2010

  • Mouga – The God and Devils Schanpps (2009)

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    We have received very solid releases from Mystic Productions from Poland until now, Mouga’s attempt at mixing Emo with Nu-Metal and some Metalcore elements fails terribly and the band just comes up with a garbled release that will make you want you puncture your ear-drums after listening to it for more than 10 minutes. Imagine we listened to it for at least 3 full spins before going on to write this review.

    We usually don’t like to put bands down unless they really deserve it, and for Mouga we feel that is our obligation to warn you about this steaming pile of shit of an album. The band’s attempt at mixing ‘commercially’ safe genres might be justified, but when there is no substance, and more importantly no music behind such an attempt, it just makes it crash and burn miserably.

  • Corruption – Bourbon River Bank (2010)

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    How would you explain listening to Southern/Stoner Rock from Poland?, we are at loss for words with this very solid release from Poland’s Corruption. The band has been around for quite a while (1991) and we have never heard of them until now, and let us tell you that similarly to Black River, they come rocking, kicking-ass and taking names.

    Five years have passed since the band’s latest effort “Virgin's Milk” and they are now back with “Bourbon River Bank”, an album that we would have expected from an American band, but never (ever) from a Polish band. For over 50 minutes, Corruption takes us on a hard rocking journey through 13 powerful and catchy songs.

  • Arcadia – Roy Philip Nohl (2010)

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    Hailing from Italy, today we get a very interesting release that manages to blend several genres of metal into a very original sound. Arcadia does a great job in combining Hardcore, Melodic Death Metal, and some hints of Progressive Metal/Rock, allowing the band sounding like none other in the scene.

    Before you can even think about it, the answer is: yes, there are some Metalcore-ish elements in “Roy Philip Nohl”. However, these little hints of Metalcore are greatly utilized to the band’s advantage; they use the breakdowns to weave new sounds and elements into their already well crafted songs. We really like how the band uses some breakdowns to create epic chorus sections that never sound faggy (i.e. “I Sold Drugs to Little Red Riding Hood”).

  • Rootwater – Visionism (2010)

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    Featuring the characteristic vocals of Maciej Taff (of Black River fame), we get a very solid hard-rocking album that will surely bring back your memories of when System of a Down didn’t suck. Following a similar approach than SoD, the band evolved around a charismatic singer and some folk influences, however Rootwater never overdoes the folk stuff and moves into a Melodic Metal territory with songs like “Visionism”.

    “Visionism” marks the band’s third full-length album and probably the best one to date. Recently Rootwater has stopped ‘operations’ since Maciej has to undergo therapy for illness and this sucks since “Visionism” is a very solid album that would have taken them further than their previous albums.

  • Mekong Delta – Wanderer on the Edge of Time (2010)

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    With a newly revamped lineup (since the last album), Mekong Delta is finally back with their Thrash infused Progressive Metal. Ralph Hubert as the only remaining original member, Mekong Delta comes out of the shadows to release a very solid album with “Wanderer on the Edge of Time”. For somebody that has been doing music since the 80’s we could only expect nothing but the best and Mekong Delta delivers on this promise.

    Recruiting Martin LeMar of Tomorrow’s Eve on vocals and Alex Landenburg of At Vance on drums, the band sounds like nothing has been really lost since their last album “Lurking Fear”. With fifteen tracks and around 50 minutes of music, “Wanderer on the Edge of Time” is arranged in a manner that allows the listener to get fully immersed on the musical experience provided on this album. All the “Zwischenspiel” or interludes (5 in total) in this album allow the transitions between tracks to be simple and elegant.

  • Neurosis – Enemy of the Sun (2010)  Reissue

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    With the upcoming 25th anniversary of Neurosis, the band has decided to reissue one of their most influential masterpieces: “Enemy of the Sun”. If you remember going back to 1993, or at any point when you first listening to this crushing release, you will know how epic this album was, and how it changed the way a lot of people listened/viewed “Metal” music.

    This 2010, Neurot recordings has put out another reissue of this epic masterpiece. The first reissue was back in 1999, and the current ‘2010 edition’ features a redesigned package made by Josh Graham. And it also includes two added tracks: “Takeahnse (demo version)” and “Cleanse II” (Live in Oberhausen). As one of the first experimental masterpieces of Metal, “Enemy of the Sun” is one of those releases that every Metal connoisseur must have in their collection.

  • Trigger the Bloodshed – Degenerate (2010) 

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    As a snake shedding its skin, today we have Trigger the Bloodshed shedding its Deathcore skin and showing us their new Technical/Brutal Death Metal side. Album after album, this band has been making small progress into crafting a powerful and brutal sound that does not sound weak or cloned.

    With “Degenerate”, Trigger the Bloodshed provides us 36 minutes of catchy-yet-brutal Death Metal that will make you want to headbang since minute 1 of this album. The band has paid more attention to the songwriting aspect of “Degenerate” and has crafted songs that are cohesive and well designed to exploit the heavy riffing and inhuman vocals.

  • City of Fire – City of Fire (2010)

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    Featuring Fear Factory’s Burton and Stroud, City of Fire has been around since 2008 and their self-titled release has been available to buy from the band’s site for quite a while now, but it’s finally getting a proper release date of August 24th, by Candlelight Records. This re-release includes three newly recorded bonus tracks: "Children of the Revolution”, "Last Wish", and "Dark Tides Revisited”, all of which we did not receive in our promo copy so will not be talking about them.

    As you can imagine, Burton vocals are what makes this release very engaging for any fans of Metal and Hard Rock music. His characteristic pipes provide all the emotion needed for such a genre-combining release. The band’s music is not your typical “Metal” album and will surely puzzle some of Fear Factory’s biggest fans. But after a few spins, “City of Fire” comes out as a very enjoyable hard-rocking commercially-friendly release that features a group of great musicians doing exactly what they do best: great and catchy music.

  • Blood of Kingu – Sun in the House of the Scorpio (2010)

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    Being a side project from members of Ukrainian underground legends Hate Forest and Drudkh, we expected a very atmospheric and epically raw Black Metal album that would be worthy of Roman Saenko. However, in “Sun in the House of the Scorpio” we get a mixed bag of raw and aggressive Black Metal that is much unlike Hate Forest and Drudkh.

    Yes, Blood of Kingu is brutal and aggressive but the atmospheric elements are highly inconsistent. We sometimes get some interesting atmospheric elements in the way of chants on songs like “Incantation of He Who Sleeps” but they are usually drowned by the dullness of the riffing. The rest of the songs also feature nice highlights but they all get killed by the overall dullness behind the music.

  • Armagedon – Death Then Nothing (2010)

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    Finally making its way to North America, today we have Armagedon’s second full-length album “Death Then Nothing”. For a band that was broken up for around 12 years (from 1994 to 2006), they sure do a great job in bringing back their in-you-face Death Metal style that is constantly tried to be mimicked by young bands these days.

    With all the current DM kiddies trying to copy old bands, it’s nice and refreshing to actually hear an old band kicking ass and taking names with a refined ‘old school style’ music that will make legions of DM fans start headbanging since track 1. As you can imagine Armagedon is nothing close to be ‘innovative’, but they excel at the basics.

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