”, A.P. and H.V. Lyngdal set a high bar with a seemingly chaotic riffing onslaught that is masterfully flanked by an assortment of different vocal styles, creating a very immersive and demoralizing atmosphere. Particularly with the well planned atmospheric interludes that further elevate the tension and allow the songs to build up momentum, like on the brilliant “Líkaminn”.

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    Lychgate - Precipice (2025)

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    For their first release in over five years, UK’s Lychgate returns with their cavernous and maddening Avant-garde Black/Doom metal, unleashing “Precipice”. Featuring nine tracks and over 45-minutes of truly chaotic and haunting music, the band’s sound is enveloping and this release does feel like falling into a hellish precipice as it descends into total aural annihilation. For the fans of the weird and the bizarre, this release has plenty of magical things to digest.

    The madness immediately starts with the haunting intro, as it sets a chaotic backdrop for “Mausoleum of Steel” to unleash some crafty doomy riffs alongside harrowing vocals, creating a dense and immersive atmosphere. As “Renunciation” and “The Meeting of Orion and Scorpio” roll around, the band delivers some interesting and sultry jazzy passages alongside hearty guitar driven sections that further expand the band’s creativity and reach.

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    Ulver - Neverland (2025)

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    Always an event when the wolves of Ulver return with their signature antics and superbly produced sound. Waiting until the last day of 2025 to unleash “Neverland”, the band continues to expand and explore with their sound, removing all vocals and focusing on creating trippy ambient soundscapes that capture subtleties of other genres like Post-Punk and Synth-pop. For 11-tracks and over forty minutes, the band weaves back and forth between dreamy and ethereal soundspaces, to darker and hypnotic pieces, always being uniquely Ulver and completely enthralling.

    Setting a somber opening mood, “Fear in a Handful of Dust” creates a very ethereal vibe, similar to outfits like Hælos. The exploration of synths/pianos of the sultry “Elephant Trunk” and “Weeping Stone”, takes us back to the band’s “The Assassination of Julius Caesar” sans the vocals, while “People of the Hills” has that funkiness to it of walking into a time machine. Crafty tempo changes and Ambient elements make "They're Coming the Birds” and “Horses of the Plough” be dark and yet quite refreshing, alongside more catchy pieces like “Hark Hark The Dogs Bark”.

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