Agonia Records

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    Enthroned – Obsidium (2012)

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    With a feeling of 100 bricks to the face, today we have Enthroned’s latest release “Obsidium”. For the purists that feel that soul-crushing Black Metal can only come from Scandinavian countries, they are so wrong and Enthroned clearly demonstrates it on their latest release. Clocking around 40 minutes, and spawning through 9 tracks this release in one hell of a BM album that you don’t want to miss.

    The first waves of powerful guitar riffing and aggressive vocals make their wave in the opener “Sepulchered within Opaque Slumber”. In this track, the band opens strong with a relentless Black Metal that does not need ridiculous amounts of tremolo-picking or overly dramatic shrieks. The music is well crafted and direct; the overall feeling is very powerful due to the hellish vocals and masterful slowdowns.

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    Opera IX – Strix - Maledictae in Aeternum (2012)

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    Eight years have passed since the band’s last release “Anphisbena”, and with “Strix - Maledictae in Aeternum” Opera XI intends of regaining their momentum and status in the Metal scene that they acquired with excellent releases before the year 2000. “Strix - Maledictae in Aeternum” delivers a heavy dosage of Black Metal tracks infused with Dark Metal elements but fails to fully capture the listener’s attention and quickly gets old.

    After opening with a very typical atmospheric prologue, the band fully jumps into action with “1313”. In this track the atmosphere is very dense and chaotic (perfectly crafted) but the singing and the guitars feel a bit outdated. The crazy guitar leads are nice, but we’ve heard them many years ago in other Black Metal acts, the vocals are deranged and very powerful but they are also something that band’s have already done in the past (circa early 2000).

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    Mr. Death – Descending Through Ashes (2011)

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    One year after the release of their highly entertaining EP “Death Suits You”, old-school Death Metal is back with another Mr. Death release. With a very traditional Swedish old-school DM sound, this group of Swedes deliver 10 songs of nostalgic sounding music that should appeal to all fans of older Entombed, Grave, Dismember, and similar bands.

    With a dirty and gritty sound, Mr. Death rolls through the songs in this release featuring a hefty amount of catchy riffs and headbanging moments. Since the opener “To Armageddon”, we can hear the raw distorted guitars nicely fit with the organic-sounding drumming. Most songs of this release are pretty straightforward and effortlessly re-capture the guitar/vocal sound of old-school bands with a twist of modern production values.

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    Svarttjern - Towards the Ultimate (2011)

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    Hailing from Norway, today we have Svarttjern and their crushing second full-length release “Towards the Ultimate”. With nine tracks of hectic Black Metal with some Death Metal influences, Svarttjern delivers very powerful blows in each song and has no problems mixing melody into their aural assaults.

    Featuring HansFyrste of Raganarok fame on vocals, Svarttjern will take you for a journey into the bowels of hell with very well crafted songs that do not get too repetitive as the album progresses. In the opener “Breathing Soil”, the band does not waste any time and delivers powerful guitar riffs, hyper-fast drums and hellish vocals. This song reminds us of the good years of Satyricon, and it will leave a great impression on you too.

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    The Konsortium – The Konsortium (2011)

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    With all the craptastic Black Metal releases coming from Norway (and around the world) these days, it is very hard to find quality albums such as The Konsortium’s self-titled debut release. In this album, the band relies on catchy Thrash-infused Black Metal riffing overlaid with different styles of vocals in order to create a very effective almost Avant-garde Black Metal sound.

    Only knowing the identity of one of the band’s mysterious members, we can be assured that the riffing quality is top notch since Teloch handles the guitar duties. The opening number “Gasmask Prince” has a very hectic pace and multi-layered guitars that quickly set this band apart from the rest. The ‘Black Metal vocals’ are pretty standard for the genre, but the combination of whispers and clean sections make them very effective and diverse enough to keep the listener engaged.

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    Forgotten Tomb – Under Saturn Retrograde (2011)

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    After gives us four very bleak and depressive first full-length releases, Forgotten Tomb returns with an equally melancholic release but with a different sonic effect under the name of “Under Saturn Retrograde”. In this album the band moves forward to lands charted by Agalloch, Fen, etc. and creates a very rich listening experience while maintaining some of the dark emotions from the past.

    The opener track “Reject Existence” is both brutal (great harsh vocals) and very melodic due to the majestic guitars and overall pace of the song. The band is not slowing down, and you can hear their earlier influences but they are now polishing their sound in a very interesting way. “Shutter” starts off very aggressive but near the middle of the track the experimentation begins and there are some excellent Doom Metal inspired sections.

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    Infernal War/Kriegsmaschine – Transfigurations (2011)

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    Usually when we get split albums it means that a label or two bands are trying to push substandard (read: mediocre) music that is never good enough for a full-length release. In “Transfigurations” we find that this is not the case since Infernal War and Kriegsmaschine are two promising Black Metal bands in the Polish BM scene and they are trying to get their stuff out there, and “Transfigurations” it-self is not a bad split at all.

    Infernal War starts off the split with their clear and evil brand of Black Metal that while not revolutionary or anything, it is quite effective in creating crushing songs. With “Primal Degradation” the band sets up the tone for their ‘side’ of the split with a raw and crushing sound that will put all doubters to rest. This song features a hefty amount of powerful riffs, brilliant production and super tight drumming that ask nothing from any of the ‘famous’ Black Metal acts.

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    Furze - Reaper Subconscious Guide (2010)

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    In the category of the weirdest album we received in 2010, today we have Furze and their “Reaper Subconscious Guide” release. Being the band’s fourth full-length release, “Reaper Subconscious Guide” is full of surprises and a very old-school vibe that will throw most people off, and requires more than a few listens to fully digest.

    As a ‘tribute’ to Black Sabbath, Furze recorded all this tracks in vintage equipment from the 40’s to the 70’s, creating a very interesting sound that we rarely get to appreciate. The band also recorded it and mastered it especially for the Vinyl version of this release, and then mastered digitally for the CD release (the one we reviewed) so rest assured that you will have two different sounding products that will be equally impressive.

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    Weapon - From the Devil's Tomb (2010)

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    One year after their crushing debut full-length “Drakonian Paradigm”, Canada’s mystical warmongers Weapon return with another brilliant Black/Death Metal assault with “From the Devil’s Tomb”. The band’s rich and multi-textured approach to the genre makes them one of the most devastating bands these days that mixes old-school elements with dynamic songwriting.

    As with the band’s first full-length, “From the Devil’s Tomb” features a highly charged mystical component behind the music in terms of lyrics and concepts, that is greatly brought to life with crushing guitar melodies, powerful riffs, intricate drumming and multi-faceted vocals. The band has greatly matured in one year, making “From the Devil’s Tomb” twice as chilling, and more technically impressive than “Drakonian Paradigm”.

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    Mr. Death - Death Suits You (2010)

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    Featuring two members of the original Tiamat, Mr. Death hails from Sweden and it’s ready to blow you away with their super catchy horror-inspired Death Metal. Featuring a very traditional yet effective approach to Death Metal, “Death Suits You” is an album that will remind you of the days when DM was never overly technical and over produced.

    The band’s musical foundation lies with very catchy riffs and intense drumming that are landmarks of the genre. The tempo changes in the songs are another very solid element of this band’s sound and allow them to never get dull or (too) repetitive. Featuring such experienced musicians, Mr. Death has quickly gathered a following of DM fans and it’s easily understandable since their music is very powerful and effective.

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