Melodic Metal

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    Mystic Circle - Erzdämon (2023)

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    Just one year after releasing their first full-length release in 16 years, Germany’s Mystic Circle is back again with another crushing release: “Erzdämon”. Filled with the same energy and retro-ish vibe from their last release, this album unleashes 47 minutes of superbly crafty and catchy Melodic Black Metal with the signature Mystic Circle style. If you loved the band’s triumphant return, this release is along the same lines of brilliance.

    Opening with the high-octane album title track, Graf von Beelzebub and Aaarrrgon deliver crafty atmospheric elements, epic melodic guitar riffs, and tight drumming. This track immediately makes the listener want to headbang with its engaging mixture of melody and aggression. With that retro Horror Metal edge that the band blends into their sound, tracks like “From Hell”, “The Unholy Trinity”, and “Scarecrow” keeps things lively with their catchiness.

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    Oceans of Grief - Pale Existence (2023)

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    Delivering waves of melancholic guitar leads and demoralizing Doom riffs. Today we have Greece’s Oceans of Grief with the excellent “Pale Existence”. Clocking in at 47 minutes, this release feels like a genetically engineered mixture of Insomnium with Hanging Garden, creating seven crushing songs. If you are a fan of the genre, this band perfectly balances melody, melancholy, and musicianship in one extremely polished package.

    Opening with “Poetry For The Dead”, the band sets a very somber mood with atmospheric keyboards and crafty melodic passages. As the band warms up, “Dale of Haunted Shades” and “Unspoken Actions” perfectly deliver that blend of Melodic Death Metal with Death/Doom tempos, creating very cinematic and lush aural experiences. The third track even features Jari Lindholm of Enshine unleashing some excellent weeping guitar leads.

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    Insomnium - Anno 1696 (2023)

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    Mostly stable line-ups and consistency have been the fundamental pillars behind Insomnium and their music. For “Anno 1696” the band continues to deliver their highly melancholic Melodic Death Metal but with a few additional elements that nicely revamp their signature style and keeps it fresh. The majority of die-hard fans for the band will find what they want here, but it also provides that little extra that for some of us that were looking for something a bit different.

    Opening with “1696” we get mood setting clean guitars and atmospherics that quickly transform into Melodic Death Metal bliss with the signature Insomnium riffing. However, the band chooses to go faster rather than safe and typical, creating a bit of a different pace before settling into their traditional superbly melodic leads and headbanging passages. Having a couple of guests like Sakis Tolis (Rotting Christ) and Johanna Kurkela on “White Christ” and “Godforsaken” respectively, gives the band a different edge while still oozing melancholy.

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    In Flames - Foregone (2023)

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    Dramatic openings of songs like “Your Stories I’ll Remember” and “Paradise” perfectly showcase the band’s versatility and cinematic nature, making their sound one of the best in the scene. While many bands in the genre have opted to add more Pop-ish elements into their music, Xandria keeps things strictly Symphonic Metal with a good dose of intensity and additional instrumentation, as “The Maiden and the Child” and “Astèria” showcase.

    After an acoustic opener, “State of Slow Decay” quickly delivers some chuggy guitars that suddenly transform into your quintessential Swedish old-school Melodic Death Metal riffs. This immediately caught us by surprise as the song continues to be quite effective, and even impressive with the killer twin guitar leads. Before quickly agreeing that the hype is real, there are still some of the more modern Core-ish elements that will scare purists away as one notices on “Meet Your Maker” and “Bleeding Out”.

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    Inherits the Void - The Impending Fall of the Stars (2023)

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    Unleashing waves of old-school Symphonic/Melodic Black Metal, today we have one-man battalion Inherits the Void and and ‘their’ sophomore full-length release “The Impending Fall of the Stars”. Mixing elements from the early days of bands like Old Man’s Child and Dimmu Borgir, with the raw melody of Immortal, this release delivers 43 minutes of intense music.

    Opening with the album title track, we instantly get waves of crushing riffs, a la Galder style, perfectly adorned with subtle but lush keyboards and hellish screams. The immediate vibe is quite retro, but with crisp production values. As “Palingenesis”, “Where the Oceans Lost their Might” and “Sullen Laments of the Wanderers” roll by, the listener will find itself headbanging to the expertly crafted melodic core of the band’s sound.

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    Moonlight Sorcery - Nightwind: The Conqueror From the Stars (2023)

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    Some releases are just too awesome to have a digital only release, and thanks to Avantgarde Music, today we have Moonlight Sorcery’s latest EP “Nightwind: The Conqueror From the Stars” available in different physical formats. Featuring a very interesting mix of old-school Black Metal with a heavy Melodic edge, this band perfectly captures that 2000’s vibe when the genre was pumping out excellent releases.

    Hailing from Finland, this outfit quickly sets a hectic tempo with the magical “Ancient Sword Of Hate” and its uncompromising melodic riffing. Filled with furious lead guitars and blistering drumming, this track is quite punishing and yet highly engaging. With a thrashier edge, “Yötuulten Kutsu” has a certain early Children of Bodom-meets-Alghazanth vibe and we totally love it. Definitely one of the best tracks in this release.

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    Disillusion - Ayam (2022)

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    Unleashing a very unique release that has a certain retro Death Metal vibe paired with some crafty proggy and dreamy passages, Disillusion delivers their 4th full length release with “Ayam”. Originally founded back in the 90’s, this band has slowly evolved into more avant-garde territories, but still manages to keep some of that old-school vibe in their highly elaborate music. For fans of early 90’s Melodic/Doom Metal to fans of Opeth, Anathema, and Devin Townsend, this release has something for nearly everybody.

    Opening strong with “Am Abgrund”, we get a very unique old-school Benediction meets Ihshan vibe thanks to the contrast of growls, clean vocals, proggy guitars and crafty trumpets. The band brilliantly balances their more experimental and proggy edge in tracks like “Tormento”, “Driftwood”, with this last track dazzling users with soaring vocal melodies and waves of melancholy, giving those Anathema vibes

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    Décembre Noir - Pale Serenades (2022)

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    Showcasing a very different side of their music, today we have Germany’s Décembre Noir with their latest EP “Pale Serenades”. Featuring a re-interpreted version of an individual track of each of the band’s previous releases: "The Renaissance Of Hope", "Autumn Kings", "Forsaken Earth" and "A Discouraged Believer", the listener is treated to a more naked and direct approach from the band, creating a very unique and powerful experience.

    The release opens with “A Swan Lake Full of Tears”, a very solemn and melancholic track which also features Nick Moss on guest vocals, adding that extra punch to make the song even more special. Next up, we have the fragile “Barricades” with lush and dramatic piano arrangements alongside Aaron Stainthorpe’s mournful guest vocals. This is certainly our favorite track of the release.

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    Wyrms - Sarkhral Lumænor - La lueur contre les fléaux (2022)

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    Unleashing one blistering barrage of punishing Melodic Black Metal riffs, today we have Wyrms and their fourth full-length release “Sarkhral Lumænor - La lueur contre les fléaux”. Other than having one of the longest album titles in 2022, this album perfectly blends unparalleled intensity with sinister BM foundations, creating a very Windir/Vreid meest Atmospheric/Suicidal BM atmosphere.

    Immediately setting a hellish pace, “La messe de l épée” slowly transitions from dreamy atmospherics into all-out Black Metal onslaughts filled with intense guitar work and ravaging drumming. This level of intensity is perfectly on display on pieces like “Fort blanc et bêtes noires” and “Entre gueux et rats”, where the melodic aspect of the band's sound nicely creates a very effective and direct mixture that will have listeners furiously headbanging.

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