Napalm Records

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    Monster Magnet – Mastermind (2010)

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    After reaching considerable popularity a few years ago with “Powertrip”, Monster Magnet tries to get back on the saddle with “Mastermind” after a few lackluster albums with SPV. “Mastermind” is a very catchy and overall solid release that will surely please fans of the band and will probably even do well in terms of sales since the band (somewhat) returns to their familiar sound of the past.

    Now on Napalm Records, the band structures their songs with catchy riffs and powerful vocal lines. There is not much to the band’s music other than its catchy and well constructed. Each song is a hard rocking anthem that will keep you listening to this album over and over for days.

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    Grave Digger – The Clans Will Rise Again (2010)

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    Celebrating 30 years of the band’s existence, Grave Digger comes at us with one of their most impressive releases in their career. With “The Clans Will Rise Again”, the band goes somewhat back into their “Tunes of War” era and continues to sing about Scotland. Since the first song with the bagpipes, you get the feeling this album will be nothing short from epic.

    Chris Boltendahl vocals are as characteristic as always and greatly keep the Grave Digger sound alive. As the only remaining original member, he brings to the table all the experience of kicking ass and taking names over the span of 30 years. The rest of the band does a great job in capturing the old-school vibe of the genre and keeping it fresh with interesting keyboard sections and brilliant guitar riffs/solos.

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    Jaldaboath – Rise of the Heraldic Beasts (2010)

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    Everything that has to do with the Templar Knights has been of great interest for us in the past, so when we heard of this band playing ‘Templar-inspired Metal’ we quickly jumped in and started listening to “Rise of the Heraldic Beasts”. To our disappointment, Jaldaboath is a terrible band, we can’t really pinpoint if it’s the stupid lyrics (like on “Axe Wielding Nuns” for example) or the terrible simplistic music and vocals (i.e. “Hark the Herald”).

    Just imagine a bad mix of Alestorm and Nekrogoblikon, with a lot less inspiration and a lot more repetition. Half the songs on “Rise of the Heraldic Beasts” are very repetitive and get to be very annoying after a few songs. The terrible vocals of songs like “Hark the Herald” and “Axe Wielding Nuns” really kill the mood created by a few nice keyboard arrangements and catchy rhythmical sections.

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    Katra – Out of the Ashes (2010)

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    The lovely Katra is finally back with a 100% new release (the last album “Beast Within” was mostly songs from her debut album but translated from Finish to English). Katra is now also a full-fledged band not only a female solo artist with hired ‘monkeys’ to play the rest of the instruments like on her last album. With this ‘permanent’ band, Katra’s sound is more Metal and even more cohesive than before, making “Out of the Ashes” and excellent release that will surely be in our top 10 Symphonic/Gothic Metal albums of 2010.

    Featuring ex-members of Nocturn, October Falls, and many other Finish bands, Katra’s new band is actually very proficient musically and greatly incorporates Metal elements with more straightforward Rock elements. This will surely make “Out of the Ashes” accessible to both Metal and non-Metal fans alike, since it’s smooth and flows very nicely, never being too aggressive or weak.

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    Revolution Renaissance – Trinity (2010)

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    “Trinity” is the swansong release of Revolution Renaissance, a band formed by Timo Tolkki after his departure from Stratovarius in 2008. This release features a vibe very similar to Stratovarius back in the old days, and for over 45 minutes, we get treated to some brilliant simple-yet-elegant Power Metal songs that never sound dull or pretentious.

    Love him or hate him, Timo Tolkki is one of the best guitarists that Metal has produced over the years, and his music songwriting abilities are equally impressive. Most of his stuff with Stratovarius and Revolution Renaissance previous albums are proof of his abilities (except for his terrible last two ‘solo’ albums). In “Trinity” he sticks to the basics of traditional Power Metal, with epic vocals (courtesy of Gus Monsanto), catchy guitar melodies, brilliant solos, super tight drumming, and subtle keyboard arrangements.

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    Iron Fire – Metalmorphosized (2010)

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    Ever wonder how can you royally screw up the flow of an album?, just listen to Metalmorphosized and you will have the perfect example of how not too structure your release. Featuring 3 new songs (tracks 1, 3, 8 and 10) and 9 more from the band’s demos between 2001 and 2006, “Metalmorphosized” showcases Iron Fire’s metamorphosis in terms of sound between the years.

