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  • Grift - Vilsna andars utmark (2022)

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    Delivering to solemn and very well crafted Folk/Neofolk tracks, today we have Sweden’s Grift and their latest 7-inch “Vilsna andars utmark”. While fans of Black Metal and DSBM will not find what they are looking for here, this is still a very eclectic and moody release that quite fits Erik Gärdefors style of calmer and yet dark and sinister music.

  • In The Woods… - Diversum (2022)

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    Just when you think a band that you really like will be heading downhill after replacing their vocalist, the band comes back with one epic release easing all concerns. Luckily for us, this is the case for In the Woods… and their latest opus “Diversum”. Blowing people's minds back in the mid to late 90’s with the evolution of their Black Metal roots to Avant-garde Metal territories, the band came back to life in 2014 with three of the band’s original members and a new vocalist which was quickly replaced by the super talented James Fogarty of Ewigkeit/Old Forest fame.

    The band’s clean vocals have always been one of their staple elements and luckily on the band’s return ‘Mr Fog’ was able to hold his own and added to the band’s sound with his own unique style. Replacing him was a tall order however, with Bernt Fjellestad the band’s sound is even more epic than before. From the opener “The Coward’s Way” to the majestic “Moment”, we are quickly impressed with the soaring clean vocals and their transition to harsh screams. The music greatly adds to the overall feeling of elation thanks to its crafty proggy and yet heavy nature, with some piercing Black Metal-ish riffs that weirdly fit perfectly.

  • Eternal Helcaraxe - Drown in Ash (2022)

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    With the amount of promos we get, sometimes we miss some truly unique gems like “Drown in Ash” by Eternal Helcaraxe. Luckily, we have a system to check out nearly every single album we receive and review some of the most impressive ones. Hailing from Ireland, this outfit delivers a highly melancholic and melodic blend of Atmospheric elements and fierce Black Metal. From start to finish this release will keep you to the edge of your seat and will leave you wanting more.

    The onslaught begins with the somber “Withered Strands Of Existence” and its lush dreamy opening that suddenly turns hectic with waves of crafty guitars, pummeling drums and harsh vocals. There is a certain melancholic magic on the clean vocal arrangements that flank the intensity of the music, making the song quite effectives. With an Austere meets Saor vibe, tracks like the album title song, “Where Dead Things Roam Free” and “None Of It Mattered” fiercely explore the bands multiple facets from relentless aggression to minimalistic acoustic interludes.

  • Karg - Resignation (2022)

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    Releasing an album nearly every two years, today we have Karg and their release “Resignation”. Masterminded by J.J. of Harakiri for the Sky fame and featuring PF of labelmate’s Ellende, this release delivers over 46 minutes of highly melancholic and very well arranged Post-Black Metal. The band’s sound reminds us of a mixture of Heretoir with Harakiri for the Sky with a dreamier edge, so any fan of those (or similar) bands will certainly love this release.

    Opening with the 11-minute “Was bleibt”, the track starts very traditionally and it soon blends in dreamier and lush atmospheric elements, like the dramatic string and wind instruments near the 9-minute mark that perfectly pair with solemn clean vocals. This is exactly what makes “Resignation” a very interesting release as it manages to stray away from just the typical all post-Black Metal bands are doing these days. However, the album still has plenty of heaviness and catchiness as “EBBE//FLUT” shows the listener.

  • Lamentations - Passion of Depression (2022)

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    Delivering a hefty dose of high-octane Progressive Death Metal, today we have Lamentations and their sophomore release “Passion of Depression”. We particularly enjoy proggy/technical releases that actually have well structured and enjoyable songs and are not just a self-wanking fest of technical proficiency. Luckily for the listeners the band unleashes seven excellent songs filled with crafty tempo changes, moody arrangements and excellent musicality.

    From the lush opener “Prodigal”, we get a very engaging Cynic-meets-Persefone vibe, perfectly balancing proggy interludes with some heavier and more complex sections. All band members this time around are basically the same guys behind Monotheist, and it shows that the music is quite cohesive and well integrated, with each instrument shining at different stages but never overpowering the general flow of tracks like “Anew” and “Shiver”. These tracks deliver excellent melodic passages, dreamy vocals and a pulsating bass guitar line.

