While Metal elitists are too busy hating on the band’s unique style, Amaranthe has constantly gained more and more worldwide notoriety. With “Helix” the band continues to push the boundaries of Metal with an even more bombastic release filled with their signature catchy electronic elements fused in with heavy guitars and harsh vocals. Led by the charismatic Elize Ryd, the band unleashes twelve superbly catchy songs that are the band’s best and most integrated material to date.
Instantly cranking it up to 11, the band opens with the brilliant “The Score”, a track that sets a high-octane intensity filled with catchy chorus sections and playful electronic elements. The band’s Pop-ish magic is perfectly fuses into “365”, where Elize delivers brilliant vocal melodies that are contrasted by the diverse male vocals and subtle atmospheric elements. Continuing the band’s uplifting mood, “Inferno” and “Control” deliver unrivaled catchiness and a very heavy edge to things.
Unleashing the most impressive release (so far) of 2018, today we have the legendary Amorphis and their latest full-length album “Queen of Time”. Featuring the quintessential Amorphis energy and creativity, the band takes things even one step further with more grandiose arrangements and catchier melodies. Nearly clocking in at one hour, the band defies age and continues to release high quality and high replay value releases.
Opening with the first single, “The Bee”, the music instantly features the band’s signature style with over the top arrangements and the impressive growls of Tomi Joutsen. Setting a very lively mood on the opening song, allows for a swift transition into the upbeat and engaging “Message in the Amber”. Featuring Jørgen Munkeby on sax and dramatic choir arrangements in “Daughter of Hate”, this track shifts the mood into more somber and yet dynamic territories, making it one of our favorite songs from the band.
Creating a very unique and engaging musical experience, today we have newcomers Follow the Cipher and their self-titled debut release. Thanks to their impressive and enveloping sound, the band kicks off their career in the spotlight signed to Nuclear Blast records and with incredible charisma and skill. If you are looking for a cinematic musical experience that blends elements from bands like Kamelot, Sabaton and Amaranthe, this is definitely a band you want to check out.
Opening with the intense “Enter the Cipher”, we are treated to a Nightwish-esque pace filled with catchy riffs and over the top keyboards. The atmosphere is quite well crafted and led by the beautiful Linda Toni Grahn, the band makes a quick first impression filled with catchy music and lush vocal leads (both male and female). Using some electronic elements in their music, the band crafts superbly engaging track like “Valkyria” a song that ups the ante and keeps things intense as “My Soldier” and “Winterfall” roll in.
Eight years have passed since Dimmu Borgir’s last release and tons of speculation an expectations have been building up to the unleashing of “Eonian”. Without wasting any more time, this release is truly outstanding as it builds on the band’s legacy of uncompromising creativity and musical exploration. In “Eonian” the band features a very raw and evil Black Metal core, reminiscent of the band’s older releases with retaining the grandiose orchestral and symphonic edge the band has been maturing since “Enthrone Darkness Triumphant”.
The band makes a bold opening statement with the lush “The Unveiling”, a song filled with incisive Black Metal riffs and dramatic choir arrangements. This song brings us back to where “Abrahadabra” left off, bringing back the lush and complex sound that made that release amazing. The album’s first single “Interdimensional Summit”, unleashes unparalleled catchiness in its chorus section, while delivering killer drum patterns and playful tempo changes. As “ÆTheric” and “Council of Wolves and Snakes” roll by, we are totally intoxicated by the band’s powerful atmosphere and brilliant execution. The creepy wolves sound paired with the throat singing of this later track make up for one hellish experience.
As one of the most expected releases of 2018, today we have Kamelot and their latest epic release “The Shadow Theory”. Filled with the traditional Kamelot sound and a few surprises, this release unleashes over 50 minutes of bombastic music that should please all the fans of the band and gain them several more. Sadly, with this album the band sends of Casey Grillo on a high note (with the band), and welcomes new drummer Johan Nunez.
The release starts with the bombastic lushness of “Power Divine (Shadow Empire)” with the first duet between Lauren Hart (Once Human) and Tommy Karevik. This track embodies the Kamelot style to perfection, but delivering killer melodies, tight drumming and very well crafted vocal arrangements. As the band goes through “RavenLight” and the industrial-ish “Amnesiac”, we notice some very interesting new elements thrown into the mix, making the band’s sound more dynamic and engaging for listeners.
