Album Reviews

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    Black Magician – The Pursuivant (2013)

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    Delivery waves of Pyschedelic Retro Doom Metal with some Rock influences, today we have Black Magician and their EP titled “The Pursuviant”. In this very unique but short EP, slated to be released on 7” vinyl, this UK band manages to craft a very mystical and unique sound that ranges from heavy Doom passages, to all out Hammond Organ-fueled psychedelic sections. While never lacking creativy, this is one of the most interesting EP’s we have received in a while.

    Opening with the pounding album title track, the band seems to be going down a straightforward Doom path, but as soon as the organ kicks in, the mood drastically changes. The band manages to fuse into the heavy riffs some very cool organ arrangements paired with interesting guitar leads. This track immediately shows that this band has a very unconventional sound.

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    Saligia - Lvx Aeternae (2013)

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    Keeping their cavernous and compact Black Metal sound from their debut full-length “Sic Transit Gloria Mundi”, today we have Norway’s Saligia and their sickening EP “Lvx Aeternae”. Delivering four track and 25 minutes of truly haunting Black Metal, this band is a combination of the rawness and directness of Watain with sickening atmospheric elements of bands like Bethlehem. If you like your Black Metal to be harsh, but obscure and focused more on cavernous atmospheres over extreme over-the-top tremolo-picking, you are in luck with this release.

    The band blasts this release wide open with the crushing “Per Aspera Ad Astra”. In this track Ahzari’s powerful vocals make up for 60% of the overall raw power of their sound, while his pulsating bass guitar line adds to the destruction. The cavernous atmosphere continue with the album title track, but make no mistake and think the production is weak, since you can listen clearly to every single cymbal of V’s drums.

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    Petrychor / Frozen Ocean – Autumn Bridges (2013)

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    Having released over 10 releases in the last two and a half years, the creativity keeps flowing for Russian’s one-man band Frozen Ocean. In this split with Petrychor, another excellent one-man project from the States, we get three powerful tracks of highly Atmospheric Black Metal that will surely make you want to find more material from each band and start enjoying their excellently crafted music.

    Opening with Petrychor’s “Tomorrow It Will Rain Over Bouville”, Tad Piecka treats us to a 133-minute piece of brilliant crafting that is both highly emotional and very powerful. Starting with a lush and slow intro section, the song quickly builds up to very melodic and straightforward Black Metal with a very dreamy atmospheric backdrop. The sharp vocals are excellent and provide an excellent contrast to the very mellow and melancholic feeling of the music. This track is anything but predictable and some of the acoustic/post-rockish passages are perfectly blended into the harsher and more brutal sections.

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    Deconstructing Sequence – Year One (2013)

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    Pretentiously called Extreme Progressive Art, the statement is actually pretty darn close when it comes to describe the challenging music of Deconstructing Sequence on their debut EP “Year One”. Feturing three songs and over 23 minutes of Extreme Progressive Metal music, this duo delivers quite an intricate release filled with little nuisances that make it even more enjoyable after a couple of spins.

    With a very ominous start to “Departure of the Stellar Fleet Marks the Year One” the band sets a very epic mood since the beginning. The keyboards reminded us of late 90’s bands (in particular Nile) giving a high atmospheric charge to the incisive guitars and crafty drumming. The growls are quite crushing and elevate the brutality of the music without obscuring the technical abilities lurking in the mist.

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    Sacrilegious Impalement – III: Lux Infera (2013)

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    Featuring members of Evil Angel and other Finnish BM outfits, today we have Sacrilegious Impalement and their crushing release “III: Lux Infera”. Pounding away at nine soul crushing tracks, this band’s Black Metal is pretty intense and expertly crafted. With an old-school vibe and a sense for savage riffs, this release is quite powerful and devastating, perfect for any fan of the genre looking for extreme war.

    The album opens with little room for fluff and cliché’s, “Angel Graves” immediately delivers waves of crushing riffs and pummeling vocals courtesy of Wrathprayer. The musical explosion continues with commanding tracks like “Down for Grim Lord” and “Scars for Scarred ones”, both punishing and relentless pieces of brutality. The band also does a great job in channeling their sheer aggression in melodic ways, with “For Sins of the Pigs” and “Through Punishing Gates” being great examples of this, filled with excellent drums, awesome guitar layering, and killer furious speed-ups.

