After blowing everybody’s expectations with their amazing 2015 release “Hammer of the Witches”, Dani Filth and company are back with an even more refined and incisive release with “Cryptoriana – The Seductiveness of Decay”. Having returned to their best sound since “Nymphetamine”, they band continues rolling with another 10 brilliant tracks that while reminding us of their earlier days, keep pushing forward with their bombastic and aggressive sound.
Kicking off with the mood setting intro “Exquisite Torments Await”, CoF instantly transports you into the band’s twisted world thanks to sinister riffs and dramatic arrangements. This is only the beginning as things get even more intense with the blistering drumming of “Heartbreak and Séance” and its Omen-esque chorus sections. With even more dramatic arrangements and superbly catchy passages, “Achingly Beautiful” is definitely one of our favorite tracks in this release.
Hailing from Italy, today we have Post-Black Metal/Blackgaze newcomers Falaise and their sophomore release “My Endless Immensity”. Following the footsteps of bands like Amesoeurs, An Autumn for Crippled Children, Heretoir, etc, this band delivers 52 minutes of highly melodic and intoxicating music that will make you an instant fan of their sound.
After a mood setting intro, the release kicks off with the mellow atmosphere of “The Embrace of Water”. Providing some brilliant Amesoeurs flashbacks, this track perfectly showcases the band’s rich and powerful sound. With dreamy guitars and contrasting tempo changes, tracks like “You Towards Me”, “Crimson Clouds”, and “Dreariness” deliver excellent atmospheric experiences that evoke the likes of Alcest and Lantlos, but with Falaise’s own unique touch.
Making its way to our office from Canada, today we have Finland’s one-man demolition squad Kval and its self-titled debut release. Originally releasing music under the moniker Khaossos, Kval’s sole member crafts some of the most misanthropically punishing Atmospheric Black Metal we have heard in a while. Evoking the raw elements of old-school Burzum and the bleakness of Mortualia, this is one heavy release.
After setting the mood with the chilling “Usva”, the punishing distorted guitars first make an appearance on “Sokeus”. Instantly creating a wall of dissonance, the guitars perfectly blend with a trance-inducing bass guitar line and their demoralizing harsh vocals. These elements are very nicely contrasted with somber instrumental passages. The transition between songs is quite subtle and before you know it, this release is already on its third track, “Harhainen”.
Delivering one of the weirdest and most unique releases of 2017 (so far), today we have France’s BVDK and their debut full-length release “Architecture of Future Tribes”. Featuring over 44 minutes of magical weirdness, this trio mixes elements from Industrial, Avant-garde and Black Metal into a very unique experimental mix, that sounds actually quite appealing. Reminding us of a mixture of Diabolos Rising and Kovenant, this is certainly a very interesting release.
The weirdness brilliantly starts with the heavy riffs and odd percussions of “Snatcher”. As the atmospheric keyboards enshroud this song, the band delivers funky choral arrangements, creating a very disturbing and yet intoxicating atmosphere. If this first track was not weird enough, the Industrial Dance vibe of “Surreptitious Cluster” or the funky samples/tempo of “Nana Buluku” will certainly catch you off-guard and get you hooked into the band’s bizarre musical powers.
Hailing from the USA, today we have Black Metal battalion One Master and their fourth full-length release “Lycanthropic Burrowing”. Delivering one of the most intense USBM performances of the year, this release clocks in at 35 minutes of pure Armageddon. Always raw and uncompromising, the six tracks in this release will rattle your speakers and pierce your soul with their punishing nature.
The release fires up two very brutal tracks to instantly pull the listener into the band’s world. With “The Claws of Dionysus” and “Will of the Shadow”, we are treated to ravaging guitars perfectly paired with pummeling drums and very firm harsh vocals. The band’s musical core, while simple, it is just too powerful to be tamed and oozes out of your speakers with great violence.
