Black Metal

  • Wall of Water - Promo (2015)

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    Delivering a furious 2-track promo, today we have newcomers Wall of Water from the USA. As the brainchild of Cullen Toner (ex-Abazagorath) and Shawn Eldridge (Disma), this band aims to merge the good old Black/Death Metal style with more modern and crafty Post-Metal/Rock influences. Not for the faint of heart, this is a release that brilliantly achieves their goals and delivers 13 minutes of very solid music.

    Opening with the mysterious “Exposure”, the band starts very mellow, setting a very atmospheric mood in the first few seconds. The first outburst of brutality is similar to a more Post-Metal version of Anaal Nathrakh filled with multiple vocal styles and crushing riffs. Perfectly blending old-school elements with more edgier and modern influences, this track sounds familiar, but yet fresh and different.

  • Kvltist – Catechesis (2015)

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    Hailing from Germany today we have two-man battalion Kvltist and their demolishing release “Catechesis”. Serving the dark lord, this band sets forth with seven tracks of soul crushing Black Metal. With tons of solid Black Metal releases in 2015, this outfit manages to standout with powerful songs filled with atmospheric decadence, making it a very solid effort.

    Opening with the blistering “The Devil’s Catechumen”, the high-octane drumming and demoralizing riffing instantly pummels through your ear drums. This band reminds us of a mixture of Inquisition, Gorgoroth and some Nightbringer, thanks to demoralizing tracks like “Devotion”, “Darkest Light from Glaring Shadows” and the melodically sinister “Eucharisty of Death Divine”. The band does a great job in creating a very dark mood thanks to countless crafty riffs and exceptional tempo changes.

  • Tine - The Forest Dreams of Black (2015)

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    Hailing from the USA, today we have the very unique and promising debut release from Tine. Titled “The Forest Dreams of Black”, this debut album delivers over nine tracks of a very solid blend of Symphonic Black/Death Metal. As a two-person outfit, this band mixes elements from old-school greats like Bal-Sagoth, Limbonic Art and Canada’s Necronomicon. As a very atypical North American release, this album is definitely worth your time.

    Opening with the pyscho sexy riffs of “Enter the Black Forest”, the band sets a very intoxicating mood. With Count Murmur handling all the guitars, bass guitar, vocals, and programmed drums, the band still manages to sound like a real band and not some dude in his parents basement. In “Horrors at Antioch”, the solid integration of the musical base-layer and Vanth’s keyboards creates a very eerie atmosphere and reminds us of Limbonic Art and some of the early days of Charmand Grimloch’s Tartaros.

  • Anomalie – Refugium (2015)

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    Hailing from Austria, today we have Anomalie and their sophomore release “Refugium”. Started as a one-man battalion by Marrok of Selbstentleibung and Harakiri for the Sky (live) fame, this outfit crafts a very melancholic blend of Black Metal that is very rare and extremely addictive. Traversing over 52 minutes of music, this album takes its time to fully develop and to explore its deepest and darkness corners it requires patience and understanding.

    Opening with Katatonia meets Post-Black Metal “In Fear of Tomorrow”, we are instantly hooked on the band’s very melancholic and yet intense sound. The hypnotic clean vocals will haunt you after this track is over. As “Spiritual Dimension” and “Untouched Walls” roll around, we start to notice some resemblance with bands like Agrypnie in terms of the vocals/riffing, but quickly stray away from this when the atmospheric passages go by.

  • Kaeck – Stormkult (2015)

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    Arriving from Folter records, today we have Dutch war Black Metal outfit Kaeck and their decadent debut release “Stormkult”. For fans of old-school Raw Black Metal with a traditional Dutch flair, this release delivers over 30 minutes of devastating music that will leave you uneasy for a few months.

    Opening with the highly atmospheric “De kult”, we instantly get an oldschool Satyricon/Emperor vibe thanks to the simple yet effective atmospheric elements surrounded by crushing riffs and harsh vocals. The band continues to steamroll the listener with the brutality of “De heerser wederkeet” and the sickening atmosphere of the creepy “Holenmuur”. Both tracks are very dense and deliver the right amount of aggression and eeriness in a very balanced and destructive way.