  • Maulén - El Miedo de Amar (Part 1) (2022)

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    Hailing from Sweden, Maulén is a music collective with a very unique and engaging sound. We like weird and atmospheric stuff and this EP perfectly fits into both categories. With three tracks and nearly 20 minutes of music, Carlos Ibarra (Age of Woe) and company take listeners through desolate soundscapes that are both exotic and quite melancholic. Not for the close minded, this release has a certain magic that will find you listening to it over and over without even noticing.

    Opening with the dreamy “Rostro” and its droney core, nicely adorned by minimalistic guitars and haunting vocal arrangements. This track immediately drew our attention and hooked us on this musical journey. On “Sirjatan” we have Lea Alazam unleashing her hypnotic vocals, reminding us a bit of bands like Wolvennest and Jex Thoth, this track nicely sets a very somber tone that slowly gains momentum until reaching its climax.

  • Kathaaria - To Be Shunned by All​.​.​.​ As Centres of Pestilence (2022)

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    Finally catching up with some of the September releases we flagged to review but didn’t get to, today we have Kathaaria’s sophomore release, after 14 years, title “To Be Shunned by All​.​.​.​ As Centres of Pestilence”. Playing a weird and decadent interpretation of Black Metal, this duo crafts six very interesting songs that have influences from the Scandinavian Avant-garde Black Metal scene.

    Opening with the piercing “Agenda Nihil”, the band immediately makes their pitch of uncompromising madness with the intricate riffing and drummer of this sinister song. Things are just getting warmed up as “The Last Act of Rebellion” keeps the madness going with some playful tempo changes and very crafty arrangements, delivering a tricky and yet very enjoyable song that goes beyond your typical BM piece.

  • Terra - Für dich existiert das alles nicht (2022)

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    Unleashing a gargantuan slab of Black Metal with tons of atmospherics, today we have UK’s Terra and their sophomore release “Für dich existiert das alles nicht”. In the vein of Ash Borer, Fell Voices, and the like, this release punishes the listener with ravaging onslaughts of Black Metal aural abuse thanks to its unsettling atmosphere. With four tracks clocking in at over 60 minutes, this release is as brutal as it is brilliant.

    Opening with “The Beginning”, the band slowly envelops the listener with raw distortion, massive drums and piercing vocals. The band’s style is definitely an acquired taste as it relies heavily on its punishing atmosphere but once it settles, it is demoralizing and extremely powerful. The riffs on tracks like “Verisimilitude” are as heavy as they can get and nicely weave back and forth from the drone-ish/ambient-like atmospherics. This particular style is quite effective and immediately transports the listener to a dark and foggy world where sound transcends consciousness.

  • Lost in Kiev - Rupture (2022)

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    Having slowly creeped its way into influencing Metal bands, Post-Rock is a genre we have always enjoyed and found quite engaging and dreamy to so extent. One of the best bands in the genre has to be French outfit Lost in Kiev, which returns this October with their latest opus “Rupture”. Producing over 51 minutes of high-octane cinematic music, the band covers many different moods and tempos in a very cohesive and engaging release.

    The release nicely builds momentum with the intriguing “We Are” and its crafty progression, filled with intricate guitars and engaging drumming. Featuring Loic Rossetti from The Ocean, “Prison of Mind” perfectly layers dramatic and aggressive vocals on top of the band's exploratory and momentum building style. This is definitely the heaviest track of this release. Our favorite track in this release has to be the magical “Another End is Possible” and its oozing bleakness alongside dreamy shoegazing passages.

  • Abyssic - Brought Forth in Iniquity (2022)

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    It is hard to innovate in Metal these days, however, there are always bands like Abyssic that take known formulas and greatly improve on them with their highly eerie Symphonic Doom/Death Metal. With “Brought Forth in Iniquity”, the band’s sophomore release, Memnoch and company craft over 50 minutes of highly atmospheric and very crushing music that greatly improves over their first release.

    Opening with the decadence of “Cold as Winter Storm”, we are introduced to a perfectly balanced old-school Funeral-ish Death/Doom Metal with a huge atmospheric component. This atmosphere is quite cinematic and it feels like a black and white horror movie, making songs like “Mirror of Sorrow” and “Djevelens Lys” deliver a truly immersive and imposing experience. The band features members like Memnoch (ex-Susperia) and Tjodalv (ex-Dimmu Borgir) and they bring their years of songwriting experience together in a very cohesive and engaging way.

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