Keeping themselves busy during the last couple of years, Finland’s Hanging Garden is set to unleash their latest EP titled “Neither Moth nor Rust”. After their very impressive 2021 release, this EP delivers around 25 minutes of highly dynamic and engaging music, with a well balanced mixture of Gothic and Doom Metal influences, this album reminds us of late Theater of Tragedy, To/Die/For/ and Beseech releases.
Creating a very somber and yet lively atmosphere, the album title track delivers a well balanced mix of growls and clean male and female vocals, alongside engaging and catchy music. This playful vibe continues on tracks like the dreamy “The Last Dance”, and the atmospheric “And Leave All Love Behind”, showcasing the band’s versatility and craftiness to write highly emotional and yet diverse songs.
Unleashing the perfect mixture of atmosphere and crushing aggression, today we have newcomers Vastatum and their debut full-length release “Mercurial States of Revelation”. Hailing from Canada, this duo has crafted a very unique mixture of old-school Scandinavian Black Metal with a modern and melodic twist that needs to be heard.
Opening with the momentum builder “Nascent Mother of Night”, the listener is treated to an enveloping atmosphere led by melodic guitar riffs and sinister malice. The eerie mixture of clean and harsh vocals greatly enhances the atmosphere, creating a cavernous vibe similar to The Ruins of Beverast alongside a more straightforward instrumentation. This whirlwind experience is masterfully carried forward on pieces like the “Fall With Seclusion” and the devilish “Mortal Abrogation”.
After their killer 2021 “Awake” EP, all-star outfit SOM returns with their much anticipated full-length release “The Shape of Everything”. Featuring members of bands like Junius and Caspian, this album delivers over 34 minutes of extremely melancholic and yet heavy amalgamation of all kinds of genres ranging from Doom to Post-Rock and Post-Metal. Creating a very unique signature style, this release is set to be on plenty of best albums of 2022 releases.
Opening with the melancholy of “Moment”, the band quickly establishes a very moody atmosphere, similar to bands like Deftones and Junius, but with a more shoegazey and dreamy edge. The clean vocals create very powerful melodies, perfectly soaring from the textured guitars of tracks like the Deafheaven-esque “Animals” and the playful “Center”. The band’s versatility can be heard on our favorite “Shape”, a piece that delivers a hefty dosage of heavy riffs alongside more subtle and ethereal guitar work.
After making a huge splash with their 2020 release titled “Bloodletting”, Mountaineer achieves the impossible and unleashes an even more melancholic and more polished release with “Giving Up The Ghost”. For fans of Post-Rock/Doom/Shoegaze, this release delivers over 32 minutes of highly emotional and disharming music, creating a fully immersive atmosphere and a truly magical listening experience.
Opening with a mood setting instrumental, the band gets down to business with the dreamy “Blot Out the Sun”, filled with soaring vocal melodies (both harsh and clean) and very dynamic guitars, perfectly capturing the ‘Mountaineer vibe’ but further extending it with even more melancholy and sublime arrangements like we can hear in “Bed of Flower” or the The Ocean-esque “Touch the Glass”.
While not a 2022 release, we are reviewing a handful of albums we quite enjoyed at the end of 2021 but didn’t have enough time to review. One of those is the outstanding EP from France’s Ainulindalë, titled “Les chroniques d'Arda”. Featuring a combination of dreamy atmospherics, lush epic arrangements and a hefty dose of aggression, this EP nicely introduces a promising outfit.
Combining elements from bands like Enid, Battlelore, Turisas, “Les damnés de Numénor” sets a very regal and effective mood. We particularly like the crafty synths paired with solid screams and epic clean vocals. As “Dagor-nuin-Giliath” and “Le geste de Maeglin” up the tempo, the band nicely unleashes crafty drumming alongside melodic guitars to keep things fluid and the headbanging to the max.
With the barrage of promos we get each month, it is easy to lose track of under the radar releases that are quite interesting. Luckily for us, Nightland’s latest album “The Great Nothing” popped in our queue and hasn’t left after more than a dozen spins. Mixing Progressive elements with a Symphonic Death Metal core, this release unleashes over 47 minutes of highly polished and very engaging music that will appear to fans from bands like Sculptured, Fleshgod Apocalypse, Septicflesh, and Arcturus.
The release opens with the crafty “The Conjunction of Benetnash” and its intricate guitar lines paired with dramatic choral arrangements. This opener sets a very intriguing mood as the band’s sound is still yet to fully unravel. With a more mellow approach “For Once My Name” introduces a nice mixture of harsh and clean vocals, having a very epic feeling, a bit like bands like Arcturus, but with a cleaner and more ethereal purpose.