  • Narbeleth - Through Blackness and Remote Places (2015)

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    We get all kinds of bands from all the corners of the world, but it is quite rare to have one from Cuba. Today we have Cuba’s most savage and destructive Black Metal band: Narbeleth. As a one-man battalion, this band perfectly captures the punishing rawness of Scandinavian Black Metal from the late 90’s, and delivers eight brilliant tracks filled with hate and crushing riffs.

    Opening with “Sons of the Grand Cosmic Emanation”, Dakkar unleashes a bestial barrage of unholy melodic BM riffs unlike anything we have every heard before from the small Cuban island. The quality of the music is uncanny as it demolishes everything in its way with a mixture of Immortal acrobatics with the rawness of Gorgoroth. The band’s sound is quite compact and brutal, and the influences of Norwegian Taake are very present in songs like “Mesmerized by the Pale Ghost Moonlight”.

  • Dodsferd – Wastes of Life (2015)

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    In recent years we have been plagued with subpar Black Metal bands; luckily for us Dodsferd is one of the most interesting bands in the scene nicely transitioning from Depressive Black Metal to a very weird, but yet effective atmospheric Black Metal that will leave you scratching your head… in a good way. Featuring five tracks and nearly 50 minutes of music, the band continues their sonic onslaught with a very unique release titled “Wastes of Life”.

    Opening with a very traditional atmospheric piece titled “Wastes of Life”, the band picks with where they left off creating a very oppressive and eerie atmosphere. Leading the charge with some very dramatic clean guitars, “Sterile Death, Without Mourning” delivers 12 minutes of brilliant atmospheric madness. The track suddenly shifts to a very mellow tempo filled with creepy atmospheric arrangements and Wrath’s signature shrieks.

  • Beyond Light – Paintings in the Hall (2014)

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    Delivering 11 tracks of emotional Depressive Black Metal, today we have one-man band Beyond Light and their sophomore release “Paintings in the Hall”. Clocking in at around 63 minutes, this album offers us glimpses into the band’s dark world with unique songs that loosely interconnect with each other. Mostly recommended for people not afraid to experiment and look outside the box, this release will command your attention since the first minute.

    Opening with the somber “Blind But Drawing” intro, the band gets down to business with the very eerie and mysterious “Painted Memories”. The atmosphere is very well crafted, before we get to hear any vocals or fast parts, making it very effective in immersing the listeners. Depressive BM should be moody and firm, things that are perfectly embodied in “Beneath The Horizon” and “Her Broken Face”, two of the albums best tracks.

  • Dead to a Dying World – Litany (2015)

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    With plenty of high profile releases in 2015, Dead to a Dying World’s sophomore release “Litany” almost past by us unnoticed. Luckily, we gave it a few spins and were instantly blown away by the level of melancholy and musicianship found in this little gem. Featuring six tracks and over 70 minutes of Atmospheric Death-Doom/Black Metal /Post-Rock, this is one heck of a release from beginning to end.

    Hailing from Texas and featuring guest appearances by members of Pallbearer and Sabbath Assembly, this release kicks off with the 16-minute “The Hunt Eternal”. Opening with some somber strings and rapidly progressing into Black Metal territory, this track suddenly changes into all-out melancholic Doom riffing and lush clean vocals. The band perfectly captures the catharsis of such an intense opening with brilliantly painful mellow soundscapes and female vocals. This sounds like Ash Borer-meets-Elend-meets-My Dying Bride and we love it.

  • Abigail Williams – The Accuser (2015)

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    The on-again off-again Abigail Williams return after announcing their last break up, with yet another crushing release with “The Accuser”. Led by Ken Sorceron, this outfit is redefining US Black Metal with every release and they present their current case with eight intriguing songs filled with aggression and experimentation.

    Opening with their brutal “Path of Broken Glass”, the band delivers a huge wall of sound in the first few minutes before going into some weird experimentation with multiple vocal styles and some super cool melodic passages. Not sounding like any other band from the USA, this track is a testament to the band’s creativity. Things continue somewhat normal with “The Cold Lines” and the first few minutes of “Of The Outer Darkness”, just before the mood gets dark and doomier, the perfect precursor a great rest of the song.

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