As one of the bands that paved the way for Symphonic Black Metal back in the 90’s, Limbonic Art returns with their first album in seven years titled “Spectre Abysm”. Featuring seven tracks of fast-paced BM, this release will surely be amusing and entertaining, feeling a bit like their older releases. With most of the Symphonic BM catching up and surpassing what Limbonic Art did in the past, this album is a bit exploratory as the band seems to take on uncharted territories while maintaining a familiar style.
The release kicks off with the 10-minute epic “Demonic Resurrection”, which features a very straightforward style of Black Metal, but adds a few odd elements like some creepy throat singing. The melodic riffing of “Ethereal Traveler” keeps the intensity up, while the intricate tempo changes of “Omega Doom” showcase Daemon’s songwriting skills. We particularly enjoy the more mellow and intricate pieces like “Requiem Sempiternam”.
Every few months we get a mysterious package from Poland wrapped around very creatively with saran wrap and newspaper. Arriving from Godz ov War productions, we get a pretty good variety of Death and Black Metal underground bands, one of the standouts this month has to be Loathfinder. Unleashing four tracks and over 28 minutes on their debut EP “The Great Tired Ones”, this Polish one-man battalion focuses on mixing elements of Black/Death Metal with Doom/Sludge guitar work.
Opening with the catchy “Genetic Gloom”, a layer of thick riffing and harsh growls sets the mood for this release. While featuring heavy riffs and a dense atmosphere, the song has a certain Sludgy edge to it that keeps it interesting and different from other bands. The album’s most engaging song has to be “Feast on My Entrails”, where we have ripping melodic riffs and devilish harsh vocals. This track features solid headbanging passages thanks to its extreme catchiness.
After completely blowing us away with their 2015 EP “An Ominous Landscape”, Selbst returns with a vengeance with their demoralizing full-length debut release. Featuring over 45 minutes of expertly crafted Black Metal, this release is a strong candidate for BM album of the year. With a similar ravaging style to bands like Nightbringer and Watain, this Venezuelan/Chilean duo will ravage your speakers for months to come.
Opening with the bleak atmospheric riffing of “…Of Solitary Ramblings”, the mood is instantly set. Changing vocalists did not slow down this band, as Nicholas Onfray delivers some of the most powerful BM vocals we have heard in a while. The songwriting is quite diverse and while sometimes focuses in building up the atmosphere, some other times like on “Visions of mankind withering” it just focuses on pummeling the listener into submission with piercing aggression.
Hailing from Germany, today we have Black Metal duo Rimruna and their devastating sophomore release “Der Hatz entronnen”. Featuring over 55 minutes of soul crushing BM, this release is full of traditional elements perfectly executed to crate superbly evil and oppressing atmosphere. For fans of old Satyricon, Marduk, Immortal, this is one hell of a straight up traditional BM release.
After the traditional acoustic intro track, the band goes on full on war mode with the blast beats and incisive riffing of “Tor der Zeit”. The level of rawness and brutality is quite astounding as this track needs nothing else than the traditional instrument core to be icy and demoralizing. Having that certain old-school Black’n’Roll-ish vibe, “Wirren” continues the onslaught with more intense riffing and the demonic vocals, both courtesy of Wintergrimm. This track also features some fine slower and darker passages.
Continuing their magical sidereal journey, today we have Italy’s Progenie Terrestre Pura and their sophomore full-length release “oltreLuna”. Delivering over 55 minutes of highly atmospheric Black Metal with some Industrial Black Metal elements, the band manages to craft five intricate tracks that show great musicianship and ideas. If you like highly experimental/futuristic sounding Black Metal like Shade Empire or similar outfits, you will definitely enjoy this release.
Opening with the crushing riffs of “[.Pianeta.Zero.]”, we get a very Industrial BM vibe mixed with heavy atmospheric elements, making a very unique combination. As always with this band, the track takes a turn into more standard and melodic territories, showcasing the band’s versatility. Continuing the onslaught we have “[.subLuce.]” and its intense drumming, making it one of the most brutal pieces in this release. A nice touch is the dreamy female vocals thrown into the mix to create a deeper atmosphere.