Album Reviews

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    Nàttsòl – Stemning (2010)

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    With a true Norwegian Black Metal sound, Nàttsòl has unleashed upon the world their majestic debut release: “Stemming”. The band has the true and cold atmosphere that Black Metal should have, but what makes them standout is their use of folk elements through the album, making them sound like Ulver in their “Bergtatt” and “Kveldssanger”.

    Working in secrecy since 2006 Erlend Antonsen, the mastermind behind Nàttsòl, had been writing songs and required the services of top notch musicians from the Norwegian scene in order to bring his creations to life. With “Stemming” we get a very mature Black Metal album in nature, but with a brilliant shroud of mysticism and folk elements thrown into the mix.

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    Edenbridge – Solitaire (2010)

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    Out of the very impressive roster of bands over at Napalm Records, Edenbridge has always been one of the most consistent bands they have. Over the years they have released very solid albums, that feature well crafted songs and a very characteristic sound given by Sabine Edelsbacher the bands vocalist, and Lanvall’s music composition skills.

    The band’s bombastic sound is present in every single one of their releases and “Solitaire” is not an exception. The band’s Symphonic Power Metal sound is very well crafted around Sabine’s vocals, and the use of catchy melodies, as opposed to using overly complicated structures in their songs.

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    Soilwork – The Panic Broadcast (2010)

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    Ever since “Natural Born Chaos”, the real Soilwork died for us. However, the band has been constantly improving in terms of their ‘new’ Metalcore/Modern Metal/Rock sound. And with the return of Peter Wichers to the band in 2008, they are closer to being very good again. With “The Panic Broadcast” the band combines all the previously mentioned genres in a very interesting way not sounding extremely Metalcore-ish, not sounding too much like a rock band either.

    We are sure that Soilwork will gain a considerable amount of followers in the USA and markets where Metalcore is highly accepted with “The Panic Broadcast”. The band’s latest release is very well designed to fit into so many categories, that most people will end up liking this release (except for old Soilwork fans). Using a wide variety of vocals, Björn Strid does the Modern Metal screams very well and the clean Metalcore-ish sections even better.

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    Rhapsody of Fire – The Frozen Tears of Angels (2010)

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    Four years have passed since the band’s last release “Triumph or Agony”, and now they are band with a vengeance. “The Frozen Tears of Angels” is one of the band’s best albums in their whole trajectory. With the same line-up since 2002, Rhapsody of Fire has recorded what is set to be the Power Metal album of 2010. Move over Avantasia, Rhapsody is back to take the 2010 title of best Power Metal album.

    Featuring their extremely symphonic sound, the band takes us inside their fantasy world with over 50 minutes of impressive musical compositions. The band’s sound is more bombastic than ever, and with their impressive array of vocal arrangements, brilliant keyboard sections, and guitar acrobatics, the band will surely please all of their fans and followers of the genre.

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    Nox Aurea – Ascending in Triumph (2010)

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    Playing Gothic Doom Metal, today we have Nox Aurea a brilliant band from Sweden that will give Draconian a run for it’s money. The band’s second full-length “Ascending in Triumph” provides us with 8 melancholic tracks that will surely keep us entertained until the next Draconian album.

    Playing a genre that is not very popular these days, Nox Aurea create the perfect Gothic Doom atmosphere with their low-tuned guitars, majestic keyboards, and brilliantly crafted ‘beauty and the beast’-type vocals. We are huge fans of Gothic Doom Metal and Nox Aurea have catered to every one of our quirky needs since their debut “Via Gnosis”, and will “Ascending in Triumph” the band takes their abilities to a whole new level of greatness.

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    Kruger – For Death, Glory and the End of the World (2010)

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    Out of the very impressive roster of Listenable Records, we get today another genre-bending band. Kruger hails from Switzerland and their combination of Sludge/Groove and Post-Metal is superb. For over 45 minutes “For Death, Glory and the End of the Word” delivers 9 brutal tracks.

    With the waves of new bands coming out these days it’s very hard to bump into one that makes you fully appreciate the art of crafting a different sound that is both powerful and enthralling. Kruger achieves this since the first song, with a brilliant combination of aggressive ‘Sludgy’ riffs, aggressive vocals and solid drumming.

    • Posted By: Dark Emperor
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    Noctiferia – Death Culture (2010)

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    If you ever wondered what would happen if Fear Factory, Meshuggah and Gojira had a genetically engineered son, then it would sound just like Noctiferia does. The band has spent plenty of years trying to find their own sound, and on their earlier days they focused more on Melodic Black/Death Metal. On this 2010, they deliver “Death Culture” an album so rich in both style and content that will have you listening to it for quite a while in order to fully digest it.

    The band features the chugging riffing of Fear Factory, combined with the surgically precise (and impressive) drumming of Meshuggah. On top of these elements they offer aggressive vocals like Gojira, Hacride, etc, making their sound very dynamic and brutal. The band has surely outdone themselves with “Death Culture” since it’s their best effort to date.

    • Posted By: Dark Emperor
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    I Shalt Become – Poison (2010)

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    I Shalt Become is one of the pioneering bands behind the USBM movement of the last years, and while not as recognized as Leviathan and Judas Iscariot, the band has released some fine pieces of USBM history like “Wandering” and “In The Falling Snow”. “Poison” features an overly orchestral trip down to the depths of hell.

    The first things that came to mind when listening to “Poison” are the quick similarities it draws to Elend’s work. And while the musical composition skills of S. Holliman are not as good as the ones behind Elend, this album does create a very dramatic atmosphere that is not to be taken lightly. Also, “Poison” features has a down temp feeling, similar to what some doom and funeral doom bands have been doing for years, providing an extra dimension to this fine release.

    • Posted By: Dark Emperor
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    Hacavitz – Metzli Obscura (2010)

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    Hacavitz is a Mexican two man apocalyptic outfit that creates very raw and brutal Black/Death Metal. Unlike many bands of this genre, we don’t hate them. The band is pretty good at creating rudimentary and harsh music that will make your spine chill. Using English, Spanish, and Aztec (or something like that) the band will haunt your dreams since the start of “Metzli Obscura”.

    We usually bitch and moan about the shitty quality that similar releases have, but we cannot complain about this with Hacavitz. The band’s sound is very dense and dirty, but it works wonders in creating a raw and thick atmosphere. With the chaotic feeling that “Metzli Obscura” creates, we have found the perfect soundtrack for a journey through hell.

    • Posted By: Dark Emperor
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    Diabulus In Musica – Secrets (2010)

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    Forming from the ashes of Dragon Lord, today we have Diabulus In Musica and their first full-length: “Secrets”. Hailing from the Basque region of Spain, this newcomer to the Gothic Metal scene has what it takes to surprise the world. The band combines a bombastic Symphonic Gothic Metal foundation with beautiful female vocals that sound as powerful as Simone from Epica or even Floor from ReVamp.

    While the band is not re-inventing the genre in anyway, they are pretty darn good at making great songs. For over 55 minutes the bands brings us some fresh Gothic Metal that like we said is not super original, but at least it sounds different than all the bands we are currently used to.

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