Neo-classic

  • Nucleus Torn – Andromeda Awaiting (2011)

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    As the last part of a trilogy, “Andromeda Awaiting” closes of the band’s previous two albums “Nihil” and “Knell” with a very melodramatic sound of beautifully constructed neo-classical/neo-folk pieces. Produced and written by Fredy Schnyder, this album has the same cinematic feeling that the band’s previous releases have presented us and provides a peaceful closure to a 4 year writing period.

    The beautiful vocals of Maria D'Alessandro adorn this release since the opening track and provide a very solemn performance that at some points (like on “II”) will give you the chills. On the other side we have some male vocals on here and there that give that extra touch to this release to make it a very personal and emotive.

  • Various Artists – Whom the Moon a Nightsong Sings (2010)

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    Prophecy Productions has always been a label associated with top acts in the Neo-Folk / Neo-Classical genres, and with “Whom the Moon a Nightsong Sings”, the label puts together a very comprehensive package of top bands of the genre in the shape of a two CD/LP compilation of exclusive and rare tracks. While some people might call it a money-grabbing attempt from the label, we have to recognize that every single track in this release is of the outmost quality and creates a very cohesive atmosphere around it.

    Featuring exclusive songs from bands like Empyrium, Nest, Nebelung, Tenhi, October Falls, Les Discrets, and Dornenreich among others will surely make fans of the bands and the genres immediately acquire this release as a essential addition to their collection. Other might be enticed by ‘rare’ tracks such as “Synen” from Ulver, and “Apres l'Ombre” by Les Discrets. But the most important thing here is the chance of getting a wide variety of bands together in a double release that will serve as a perfect starting point for people looking into the genres.

  • I Shalt Become – Poison (2010)

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    I Shalt Become is one of the pioneering bands behind the USBM movement of the last years, and while not as recognized as Leviathan and Judas Iscariot, the band has released some fine pieces of USBM history like “Wandering” and “In The Falling Snow”. “Poison” features an overly orchestral trip down to the depths of hell.

    The first things that came to mind when listening to “Poison” are the quick similarities it draws to Elend’s work. And while the musical composition skills of S. Holliman are not as good as the ones behind Elend, this album does create a very dramatic atmosphere that is not to be taken lightly. Also, “Poison” features has a down temp feeling, similar to what some doom and funeral doom bands have been doing for years, providing an extra dimension to this fine release.

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