    Immediately you can notice that “Metalmorphosized” is a ‘stitched together’ release because the way the sound of the band changes between songs. The only common denominator of this release is the band’s signature Power Metal sound and Martin Steene’s characteristic vocals. The new songs are definetly better written (and sounding) than most of the band’s older stuff presented here, but the vocal ‘experiments’ get to be very annoying sometimes.

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    Atrocity – After the Storm (2010)

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    Atrocity is one of those bands that you really don’t know what’s going on with them, but you eagerly await for their next release to see what they will sound like. First they started off by playing pretty decent Death Metal, and then they started incorporating weird non-metal elements into their music, way ahead of their time for 1994 in their album “Blut”. Lately (and we say lately very loosely) they released their “Werk 80” and “Werk 80 II”, in 1997 and 2008, these albums featured covers of popular pop songs of the 80’s.

    More recently (four years ago) they released “Atlantis” and they where considered and ‘extreme metal’ band again, because of the ‘aggressiveness’ of this release. Now in 2010, the band is jumping into the Folk Metal/Ethno Metal area with their very impressive “After the Storm”, an album that features Yasmin Krull on vocals. This jump will surely puzzle some people, but for us that been listening to the band for quite a while it’s merely an interesting twist in the band’s career.

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    Shadowgarden – Ashen (2010)

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    Featuring Draconian members Johan Ericson and Andy Hindenäs (Ex-Draconian), Shadowgarden is another Gothic Rock/Metal band to appear on the scene courtesy of Napalm Records. While having heavy competition on their label with Lacrimas Profundere, Shadowgarden’s Gothic Rock/Metal is good enough to make them a name for themselves and become one of the top bands in the scene.

    As we could expect, Shadowgarden’s biggest appeal is the solid guitar work. The ten songs in this album feature a plethora of powerful guitar riffs and melodies, something that Johan is an expert in creating, both with Draconian and Doom:VS. “Ashen” quickly made us remember the sound of bands like To/Die/For, Charon, Entwine, etc, where the melancholy behind the music is ever present thanks to the excellent guitar work.

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    Liv Kristine – Skintight (2010)

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    First of all we have to disclose that we are HUGE fans of Liv Kristine and we have loved almost every thing she has ever released in her career, until now. “Skintight” shows the desperation of an artist trying to break into ‘mainstream’ music. With Leaves’ Eyes and Atrocity being highly popular and very different musical outlets you would image that such a quality singer like Liv would have enough.

    Since 1998, Liv has been releasing stuff promoting her solo career. We loved “Deus Ex Machina” since it was a nice break from her main gig back in those days (Theater of Tragedy) and it featured some nice folk-ish songs with some other pop-ish material mixed in between. Not much came of this (except in Norway) and she went back to releasing ToT albums until she got the boot in 2003. And we feel that her best chance at ‘mainstream’ commercial success was with “Musique” and “Assembly”, some electronic/techno oriented albums that shined with her vocals.

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    Tristania – Rubicon (2010)

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    Tristania has always been one of our favorite bands since the late 90’s with their impressive “Widows Weeds” and “Beyond The Veil” albums. Fast forward to the mid 00’s and we have that Morten Veland left the band and Tristania was stuck in a creative limbo releasing somewhat dull and uninspired releases. Lastly in 2007 we got Illuminate, and album that was somewhat decent and marked the last release of the band with Vibeke Stene, the band’s iconic Female singer. Many people gave Tristania for dead after Vibeke left and not a lot of people had confidence that the band would ever return with release solid enough to get them back on top of the Gothic Metal world.

    With “Rubicon”, Tristania proves us all wrong (yes, including us). The band’s latest release is as great as we could have ever expected, not like Morten Veland would have done (for this check out Mortemia), but like the ever shape-shifting Tristania only knows how to do: it’s complex, powerful and well designed to keep the listener engaged. With the band’s new female singer Mary Demurtas, we get a more than worthy replacement for Vibeke. Mary’s voice is indeed different than Vibeke, but it has enough power and range to helm Tristania’s female singer crown gracefully.

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