Album Reviews

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    One Master - The Name of Power (2023)

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    After some years of so-so USBM releases, 2023 was packed with pretty epic stuff, including One Master’s “The Name of Power”. As the band’s first full-length release in six years, this gritty and punishing release nicely evolves the band’s sound while keeping them high up in the rankings as of the best Black Metal outfits in the USA. Pouring 54 minutes of ravaging and destructive music, Valder and company do not fuck around and bring tons of attitude and power to the table with this one.

    Quickly setting an uncompromising and relentless wall of sound, “The First Names” and “The Forbidden Names” deliver waves of punishing riffs nicely flanked by intense drumming and crushing vocals. The band’s raw and stripped down production creates a very powerful effect, giving the music that unfiltered sound that live performances have. With minimal atmospherics and ritualistic change of tempos, tracks like “The Secret Names” keep the release engaging and far from linear.

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    Therion - Leviathan III (2023)

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    Finishing up their Leviathan trilogy, today we have Therion with “Leviathan III”, an excellent release that continues the band’s legacy as one of the premiere Symphonic Metal acts. Featuring eleven tracks and 52 minutes of superbly catchy music, this release is more than just another Therion release with plenty of memorable moments and unique songs.

    Opening with the magic of “Ninkigal” and the musicality of “Ruler of Tamag”, we are treated to the band’s brilliant mixture of heavy distorted guitars alongside lush orchestrations and choir arrangements. We particularly enjoy how songs like “An Unsung Lament” have that classical vibe with excellent vocal arrangements while still keeping things heavy and catchy. Many bands that attempt the genre over do it with overbearing symphonic elements, but Christofer Johnsson and company make balancing styles look easy.

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    SLOW - Ab​î​mes I (2023)

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    Setting a very slow and mournful pace, today we have Belgium’s SLOW and their latest demoralizing release “Ab​î​mes I”. Mastermind Déhà has a knack for unleashing gargantuan releases filled with crushing riffs, vocal extremes, and always a heavy atmospheric component, with this band Funeral Doom is as excruciating and punishing as it gets. With four tracks and nearly 44 minutes of music, this release is as dense as they get, evoking memories of other bands like Shape of Despair and the OGs Thergothon.

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    Délétère - Songes d'une nuit souillée (2023)

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    Unleashing a punishing exercise in Black Metal brilliance, Quebec’s Délétère delivers “Songes d'une Nuit Souillée”. As their first full-length release in five years, the band unravels 42 minutes and eight tracks of high-octane Black Metal filled with eerie atmospherics and incisive melodic undertones. If you like bands like Algazanth, Sargeist, Seth, and everything in between this is the release for you.

    Blasting away with the ravaging “Chasse obscène”, the band quickly delivers waves of incisive guitar riffing alongside pummeling drums and hellish vocals. Particularly the interplay between melodic passages, ominous atmospherics and the choral arrangements create a unique and devilish atmosphere. This atmosphere is perfectly preserved as “Sacre de la perversion”, “Foutredieu”, and “Messe scandaleuse” roll around.

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    Krieg - Ruiner (2023)

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    In their first full-length release in nearly ten years, Krieg returns to continue pushing the boundaries of USBM with a moody and yet highly engaging Black Metal release. Perfectly balancing the rawness and naivety of their older releases with the more restrained, atmospheric, and at times melodic nature of their more recent work, “Ruiner” delivers nearly 40 minutes of crushing music. If you are a fan of USBM, you can’t afford to miss this one.

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    Ravenoir - Cultus Inferi (2023)

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    Unleashing a highly effective Death Metal release with some atmospheric and melodic touches, today we have Czech Republic’s Ravenoir and their third full-length release in a span of three years, titled “Cultus Infer”. For the uninitiated, the band creates an interesting amalgamation of old-school DM with some more modern influences. If you are looking for a nice release that has a modern Morgoth-esque vibe, be sure to check this one out.

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    Sodom - 1982 (2023)

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    Breathing new life to older classics from the band, Sodom is ready to unleash on CD and vinyl, re-recorded versions of earlier songs and a brand new one on that style. However, they are not done in a modern and clean way, but rather have a retro vibe with crunchy guitars and the attitude of back in the day, creating a very pummeling and yet old-school vibe. Strictly for fans of the band and 80’s Thrash Metal, this EP is full of nostalgia.

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    Insomnium - Songs of the Dusk (2023)

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    Just a few months after unleashing the melancholic masterpiece “Anno 1696”, Insomnium returns with a three song EP titled “Songs of the Dusk”. Featuring over 20 minutes of music, the band exploits their moody and doomier side in the release. As expected, filled with melancholy and gloom, this Finnish band continues to surprise listeners with high quality music and brilliant execution.

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    Netherdom - Forsaking, Forseeking (2023)

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    Unleashing an extremely raw and powerful Black Metal, today we have France’s Netherdom and his solo release titled “Forsaking, Forseeking”. Featuring three songs and over 40 minutes of demoralizing music, this release is dense, punishing, and very visceral, instantly creating a feeling of unease and despair. If you are looking for something sinister, brutal, and yet quite atmospheric, look no further and get a copy of this release.

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    Amorphis - Queen of Time - Live at Tavastia (2023)

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    Polishing their live shows over the years, Amorphis now a well oiled machine that can deliver a killer show to a packed arena, but also face-melt the crowd on more intimate club shows. For those that haven’t been able to catch the band live, their latest release: “Queen of Time - Live at Tavastia”, perfectly captures their intensity and precise delivery of their crafty music. Recorded during COVID-19 times, this live album is a testament to the bands tenacity and brilliant live showmanship.

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