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    Arceye – At First Light (2013)

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    Any album that has more than one wolf in the cover has the potential of being amazingly great or total shit. Luckily for us, “At First Light” is one hell of an interesting release spawning from the UK. Arceye delivers in their sophomore full-length album ten tracks of very intriguing Thrash infused Death Metal with hearty melodic elements. If you like dynamic music that keeps you guessing from start to finish, this is one release you don’t want to miss.

    The band starts pounding away with a very catchy melodic passage at the opening of the album title track. As the guitar solos appear we immediately see a 180 degree switch into old-school Thrash Metal in the vein of Kreator and similar bands. Tracks like “The Storm” have that cool modern Death Metal vibe with a retro flair to them, making the band quite versatile while retaining their own signature style.

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    Kingbathmat – Overcoming the Monster (2013)

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    Having already delivered one of the best Progressive Rock releases of 2013, UK’s Kingbathmat was not satisfied and decided to unleash “Overcoming the Monster” six months later. Featuring six intoxicating tracks of a very enjoyable mixture of Psychedelic and Progressive sounds, the band nicely improves over their earlier release (in 2013) with a more emotive and touching release. Any fan of Yes, King Crimson, and even Porcupine Tree should worship this release immediately.

    Determined distorted guitars lead the way on “Sentinel”, the opening track in this release. The band’s sound here is more Hard Rock and powerful than your average Prog outfit, however, this changes quite dramatically to a more typical Progressive style. The band’s ability to craft very simple, yet catchy sections is clearly highlighted in this very engaging track. After a few weird percussions, “Parasomnia” nicely warms up to a very Yes-like track that is filled with warm guitars and very playful keyboards. This song is one of the definite stand-outs of this release.

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    Sons of Lioth – Large Hadron Collider Spider (2013)

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    Delivering five tracks of balls to the wall Heavy Metal, today we have Sons of Lioth and their latest EP “Large Hadron Collider Spider”. Filled with attitude and a very retro vibe, this Belgian band rides the wave of bands like Enforcer, and can be categorized New Wave of Traditional Heavy Metal, which is a deviation of NWOBHM and Sleaze Metal. In this short but sweet release you will be taken back in time with an excellent and dynamic soundtrack.

    “Merry-go-round” delivers the first blow of hyper catchy retro Heavy Metal with a very sweet chorus section and a plethora of vocals that nicely keep things fresh and entertaining. The main vocalist, Kristof Van Den Bergh, is quite talented and immediately puts his signature on every track that the band presents. The riffing is very engaging and keeps things very entertaining for any old-school Heavy Metal fan. On the track “Large Hadron Collider Spider” we are treated to some awesome solos and excellent melodic structures that keep the headbanging flowing.

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    Red Wave – Pamir (2013)

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    Finding talented musicians is pretty easy, however, finding a band with talented musicians than can actually write compelling music is a whole different story. Red Wave luckily is a three-piece that their individual skills greatly complement each other and they managed to deliver eight brilliant tracks of Progressive Rock/Metal. With a heavy and yet melodic sound, their music is quite skillfully crafted to appeal any fan of the genre and please even the most snobbish people in the scene.

    The album leads away with the warm-up “Monolith” and a very funky bass guitar opening. The distorted guitars really give a certain kick to the music that many of the progressive releases we get are missing, allowing us to enjoy “Pamir” even more. The opening dreaminess of tracks like “Ikarus” is essential for the listener to really immerse themselves in the music, and Red Wave does a pretty darn good job at hooking people into their music.

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    Goatess – Goatess (2013)

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    With a hard-hitting heaviness filled debut release, today we have Goatess and their self-titled offering. Delivering waves of fuzzy guitars painting traditional Doom Metal landscapes, this band grooviness is enough to make them immediately standout from the rest. Svart Records surprises us again with a very energetic and refreshing release that will rattle your speakers for weeks to come.

    In a similar vein to bands like Sleep and other Sludgy Doom Metal outfits, Goatess opens this release with the warm and fuzzy “Know Your Animal”. Focusing on incisive riffing and strange psychedelic elements, tracks like “Alpha Omega” sound weirdly familiar but catchy enough to enjoy more than a few times, hundreds of times to be precise. With Chritus Linderson (Saint Vitus, Count Raven) on vocals, this band has all the right ingredients to satisfy the legions of demanding fans of the genre.

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