Fully righting their musical ship, today we have Canadian legends Cryptopsy and their first full length release in over 10 years: “As Gomorrah Burns”. Returning to that vicious Brutal Death Metal sound from their earlier years, the band delivers eight tracks and 33 minutes of crushing brutality. While the band showed their mettle with a new lineup during “The Book of Suffering - Tome I and II”, this release perfectly blends their old style with newer and fresher Technical DM elements that nicely polish their sound.
The band quickly makes a statement with the pummeling “Lascivious Undivine”, and follows it with the even more blistering “In Abeyance”. The best part of this opening pair of tracks is that you can hear the old-school Death Metal from the band perfectly blended with a fresher and more modern edge of current Technical Death Metal/Deathcore productions. Blasting the listener away, one of our favorite tracks has to be “Godless Deceiver” and its intense drumming, perfectly flanked by chuggy riffs and hellish vocals.
Technical Death Metal
Spanning back in 2020 out of ex members of Obscura, Obsidious is one of those bands that perfectly combines technical wizardry with solid songwriting to craft unique songs that are brilliant in both departments, not just one of the two like tons of other bands. Unleashing over 53 minutes of music, some might expect just another version of Obscura, but the band is far from this as it feels more like a mixture of Scar Symmetry, older Soilwork, some of the pace of Persefone, with some Cynic sprinkles. If you are a fan of the genre, you should better keep an eye out for these guys.
The release opens with the imposing “Under Black Skies” and its pretty brutal delivery of multiple styles of harsh vocals alongside punishing riffs and crushing drums courtesy of Sebastian Lanser. The mood quickly changes and becomes more dynamic as the soaring clean vocals change the tempo a bit. The band’s sound is quite well crafted as it is never too linear and keeps throwing things at the listeners to keep them guessing as one can appreciate from tracks like “Sense of Lust”, “Iconic” and “Bound By Fire”.
Delivering a hefty dose of high-octane Progressive Death Metal, today we have Lamentations and their sophomore release “Passion of Depression”. We particularly enjoy proggy/technical releases that actually have well structured and enjoyable songs and are not just a self-wanking fest of technical proficiency. Luckily for the listeners the band unleashes seven excellent songs filled with crafty tempo changes, moody arrangements and excellent musicality.
From the lush opener “Prodigal”, we get a very engaging Cynic-meets-Persefone vibe, perfectly balancing proggy interludes with some heavier and more complex sections. All band members this time around are basically the same guys behind Monotheist, and it shows that the music is quite cohesive and well integrated, with each instrument shining at different stages but never overpowering the general flow of tracks like “Anew” and “Shiver”. These tracks deliver excellent melodic passages, dreamy vocals and a pulsating bass guitar line.
Hailing from France, today we have a very engaging and technically proficient outfit with Catalyst and their sophomore full-length release “A Different Painting for a New World”. With a very catchy and crafty Tech/Prog Death Metal sound, reminding us of a mixture of Scar Symmetry, Persefone, and Into Eternity, this band delivers nearly one hour of neck-snapping music that will immediately please any fan of the genre.
After building momentum with the opener, the band wastes no time to unleash their riffing onslaught with the pummeling “To Unleash Thy Heinous Fate”, a track that is both blistering and crafty. The band’s style is very well balanced as they expertly mix harsh grows and tempo changes with virtuosity as we can hear in pieces like “The Last Warning”, “Worms and Locusts”, and “Arise of the Anathema”. This last track is one of our favorites thanks to how dynamic and explosive it is.
After changing vocalists on the last two albums, against all odds, Fallujah has come on top in both occasions. In “Empyrean” the band welcomes Kyle Schaefer, while continuing to dabble even more in Progressive Death Metal territories. The band’s transition over the years has been quite interesting and for over 50 minutes they unleash a very crafty combination of Progressive elements and Technical Death Metal wizardry.
Delivering a blistering and swift opening, “The Bitter Taste of Clarity” hits the listener hard with punishing riffs, inhuman growls, and a crafty tempo changes, reminiscent of a mixture of bands like Persefone, Obscura, and Hour of Penance. The technical wizardry continues with excellent pieces like “Radiant Ascension”, the proggy and moody “Embrace Oblivion” with some dreamy clean female and male vocals thrown into the mix, and one of our favorites with the highly melodic “Into the Eventide”.