Formed by musicians from Finland and Greece, Aeonian Sorrow is set to unleash their debut album “Into The Eternity A Moment We Are” on April 11, 2018. Featuring nearly 60 minutes of beautiful and yet demoralizing Melodic/Gothic Doom Metal, this release caters to the fans of bands like Draconian, Swallow the Sun, old Tristania etc. This young band manages to release eight brilliant tracks full with memorable moments and expert musicianship.
Opening the album with "Forever Misery", we are instantly greeted by solemn keyboards and piercing Doom riffs. Alejandro Lotero’s growls are exactly what the doctor ordered in these types of releases and perfectly contrast Gogo Melone’s enchanting female vocals. With Gogo also handling the keyboard duties, the band creates a very dense and crushing atmosphere, as heard in “Shadows Mourn”. The My Dying Bride-esque “Under the Light” delivers ripping guitars and very well-spaced drums, crafting the perfect mournful headbanging tune.
Hailing from Denmark, today we have the most promising new kids on the Melodic Death Metal block: Killing Gandhi. With a highly refined and effective sound, this band unleashes upon us their sophomore release “Aspirations of Failure”. Mixing everything we love from bands like Dark Tranquility, Children of Bodom, (old) In Flames, Kalmah, Omnium Gatherum, etc. the band delivers nearly 40-minutes of neck breaking music that is definitely one of the best releases of the genre in quite a while.
After the obligatory atmospheric intro, the band quickly gets down to business with the intense “Let Me Tell You”. This track starts off with killer catchy riffs and energetic vocals, and while there are tons of influences there, the band has their own unique signature style. With some futuristic keyboards, “Dark Hours” and “Hollow Paintings” are definitely some of the highlights of this release, blending tight drumming with intricate riffing and a very upbeat tempo.
With a completely revamped line-up since their last full-length release, today we have Austria’s Visions of Atlantis and their signature high-octane Melodic/Symphonic Power Metal. Unleashing “The Deep & the Dark”, the band’s first full-length release since 2013, fans of band will be completely blow away by the power and intensity behind the ten songs presented in this release.
Fronted by the highly talented Clémentine Delauney, the band sets sails in this very exciting journey with the energetic album titled track. The atmosphere is very well set with the symphonic elements as the musical playfulness kicks in full gear with incisive guitars and superbly catchy female vocals. The male Power Metal vocals are handled perfectly by Siegfried Samer, as he provides an excellent balance in his leads and duets with Clémentine, as we can quickly hear in the magical “Return to Lemuria”. This last track has a certain Sonata Arctica-esque magic that is driven initially by the Chris Kamper’s keyboards.
Hailing from North America, today we have Melodic Progressive/Heavy Metal outfit WildeStarr and their superb full-length release “Beyond the Rain”. Perfectly delivering that old school Heavy/Power Metal vibe through the sultry vocals of London Wilde, this album is perfect for fans of bands like Accept and Doro, but that want a certain Power Metal edge thrown into the mix.
Opening with the melodic riffing of “Metamorphose”, we get the first glance of Dave Starr’s guitar skills and a preview of how well they mesh together with the other instruments to create memorable and epic-sounding songs. Tracks like “Beyond the Rain” and “Pressing the Wires” warm up the listener with catchy riffs and very commanding leading vocals.
Hailing from Japan today we have the mesmerizing debut EP of Anguis Dei, titled “Ad Portas Serpentium”. Delivering four majestic Symphonic/Melodic Black Metal hymns that remind us of the old days of Emperor, Old Man’s Child, Naglfar and Dimmu Borgir, this release is quite a musical experience for fans of the style.
Opening with the dramatic theatrics of “Maythorns Over Uroboros”, this track sets a high-octane pace for this release. The lush keyboards are perfectly contrasted with the hellish vocals and bestial drumming. We particularly love how the band handles tempo changes in order to inflict the most amounts of pain via killer guitar leads or atmospheric passages.