Over four years have passed since Persefone’s last release, and with “Metanoia”, the band shows the wait was more than worth it. Unleashing nearly one hour of high-octane Melodic/Progressive/Technical Death Metal, this Andorran outfit delivers ten expertly crafted songs filled with intricate details and superb catchiness. If you thought their previous releases were awesome, you are in for a treat with this one.
After the title track atmospheric opener, “Katabasis” shows that if you didn’t think the band’s sound could get any better, you are completely wrong as Einar Solberg’s vocals fully elevate it to new dimensions. Apart from the epic guest vocals, the perfect balance of musical wizardry and harshness is front and center on tracks like “Architecture of the I”, the quirky “Aware of Being Watched”, and the album's first single “Merkabah”.
Hailing from the USA, today we have Progressive/Tech Death Metal outfit Burial in the Sky and their sublime release “The Consumed Self”. Perfectly blending technical proficiency, melancholic songwriting, and flawless execution, this release unleashes nearly one hour of mesmerizing music. Highly recommended for fans of bands like Sculptured, Obscura, Necrophagist, etc. this release will have you both in awe and bruised from all the headbanging.
The release opens with the dreamy/proggy intro “The Soft Violet Light” and pummels right into the sheer brutality of “An Orphaned City”. This contrast perfectly introduces the heavier side of the band and their technical proficiency with blistering guitars and massive drums flanking the harsh screams. The band’s seamless transition between heavier parts and more melodic and proggy passages, like on “On Wings of Providence”, is exactly what draws us to this outfit and their polished sound.
Hailing from Canada, today we have Progressive/Technical Death Metal outfit Æpoch with their latest EP “Hiraeth”. Delivering nearly 20 minutes of high-octane music, this band shows great maturity and originality in their very polished sound. From start to finish, this release will have you furiously headbanging and moshing with your friends.
Opening with “Atonement”, we get that immediate Death worship within the first few minutes as the band transitions into intense melodic riffs and proggy tempo changes. The opener perfectly bleeds into “Amnesia” another piece with ravaging guitars and tight drumming. The growls are deep and firm, allowing the music to sound quite brutal with the addition of extra vocals by Alustrium’s Jerry Martin.
Unleashing a brutal feast of technical proficiency and crushing aggression, today we have Iceland’s Ophidian I and their sophomore release “Desolate”. In the same vein as bands like Obscura, Hour of Penance, Persefone, etc. this band is ready to kick major ass with the boost of being signed to a label like Season of Mist. If you like speed, technicality and craftiness, this release will blow your mind.
Wasting no time to turn up the intensity to 11, “Diamonds” unleashes blistering guitars and pummeling drums as it waves back and forth musicianship and brutality. The band’s ability to seamlessly transition between crafty guitar leads and neck-snapping tempo changes is quite brilliant, as one can hear in “Spiral to Oblivion”, “Storm Aglow”, and one of our favorites “Unfurling the Crescent Moon”. Not leaving any brutality to the side, the harsh growls and aggressive drumming nicely round things up.
Unleashing one of the most over the top and yet brilliant Symphonic-whatever-Metal releases, today we have Wizardthrone and their debut full-length release “Hypercube Necrodimensions”. Featuring members from bands like Alestorm, Nekrogoblikon, Gloryhammer, and Æther Realm, this band creates a very explosive and lush Metal sound with tons of wacky influences and over the top orchestrations. Imagine Gloryhammer, Æther Realm, with a dose of Children of Bodom and Obscura, and you can almost approximate what this band sounds like.
The release opens with the ravaging “Black Hole Quantum Thermodynamics”, perfectly blending dramatic orchestrations with heavy melodic guitars and a crafty use of harsh and clean vocals. The mood is set very epic from the start, and it never lets go as we can hear in the immersive “Frozen Winds Of Thyraxia” and the playful “Incantation Of The Red Order”, both tracks filled with killer guitar leads and well crafted tempo changes.